A compassionate, balanced, and engaging look at generational conflict—and resolution—during social upheaval.
Three Ukrainian women—a mother, daughter, and granddaughter—forge connections and evolve while the Soviet Union collapses around them.
Bitter cold permeates many of the scenes in this aptly titled novel. From harsh Soviet Ukrainian winters to icy weather abroad, the climate is an often hostile force that reflects the political and emotional drama that unfolds. The work offers a multigenerational family story. The father, Lyaksandro Hadeon Rosomakha, must leave his home, his wife, and his daughter after being caught spying for Ukrainian nationalists. He journeys to London, where he assumes a new identity in shame, far from his family. But this tale isn’t about Lyaksandro. Rather, Brown focuses on the women he left behind: Ivanna, his wife; and Yevtsye, his daughter. Moving from the 1970s to the present day, the story chronicles the women’s experiences, providing a rich overview of the end of the Soviet Union and the intellectual and social unrest that creates an independent Ukraine. The most intriguing moments explore the tensions between mother and daughter, who represent contrasting views of the Soviet Union and Ukrainian nationalism. Ivanna is a secular Communist Party loyalist, while her daughter is swept up by the appeals for Ukrainian autonomy and by the Orthodox Church. But through these women’s eyes, momentous events in history and economic and social policies become catalysts to explore a dynamic familial relationship and highlight how the duo survives in the face of outside pressures, including food shortages and political turbulence. Eventually, Yevtsye welcomes her own daughter, Ionna, into the family (which includes her husband, Danya). When Ionna’s birth leads to Yevtsye’s postpartum depression, the story offers a vivid, complementary series of glimpses of motherhood in which the complicated emotions of one mother-daughter pair are examined next to those of another. Ultimately, Ionna, who grows up craving to become a writer, brings the engrossing narrative forward from the end of the 20th century into the 21st. While there’s a great deal of improbability in her portion of the tale, with plenty of airport hijinks, Ionna’s story of her own struggle for survival (mirroring her mother’s and grandmother’s) brings the novel—and many of its threads—to a satisfying and resonant close.
A compassionate, balanced, and engaging look at generational conflict—and resolution—during social upheaval.Pub Date: Dec. 16, 2021
ISBN: 978-1-63988-142-0
Page Count: 332
Publisher: Atmosphere Press
Review Posted Online: Feb. 8, 2022
Kirkus Reviews Issue: April 1, 2022
Review Program: Kirkus Indie
BOOK REVIEW
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
Uneven but fitfully amusing.
Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.
Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.
Uneven but fitfully amusing.Pub Date: July 30, 2024
ISBN: 9781250899576
Page Count: 384
Publisher: Henry Holt
Review Posted Online: Sept. 13, 2024
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
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