Though it honors Edward’s urging to slip “beneath the surface,” Gamble’s effort, albeit worthy, doesn’t go deep enough.
Recovering alcoholic returns to her ancestral cottage to confront family ghosts, in Gamble’s second (The Water Dancers, 2003).
Maddie Addison has been estranged from her family for 11 years, since her infant daughter died of SIDS at the family summer home and she fell into despair, awash in booze. With the help of Ian, her filmmaking partner and best friend, she joined AA and has attained relative serenity in Manhattan. Now, however, she has been summoned back to the Aerie, a massive, ramshackle residence on Sand Isle in Upper Lake Michigan, a private island resort for the descendants of Midwestern oligarchs, including the Addisons, founders of a shampoo and cold-remedy empire. Maddie’s widowed mother, Evelyn, paying the wages of her inveterate tippling, is moribund after a stroke, and Maddie has returned for a final reckoning with her. But since her mother is now physically as well as emotionally incommunicado, Maddie must make do with exorcising her unresolved passion for her twin cousins, Derek and Edward, and parsing the strangeness of anorexic, guru-besotted cousin Adele. The story’s second part recaps Maddie’s youth—Aerie summers, when she trails Great-Grandmother Addie’s ghost, bundles in an upstairs room with Edward, who may or may not have whacked her pet chipmunk, and joyrides with wild-child sister Dana in the family station-wagon. She attends Harvard and NYU, blows her chance of marrying plastic-bag scion Jamie, marries fellow cineaste Angus instead, has his child. Back in 1999, she catches her niece Jessica and Derek’s son Beowulf flirting with kissing-cousin-dom and is bemused by cousin Sedgwick’s functioning drunkenness and Dana’s straitlaced Catholicism, overcompensation for a hush-hush abortion years before. As for Edward, he’s long since disappeared into madness after a stint in Vietnam. In all, Evelyn remains a cipher but so does Maddie, while Gamble skirts or underplays money and class issues, and genteel punch-pulling deflates any potential conflict.
Though it honors Edward’s urging to slip “beneath the surface,” Gamble’s effort, albeit worthy, doesn’t go deep enough.Pub Date: June 1, 2005
ISBN: 0-06-073794-8
Page Count: 336
Publisher: Morrow/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 1, 2005
BOOK REVIEW
BOOK REVIEW
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
SEEN & HEARD
SEEN & HEARD
BOOK TO SCREEN
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
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