An accomplished interweaving of character trajectories in the intense world of ballet.
A principal dancer, a dancer-turned-ballet master, and the latter’s teenage daughter face life changes and challenges in this latest installment of Rose’s ballet-centered series.
In 2008, Katrina Devries and Javier Torres, both performers with San Francisco’s West Coast Ballet Theatre, have sex as friends, not lovers, and have a son, Dario, together. A few years later, Javier announces that he’s moving out of their shared house to the other side of the city to live with his lover, Brent. He also makes major changes to the dance company’s upcoming gala: He will now partner with a younger female dancer, and Katrina will be part of another dance, to be created by a disturbingly nasty guest male choreographer. Katrina leans on the support of her friends, including April Manning, a former dancer who’s now a ballet master and the sole woman in the company’s leadership. The arrival of David Lavigne, a personable piano accompanist, also disrupts the company’s dynamics. April’s 14-year-old daughter, Kylie Garvey, who loves classical music and feels like an outcast in her high school, develops a crush on David, while he yearns to break through Katrina’s reserve. Then Kylie commits a frightening act that tears Katrina and April apart. Will they be able to move past their problems to transform the company’s gala? In this fourth book in Rose’s Ballet Theatre Chronicles, she skillfully continues to explore the sometimes-obsessive personalities and preoccupations of the members of her lively, fictional dance company. For example, April, the protagonist of her previous entry, Ballet Orphans (2021), makes an observation at one point that shows the difficulty she has seeing beyond her chosen profession: She ruefully notes that her “non-dancing daughter,” Kylie, has “the foot type all ballet dancers coveted.” Katrina, the lead character here, is also the most intriguing; Rose crafts a lovely backstory that effectively shows how Katrina is empowered by tapping into a dance art—belly dancing—that she first experienced and loved as a child.
Pub Date: Jan. 25, 2024
ISBN: 979-8988521211
Page Count: -
Publisher: Classical Girl Press
Review Posted Online: Nov. 11, 2023
Kirkus Reviews Issue: Jan. 15, 2024
Review Program: Kirkus Indie
Brilliant, affecting work from one of contemporary literature’s masters.
A phone call from her past disrupts the tenuously reconstructed life of a concert pianist turned farmer’s wife.
We know from the beginning that Livia Cable is the battered survivor of her brother Cyrus’ death by suicide, a devastating romance, and a career-ending injury. Only 11 when Cyrus stepped in front of a train, she was already marked out as different in her rural Tennessee hometown by her extraordinary musical ability. The siblings had huddled together against their angry mother’s frequent beatings, and Livia still feels abandoned by Cyrus years later, when she picks up the phone to hear the voice of Sigurd, the fiery labor organizer she loved and lost to “the revolution” while on scholarship at the Indiana University School of Music. Now married to kind, steady childhood friend Charlie, Livia looks back on her affair with Sigurd as she struggles to deal with the recent death of her mother, a compulsive hoarder who left a house stuffed with junk to be disposed of and bitter memories that haven’t faded over time. Kingsolver skillfully juggles the two time frames to unravel Livia’s complicated feelings about the life she lost when her right hand was crushed and the life she has now as a country piano teacher. A partita, she explains to Sigurd early on, “is a composition made of a lot of parts with a lot of different moods…the artist’s work is to make them all add up to something that feels whole.” That’s precisely what Kingsolver does in this beautifully paced and judged narrative, which builds to revelations uncovered amid the piles of trash in Livia’s childhood home about the reasons for Cyrus’ suicide (clearly foreshadowed) and their mother’s rage (startling and heartbreaking). A fierce belief that great art is for everyone joins Kingsolver’s familiar preoccupations with class distinctions, social injustice, and the complex bonds of family and community in a tender denouement.
Brilliant, affecting work from one of contemporary literature’s masters.Pub Date: Oct. 6, 2026
ISBN: 9780063577541
Page Count: 352
Publisher: Harper/HarperCollins
Review Posted Online: July 6, 2026
Kirkus Reviews Issue: Aug. 1, 2026
SEEN & HEARD
Fans of Stockett’s bestselling debut will love this engaging follow-up.
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
BOOK REVIEW
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