A novel that hits so many exposed nerves is sure to be a conversation-piece: it has heart and pizzazz and even, yes, the...
Talk about timing!
With relations between African-American men and women in the spotlight as never before, here comes McMillan’s report from the front: her bawdy, vibrant, deliciously readable third novel (Mama, Disappearing Acts) is the story of four black women friends and their frequently disastrous encounters with black men. The four are in their mid-to-late 30s, middle-class women making good money, and they live in Phoenix. Savannah, who has everything she wants except a man, has just moved from Denver, partly to be close to best friend Bernadine, whose 11-year-old marriage has collapsed. Super-successful “buppie” (black yuppie) John has tricked Bernadine every which way, but his greatest betrayal is crossing the color line to snare a California blond; now Bernadine must raise their two kids alone. Her friends Robin and Gloria are not having any better luck: Robin is a backsliding bubblehead whose study of astrology has not cured her weakness for “pretty men with big dicks” who use and abuse her, while the only male in overweight, matronly Gloria’s life is her teenage son Tarik, a source of both anxiety and pride. We watch these women in a swirl of motion: working, partying, dishing, dating, and consoling each other on their misfortunes with men. Their consensus is that “black men play too many games” and are terrified of making commitments, even if they’re buppies (“riffraff comes in all kinds of packages”). Two points here: First, McMillan’s novel is not indiscriminately bashing brothers—there are good men out there (both Bernadine and Gloria have fine prospects by the end), and women cannot escape all the blame (Savannah’s inability to say the three magic words costs her dearly). Second, these women do not mope. The story’s best scene has them falling-down drunk at Gloria’s hilarious birthday party; indeed, they are as timeless as Molly Bloom or the Wife of Bath in their robust sensuality.
A novel that hits so many exposed nerves is sure to be a conversation-piece: it has heart and pizzazz and even, yes, the sweet smell of the breakthrough book.Pub Date: June 1, 1992
ISBN: 0-670-83980-9
Page Count: 416
Publisher: Viking
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 1992
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
BOOK TO SCREEN
As they say at the restaurant: pick up!
An ingénue from the Midwest learns the ways of the world, and the flesh, during her year as a back waiter at a top Manhattan restaurant.
A flurry of publicity surrounded the acquisition of this book, which was pitched by an MFA–grad waitress to an editor dining at one of her tables. Danler’s debut novel takes place behind the scenes of a restaurant in Union Square whose rigid hierarchy, arcane codes of behavior, and basis in servitude and manual labor makes it less like a modern workplace than the royal court of 18th-century France—but with tattoos and enough cocaine to rival Jay McInerney. There’s even a Dangerous Liaisons–type love triangle with the beautiful, naïve young narrator at its apex, batted between the mysterious, brilliant waitress who teaches her about wine and the dissolute, magnetic bartender who teaches her about oysters. The older woman says things like, “I know you. I remember you from my youth. You contain multitudes.” The older man “was bisexual, he slept with everyone, he slept with no one. He was an ex-heroin addict, he was sober, he was always a little drunk.” What 22-year-old could ever resist them? The writing is mostly incandescent, with visceral and gorgeous descriptions of flavors, pitch-perfect overheard dialogue, deep knowledge of food, wine, and the restaurant business, and only occasional lapses into unintentional pretentiousness. From her very first sentences—“You will develop a palate. A palate is a spot on your tongue where you remember. Where you assign words to the textures of taste. Eating becomes a discipline, language-obsessed. You will never simply eat food again”—Danler aims to mesmerize, to seduce, to fill you with sensual cravings. She also offers the rare impassioned defense of Britney Spears.
As they say at the restaurant: pick up!Pub Date: May 24, 2016
ISBN: 978-1-101-87594-0
Page Count: 368
Publisher: Knopf
Review Posted Online: Feb. 3, 2016
Kirkus Reviews Issue: Feb. 15, 2016
BOOK REVIEW
PROFILES
A stunning, superior romance.
A young Vietnamese woman seizes an opportunity to travel to America in hopes of finding a husband and a better life.
Esme Tran isn't ashamed that she supports her family by working as a maid in a Ho Chi Minh City hotel, but she secretly wishes for a different life for herself and her 5-year-old daughter. After a chance encounter, a wealthy American woman invites Esme to spend the summer in the U.S., hoping Esme might be a good match for her son. Meanwhile, back in California, Khai is horrified to find that his mother has taken this drastic step, but he agrees to host Esme if his mother promises never to interfere in his life again. Hoang (The Kiss Quotient, 2018) has a gift for developing layered, complex, and dynamic characters. As a man with autism, Khai has dealt with the traumas of his past by convincing himself he has a heart of stone and is literally unable to love. Esme wants a better life for herself but wonders if Khai could ever be interested in her if he knew the truth: She’s uneducated and has a young daughter she's hasn't told him about. Their misunderstandings and attempts to connect are full of grace, humor, and pathos. After an awkward sexual encounter, Khai asks his brother for sex advice in a painfully funny scene, and Esme’s feelings of anger and hurt are just as lovingly crafted. As Khai and Esme spend more time together, they find that despite their differences, they are a perfect match. Their individual character arcs—Khai learning to understand his own heart and Esme’s determination to pursue her goals and dreams—are just as pleasing and powerful as their evolution as a couple.
A stunning, superior romance.Pub Date: May 7, 2019
ISBN: 978-0-451-49082-7
Page Count: 320
Publisher: Berkley
Review Posted Online: Feb. 16, 2019
Kirkus Reviews Issue: March 1, 2019
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
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