A seriocomic novel that explores the possibilities of futuristic technology and the classic tropes of a mismatched duo.


The Cygnus Virus

Debut author Zakreski offers a sci-fi novel about a lawyer dealing with an intergalactic computer virus.

After law student Andron Varga meets a folk singer named Astrid who “smells of rare mountain flowers,” it doesn’t take long for the two to fall in love. Down the road, Andron proposes marriage. Then, suddenly, Astrid is killed by a falling meteorite. Sent into despair, Andron becomes determined to make sense of the tragedy. During his quest for answers, he downloads and installs the software for ILEAP, a project that aims to make contact with civilizations elsewhere in the universe. After he clicks the “FIND LIFE button” and utters some lonely words (“there must be someone somewhere to love me”), things become even stranger. Soon enough, the entire Internet crashes and authorities believe that Andron is involved with a cyberterrorist attack; he’s brutally tortured but eventually released. At this point, the plot lacks direction for several pages until Zakreski introduces a new entity to craftily set it back on course. Andron, through his blundering, has managed to download a virus named Cygnus, who tells him that his own cyber-DNA “got into your computer…and boom Mac Daddy, here I am.” It’s a virus with an attitude, and woe to any innocent lawyer who thinks he can put that genie back in the bottle. They wind up as a team of sorts, and although they initially have some fun, Cygnus steers into moral gray areas. For example, it increases Andron’s bank account exponentially, causing him to worry that something bad is around the corner. In a story that’s part William Gibson-style cyberthriller, part wacky comedy, the pendulum swings between an investigation of the human soul and off-color remarks, such as Cygnus’ opinion that “Bitches are all for successful older dudes with tragic pasts.” Zakreski depicts Cygnus as foulmouthed and capable of dark actions, and he’s certainly shown to be a handful for a man like Andron, who simply wants to stay out of trouble. Readers who enjoy such chaotic characters are likely to enjoy the conflict, though others may wish there were more to the overall premise.

A seriocomic novel that explores the possibilities of futuristic technology and the classic tropes of a mismatched duo.

Pub Date: June 26, 2016

ISBN: 978-1-5333-9182-7

Page Count: 366

Publisher: CreateSpace

Review Posted Online: July 28, 2016

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A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.


Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z (2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 10, 2020

Kirkus Reviews Issue: March 1, 2020

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An almost-but-not-quite-great slavery novel.

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The celebrated author of Between the World and Me (2015) and We Were Eight Years in Power (2017) merges magic, adventure, and antebellum intrigue in his first novel.

In pre–Civil War Virginia, people who are white, whatever their degree of refinement, are considered “the Quality” while those who are black, whatever their degree of dignity, are regarded as “the Tasked.” Whether such euphemisms for slavery actually existed in the 19th century, they are evocatively deployed in this account of the Underground Railroad and one of its conductors: Hiram Walker, one of the Tasked who’s barely out of his teens when he’s recruited to help guide escapees from bondage in the South to freedom in the North. “Conduction” has more than one meaning for Hiram. It's also the name for a mysterious force that transports certain gifted individuals from one place to another by way of a blue light that lifts and carries them along or across bodies of water. Hiram knows he has this gift after it saves him from drowning in a carriage mishap that kills his master’s oafish son (who’s Hiram’s biological brother). Whatever the source of this power, it galvanizes Hiram to leave behind not only his chains, but also the two Tasked people he loves most: Thena, a truculent older woman who practically raised him as a surrogate mother, and Sophia, a vivacious young friend from childhood whose attempt to accompany Hiram on his escape is thwarted practically at the start when they’re caught and jailed by slave catchers. Hiram directly confronts the most pernicious abuses of slavery before he is once again conducted away from danger and into sanctuary with the Underground, whose members convey him to the freer, if funkier environs of Philadelphia, where he continues to test his power and prepare to return to Virginia to emancipate the women he left behind—and to confront the mysteries of his past. Coates’ imaginative spin on the Underground Railroad’s history is as audacious as Colson Whitehead’s, if less intensely realized. Coates’ narrative flourishes and magic-powered protagonist are reminiscent of his work on Marvel’s Black Panther superhero comic book, but even his most melodramatic effects are deepened by historical facts and contemporary urgency.

An almost-but-not-quite-great slavery novel.

Pub Date: Sept. 24, 2019

ISBN: 978-0-399-59059-7

Page Count: 432

Publisher: One World/Random House

Review Posted Online: July 1, 2019

Kirkus Reviews Issue: July 15, 2019

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