A worthwhile read that personalizes the conflicts that led to the American Revolution.
DeMitchell’s YA historical novel is based on American Revolutionary Paul Revere’s legendary ride to Portsmouth, N.H.
When Revere set out to warn the citizens of Portsmouth, N.H., that British regulars were already on their way to Fort William and Mary on New Castle Island to seize the store of gunpowder, many in New Hampshire and Massachusetts immediately responded by taking the fort and imprisoning its soldiers. However, the information was inaccurate. DeMitchell tells the story through the eyes of two young boys, 14-year-old Andrew Becket and 13-year-old John Cochran, set on opposite sides of the conflict as misunderstandings compound and eventually lead to violence. DeMitchell states most of the characters, save for Beckett and the supporting character Joseph Reed, are based on actual people, though the account is fictionalized. Whatever liberties she might have taken with the history, DeMitchell has a talent for the small details that result in a vivid story. Readers feel the rush of the icy Piscataqua River as Beckett tries not to fall off the edge of a barge full of people and the strain of physical work. The story also avoids easy characterizations of heroes and villains; Beckett and Cochran are simply kids trapped in extraordinary circumstances. Gov. Wentworth could easily have been the scapegoat as a native New Hampshire man taking orders from the crown, but he comes across fully rounded. He, too, is trapped as he tries to stay loyal to the king while avoiding violence and advancing free trade in the colonies. DeMitchell’s aim is to provoke thought about the incidents that led to war. Beckett and Cochran feel like real people with real needs rather than handy political constructs or symbols: Beckett wants to avoid conflict and concentrate on bettering himself to get into Harvard, while Cochran feels loyalty to the crown through his father’s position in charge of the defense of Fort William and Mary.
A worthwhile read that personalizes the conflicts that led to the American Revolution.Pub Date: Jan. 1, 2013
ISBN: 978-1932278927
Page Count: 161
Publisher: Mayhaven Publishing, Inc.
Review Posted Online: June 7, 2012
Review Program: Kirkus Indie
A solid introduction for budding lovers of the Bard.
Something is rotten in the state of Denmark.
The timeless tale of the young and disaffected Danish prince who is pushed to avenge his father’s untimely murder at the hands of his brother unfolds with straightforward briskness. Shakespeare’s text has been liberally but judiciously cut, staying true to the thematic meaning while dispensing with longer speeches (with the notable exception of the renowned “to be or not to be” soliloquy) and intermediary dialogues. Some of the more obscure language has been modernized, with a glossary of terms provided at the end; despite these efforts, readers wholly unfamiliar with the story might struggle with independent interpretation. Where this adaptation mainly excels is in its art, especially as the play builds to its tensely wrought final act. Illustrator Kumar (World War Two, 2015, etc.) pairs richly detailed interiors and exteriors with painstakingly rendered characters, each easily distinguished from their fellows through costume, hairstyle, and bearing. Human figures are generally depicted in bust or three-quarter shots, making the larger panels of full figures all the more striking. Heavily scored lines of ink form shadows, lending the otherwise bright pages a gritty air. All characters are white.
A solid introduction for budding lovers of the Bard. (biography of Shakespeare, dramatis personae, glossary) (Graphic novel. 12-18)Pub Date: Aug. 27, 2019
ISBN: 978-93-81182-51-2
Page Count: 90
Publisher: Campfire
Review Posted Online: July 12, 2019
Kirkus Reviews Issue: Aug. 1, 2019
Heartbreaking, historical, and a little bit hopeful.
January 1945: as Russians advance through East Prussia, four teens’ lives converge in hopes of escape.
Returning to the successful formula of her highly lauded debut, Between Shades of Gray (2011), Sepetys combines research (described in extensive backmatter) with well-crafted fiction to bring to life another little-known story: the sinking (from Soviet torpedoes) of the German ship Wilhelm Gustloff. Told in four alternating voices—Lithuanian nurse Joana, Polish Emilia, Prussian forger Florian, and German soldier Alfred—with often contemporary cadences, this stints on neither history nor fiction. The three sympathetic refugees and their motley companions (especially an orphaned boy and an elderly shoemaker) make it clear that while the Gustloff was a German ship full of German civilians and soldiers during World War II, its sinking was still a tragedy. Only Alfred, stationed on the Gustloff, lacks sympathy; almost a caricature, he is self-delusional, unlikable, a Hitler worshiper. As a vehicle for exposition, however, and a reminder of Germany’s role in the war, he serves an invaluable purpose that almost makes up for the mustache-twirling quality of his petty villainy. The inevitability of the ending (including the loss of several characters) doesn’t change its poignancy, and the short chapters and slowly revealed back stories for each character guarantee the pages keep turning.
Heartbreaking, historical, and a little bit hopeful. (author’s note, research and sources, maps) (Historical fiction. 12-16)Pub Date: Feb. 2, 2016
ISBN: 978-0-399-16030-1
Page Count: 400
Publisher: Philomel
Review Posted Online: Nov. 2, 2015
Kirkus Reviews Issue: Nov. 15, 2015
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