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THE QUEEN’S NECKLACE

The characters’ wit and wisdom are unusual for the genre, but the plot—featuring by-the-numbers swordplay, sorcery, and...

Intensely complicated continuation of the far-future saga drenched in magic and Renaissance European political intrigue familiar from Edgerton’s earlier Goblin books (The Gnome’s Engine, 1991, etc., not reviewed). It’s the 65th century, and a scrappy young girl is discovered living with a humble goblin shopkeeper in a faraway village. The daughter of a banished queen descended from the brilliant, decadent, genetically engineered race of goblins that once ruled the world, Princess Sophonsipa, also known as Ys, was left with a necklace of settings for a series of jewels. The jewels, which have been scattered among ruined, vaguely medieval cities reminiscent of 16th-century Europe, are really goblin technology that can command the weather and hold volcanoes in check. Awakened to her heritage, Princess Sophonispa uses sorcery to seduce and marry the depressed King Jarred of Winterscar, launching a complicated scheme to reassemble the necklace and put goblins back in control over humans. In her way stand the charming human rake Wilrowan Krogan-Blackheart, a soldier of noble birth who has a psychic ability to talk to ravens; his sorcerer-physician wife Lillian, who endures her husband’s philandering because she likes him but can’t stand living with him; the befuddled historian Lucius Sackville-Guillian; a strange religious fanatic named Raith; and a host of other characters, human and goblin, high-born and low.

The characters’ wit and wisdom are unusual for the genre, but the plot—featuring by-the-numbers swordplay, sorcery, and campy villainy—takes far too long to cohere, ending with a few too many loose threads for the next volume.

Pub Date: July 1, 2001

ISBN: 0-380-78911-6

Page Count: 592

Publisher: Eos/HarperCollins

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: May 15, 2001

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DEVOLUTION

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

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DARK MATTER

Suspenseful, frightening, and sometimes poignant—provided the reader has a generously willing suspension of disbelief.

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A man walks out of a bar and his life becomes a kaleidoscope of altered states in this science-fiction thriller.

Crouch opens on a family in a warm, resonant domestic moment with three well-developed characters. At home in Chicago’s Logan Square, Jason Dessen dices an onion while his wife, Daniela, sips wine and chats on the phone. Their son, Charlie, an appealing 15-year-old, sketches on a pad. Still, an undertone of regret hovers over the couple, a preoccupation with roads not taken, a theme the book will literally explore, in multifarious ways. To start, both Jason and Daniela abandoned careers that might have soared, Jason as a physicist, Daniela as an artist. When Charlie was born, he suffered a major illness. Jason was forced to abandon promising research to teach undergraduates at a small college. Daniela turned from having gallery shows to teaching private art lessons to middle school students. On this bracing October evening, Jason visits a local bar to pay homage to Ryan Holder, a former college roommate who just received a major award for his work in neuroscience, an honor that rankles Jason, who, Ryan says, gave up on his career. Smarting from the comment, Jason suffers “a sucker punch” as he heads home that leaves him “standing on the precipice.” From behind Jason, a man with a “ghost white” face, “red, pursed lips," and "horrifying eyes” points a gun at Jason and forces him to drive an SUV, following preset navigational directions. At their destination, the abductor forces Jason to strip naked, beats him, then leads him into a vast, abandoned power plant. Here, Jason meets men and women who insist they want to help him. Attempting to escape, Jason opens a door that leads him into a series of dark, strange, yet eerily familiar encounters that sometimes strain credibility, especially in the tale's final moments.

Suspenseful, frightening, and sometimes poignant—provided the reader has a generously willing suspension of disbelief.

Pub Date: July 26, 2016

ISBN: 978-1-101-90422-0

Page Count: 352

Publisher: Crown

Review Posted Online: May 3, 2016

Kirkus Reviews Issue: May 15, 2016

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