Great storytelling with one catch: no plot. But McMillan's trademark earthiness and wonderful dialogue more than compensate....
A great big family with “nothing in common except blood.”
Viola Price, 55, is a barbecue entrepreneur, mother of four, and grandmother many times over, thanks to the four children she “had so fast they felt more like a litter, except each one turned out to be a different animal”: Paris is a successful caterer and cookbook author with a taste for the best in life, including men; Charlotte, a tough businesswoman, owns several Chicago Laundromats; Lewis is an amiable alcoholic with rheumatoid arthritis; and Janelle, a housewife, is forever taking courses in interior decorating. When a sudden, severe asthma attack lands Viola in the hospital, the clan gathers in Las Vegas to be near her, eager to help and of the belief that their father's unexpected desertion triggered the attack, even though their mother insists that it happened because she was, as usual, worrying about them. Which doesn't change the fact that Cecil Price says he just walked out when he couldn't take one more minute of her bossing and bad temper. Viola insists that she threw him out, but, regardless, Cecil is no more to her than a “bad habit” she's had for “thirty-eight years.” To others, he's an aging hipster, with a blossoming paunch and an outmoded Jheri curl mocked by all—not that his new flame, a “welfare huzzy” with three kids by different men, cares. Viola, though, has had it: she doesn't want Cecil back, not in this life or the next. Anyway, the children have other things to worry about: Paris is a pill-popping workaholic; Charlotte’s a control freak; Janelle seems to be oblivious to her own daughter’s emotional problems, and Lewis is just plain drowning in a river of troubles. Nonetheless, Viola isn't shy about offering advice, and she gives everyone an earful—a favor they return. The reunited Prices squabble, swap life stories and some nitty-gritty philosophy, and get to know the best and the worst about each other all over again. Then they chip in to buy their ailing mother new furniture and a fabulous cruise to nowhere, until a second, fatal asthma attack fells Viola. Her legacy: four poignant, hilarious letters, one for each of the grown children she loved so fiercely.
Great storytelling with one catch: no plot. But McMillan's trademark earthiness and wonderful dialogue more than compensate. This bestselling author (How Stella Got Her Groove Back, 1996, etc.) has a rare gift for creating living, breathing people on the page.Pub Date: Jan. 15, 2001
ISBN: 0-670-89676-4
Page Count: 448
Publisher: Viking
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 2000
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
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