A compassionate, balanced, and engaging look at generational conflict—and resolution—during social upheaval.
Three Ukrainian women—a mother, daughter, and granddaughter—forge connections and evolve while the Soviet Union collapses around them.
Bitter cold permeates many of the scenes in this aptly titled novel. From harsh Soviet Ukrainian winters to icy weather abroad, the climate is an often hostile force that reflects the political and emotional drama that unfolds. The work offers a multigenerational family story. The father, Lyaksandro Hadeon Rosomakha, must leave his home, his wife, and his daughter after being caught spying for Ukrainian nationalists. He journeys to London, where he assumes a new identity in shame, far from his family. But this tale isn’t about Lyaksandro. Rather, Brown focuses on the women he left behind: Ivanna, his wife; and Yevtsye, his daughter. Moving from the 1970s to the present day, the story chronicles the women’s experiences, providing a rich overview of the end of the Soviet Union and the intellectual and social unrest that creates an independent Ukraine. The most intriguing moments explore the tensions between mother and daughter, who represent contrasting views of the Soviet Union and Ukrainian nationalism. Ivanna is a secular Communist Party loyalist, while her daughter is swept up by the appeals for Ukrainian autonomy and by the Orthodox Church. But through these women’s eyes, momentous events in history and economic and social policies become catalysts to explore a dynamic familial relationship and highlight how the duo survives in the face of outside pressures, including food shortages and political turbulence. Eventually, Yevtsye welcomes her own daughter, Ionna, into the family (which includes her husband, Danya). When Ionna’s birth leads to Yevtsye’s postpartum depression, the story offers a vivid, complementary series of glimpses of motherhood in which the complicated emotions of one mother-daughter pair are examined next to those of another. Ultimately, Ionna, who grows up craving to become a writer, brings the engrossing narrative forward from the end of the 20th century into the 21st. While there’s a great deal of improbability in her portion of the tale, with plenty of airport hijinks, Ionna’s story of her own struggle for survival (mirroring her mother’s and grandmother’s) brings the novel—and many of its threads—to a satisfying and resonant close.
A compassionate, balanced, and engaging look at generational conflict—and resolution—during social upheaval.Pub Date: Dec. 16, 2021
ISBN: 978-1-63988-142-0
Page Count: 332
Publisher: Atmosphere Press
Review Posted Online: Feb. 8, 2022
Kirkus Reviews Issue: April 1, 2022
Review Program: Kirkus Indie
BOOK REVIEW
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.
A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.
When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.Pub Date: Feb. 6, 2024
ISBN: 9781250178633
Page Count: 480
Publisher: St. Martin's
Review Posted Online: Nov. 4, 2023
Kirkus Reviews Issue: Dec. 1, 2023
PERSPECTIVES
BOOK TO SCREEN
Lush, gorgeous, precise language and propulsive plotting sweep readers into a story as intelligent as it is atmospheric.
In 16th-century Madrid, a crypto-Jew with a talent for casting spells tries to steer clear of the Inquisition.
Luzia Cotado, a scullion and an orphan, has secrets to keep: “It was a game she and her mother had played, saying one thing and thinking another, the bits and pieces of Hebrew handed down like chipped plates.” Also handed down are “refranes”—proverbs—in “not quite Spanish, just as Luzia was not quite Spanish.” When Luzia sings the refranes, they take on power. “Aboltar cazal, aboltar mazal” (“A change of scene, a change of fortune”) can mend a torn gown or turn burnt bread into a perfect loaf; “Quien no risica, no rosica” (“Whoever doesn’t laugh, doesn’t bloom”) can summon a riot of foliage in the depths of winter. The Inquisition hangs over the story like Chekhov’s famous gun on the wall. When Luzia’s employer catches her using magic, the ambitions of both mistress and servant catapult her into fame and danger. A new, even more ambitious patron instructs his supernatural servant, Guillén Santángel, to train Luzia for a magical contest. Santángel, not Luzia, is the familiar of the title; he has been tricked into trading his freedom and luck to his master’s family in exchange for something he no longer craves but can’t give up. The novel comes up against an issue common in fantasy fiction: Why don’t the characters just use their magic to solve all their problems? Bardugo has clearly given it some thought, but her solutions aren’t quite convincing, especially toward the end of the book. These small faults would be harder to forgive if she weren’t such a beautiful writer. Part fairy tale, part political thriller, part romance, the novel unfolds like a winter tree bursting into unnatural bloom in response to one of Luzia’s refranes, as she and Santángel learn about power, trust, betrayal, and love.
Lush, gorgeous, precise language and propulsive plotting sweep readers into a story as intelligent as it is atmospheric.Pub Date: April 9, 2024
ISBN: 9781250884251
Page Count: 400
Publisher: Flatiron Books
Review Posted Online: Feb. 3, 2024
Kirkus Reviews Issue: March 1, 2024
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