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A LITTLE CHATTER

A powerful, thought-provoking selection of fiction from a talented author.

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A collection of reflective, slice-of-life tales.

Connell, the author of Slaves to the Rhythm: A Love Story (2010), presents a diverse anthology of short stories that are simple yet affecting. In “Quiet Time,” teenage Lena navigates her life in a treatment facility following an accidental overdose; in “What’s Your Pleasure?” Russ works at a bar in Philadelphia and wrestles with a self-proclaimed prophecy that he’ll forever be a loser; Cecelia comes to terms with her closeted gay husband leaving her in “At Arm’s Length.” Some stories center on compelling everyday encounters, such as “More Than Welcome,” in which a man must go to the local health clinic after he cracks his tooth. Other pieces have their protagonists experience weighty, influential moments; for example, Vera in “Black Habits” discovers her sexual orientation and fights off a predatory nun. The stories are often dense with vivid imagery, particularly “The Creepy,” set in Cartagena, Colombia: “The humidity hung so thick in the air he could barely take a breath when he stepped onto the balcony….He could smell their perfume and peppermint gum as they click-click-clicked beneath the balcony on high heels.” The standout tale, though, is “The Tire Swing”; it’s simple and evocative as it follows an elderly man as he relearns his youthful ability to be fully present in his body and in the world. Its prose is lyrical but direct, with a shift to a second-person point of view that heightens the empathy between readers and the protagonist. Overall, Connell’s stories are insightful while maintaining a keen sense of humor. The most striking aspect of his writing is his ability to capture the beauty and intrigue in mundane elements of his characters’ lives. However, the stories often end abruptly, and a few of the endings are certain to leave readers wanting more.

A powerful, thought-provoking selection of fiction from a talented author.

Pub Date: Oct. 18, 2019

ISBN: 978-1-70039-765-2

Page Count: 119

Publisher: Self

Review Posted Online: April 24, 2020

Kirkus Reviews Issue: June 15, 2020

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  • New York Times Bestseller

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LONG ISLAND

A moving portrait of rueful middle age and the failure to connect.

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  • New York Times Bestseller

An acclaimed novelist revisits the central characters of his best-known work.

At the end of Brooklyn (2009), Eilis Lacey departed Ireland for the second and final time—headed back to New York and the Italian American husband she had secretly married after first traveling there for work. In her hometown of Enniscorthy, she left behind Jim Farrell, a young man she’d fallen in love with during her visit, and the inevitable gossip about her conduct. Tóibín’s 11th novel introduces readers to Eilis 20 years later, in 1976, still married to Tony Fiorello and living in the titular suburbia with their two teenage children. But Eilis’ seemingly placid existence is disturbed when a stranger confronts her, accusing Tony of having an affair with his wife—now pregnant—and threatening to leave the baby on their doorstep. “She’d known men like this in Ireland,” Tóibín writes. “Should one of them discover that their wife had been unfaithful and was pregnant as a result, they would not have the baby in the house.” This shock sends Eilis back to Enniscorthy for a visit—or perhaps a longer stay. (Eilis’ motives are as inscrutable as ever, even to herself.) She finds the never-married Jim managing his late father’s pub; unbeknownst to Eilis (and the town), he’s become involved with her widowed friend Nancy, who struggles to maintain the family chip shop. Eilis herself appears different to her old friends: “Something had happened to her in America,” Nancy concludes. Although the novel begins with a soap-operatic confrontation—and ends with a dramatic denouement, as Eilis’ fate is determined in a plot twist worthy of Edith Wharton—the author is a master of quiet, restrained prose, calmly observing the mores and mindsets of provincial Ireland, not much changed from the 1950s.

A moving portrait of rueful middle age and the failure to connect.

Pub Date: May 7, 2024

ISBN: 9781476785110

Page Count: 304

Publisher: Scribner

Review Posted Online: Feb. 3, 2024

Kirkus Reviews Issue: March 1, 2024

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THE MAN WHO LIVED UNDERGROUND

A welcome literary resurrection that deserves a place alongside Wright’s best-known work.

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A falsely accused Black man goes into hiding in this masterful novella by Wright (1908-1960), finally published in full.

Written in 1941 and '42, between Wright’s classics Native Son and Black Boy, this short novel concerns Fred Daniels, a modest laborer who’s arrested by police officers and bullied into signing a false confession that he killed the residents of a house near where he was working. In a brief unsupervised moment, he escapes through a manhole and goes into hiding in a sewer. A series of allegorical, surrealistic set pieces ensues as Fred explores the nether reaches of a church, a real estate firm, and a jewelry store. Each stop is an opportunity for Wright to explore themes of hope, greed, and exploitation; the real estate firm, Wright notes, “collected hundreds of thousands of dollars in rent from poor colored folks.” But Fred’s deepening existential crisis and growing distance from society keep the scenes from feeling like potted commentaries. As he wallpapers his underground warren with cash, mocking and invalidating the currency, he registers a surrealistic but engrossing protest against divisive social norms. The novel, rejected by Wright’s publisher, has only appeared as a substantially truncated short story until now, without the opening setup and with a different ending. Wright's take on racial injustice seems to have unsettled his publisher: A note reveals that an editor found reading about Fred’s treatment by the police “unbearable.” That may explain why Wright, in an essay included here, says its focus on race is “rather muted,” emphasizing broader existential themes. Regardless, as an afterword by Wright’s grandson Malcolm attests, the story now serves as an allegory both of Wright (he moved to France, an “exile beyond the reach of Jim Crow and American bigotry”) and American life. Today, it resonates deeply as a story about race and the struggle to envision a different, better world.

A welcome literary resurrection that deserves a place alongside Wright’s best-known work.

Pub Date: April 20, 2021

ISBN: 978-1-59853-676-8

Page Count: 240

Publisher: Library of America

Review Posted Online: March 16, 2021

Kirkus Reviews Issue: April 1, 2021

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