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RECIPES FOR DISASTER

A MEMOIR

Energetic account of a comedienne’s mishaps in the kitchen as she prepares meals for family and friends.

Calamities in the kitchen for a newbie chef.

Rafferty, former writer for The Soup, brings yet another snarky voice to the myriad of memoirs that revolve around culinary experiments and dinner parties by inexperienced cooks. What distinguishes this author from others is her insatiable appetite for wine, her indomitable spirit in the face of catastrophe, her resolute desire to please everyone and her offbeat sense of humor. Rafferty wittily pokes fun at herself and her attempts to pull off Martha Stewart–type meals in a tiny apartment hardly big enough for one, let alone seven guests who often don't know the difference between good and bad wine. Runny gravy, watery polenta and a cranky boyfriend running on empty are all included in a hodgepodge of memories. Attacking each meal with gusto, Rafferty discusses entertaining at some of the most important food moments of the year, Thanksgiving and Christmas, as well as preparing a dinner for well-known restaurant owners and volunteering to cater a baby shower for 100 guests. She yearns to satisfy appetites and create memories that extend beyond the frazzled nerves (before and after the meal) and the occasional outbreak of tears. For Rafferty, "preparing food is a meditation," even if something goes wrong and "the food sucks." Recipes at the end of each chapter enhance the narrative, but some readers may find more fluff than sustenance as they tag along for the ride.

Energetic account of a comedienne’s mishaps in the kitchen as she prepares meals for family and friends.

Pub Date: Oct. 30, 2012

ISBN: 978-1-250-01143-5

Page Count: 288

Publisher: Dunne/St. Martin's

Review Posted Online: Aug. 29, 2012

Kirkus Reviews Issue: Sept. 15, 2012

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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