Talent in dire need of less formulaic material.
The story of divorce lawyers in lust—a bestseller in the U.K.
The novel flouts the chick-lit mode—there’s less high-fashion product placement, more intelligent, Latin-laced repartee and a better class of lacy underwear. Ultimately, though, it cannot escape the strictures imposed by the genre. London-based divorce lawyer Nicholas has seen plenty of marital upheavals and their financial aftershocks, but a young, gorgeous new associate, Sara, has him in a titillated tizzy. His wife, cookbook author Malinche, still lovely but run ragged by the demands of three daughters and the couple’s 16th-century fixer-upper, disregards her gay male friend Kit’s insinuations about Nick’s late nights at the office. Kit’s paranoia had misled her before: At 22 she was almost engaged to star chef Trace, when Kit goaded her into accusing Trace—groundlessly—of infidelity. Now Trace is back in town and wants to hire Mal as his sous chef. She’s tempted by the culinary and erotic possibilities—Nick has seemed preoccupied lately. Nick strives to break off his affair, which began during a terrorist attack on London. But Sara has a firm grip on his fantasies, not to mention his more tangible parts. Mal blunders into Nick and Sara’s Valentine’s Day tryst and manages to appropriate earrings and La Perla lingerie intended for Sara. Sara’s clinginess soon extends beyond her clothes, and Mal finds herself in a compromising position during a business trip to Rome with Trace. Sara’s whining, overheard at a law-firm function, confirms Mal’s suspicions. Nick is forced to move in with Sara, whose slipshod housekeeping dampens what remains of his ardor. Mal, meanwhile, retreats back to Trace’s all-too-willing arms. Will the great sex so painstakingly chronicled—Mal gets her share too—trump family bonds cemented by children and domesticity? But what if Sara is preggers? Because Mal, Nick and Sara alternate narrating the same events, the story jumps around in time and is often repetitious. The characterizations are convincing—the happy ending isn’t.
Talent in dire need of less formulaic material.Pub Date: Jan. 29, 2008
ISBN: 978-0-385-34126-4
Page Count: 384
Publisher: Bantam Discovery
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 15, 2007
Anyone who believes in true love or is simply willing to accept it as the premise of a winding tale will find this debut an...
True love flares between two people, but they find that circumstances always impede it.
On a winter day in London, Laurie spots Jack from her bus home and he sparks a feeling in her so deep that she spends the next year searching for him. Her roommate and best friend, Sarah, is the perfect wing-woman but ultimately—and unknowingly—ends the search by finding Jack and falling for him herself. Laurie’s hasty decision not to tell Sarah is the second painful missed opportunity (after not getting off the bus), but Sarah’s happiness is so important to Laurie that she dedicates ample energy into retraining her heart not to love Jack. Laurie is misguided, but her effort and loyalty spring from a true heart, and she considers her project mostly successful. Perhaps she would have total success, but the fact of the matter is that Jack feels the same deep connection to Laurie. His reasons for not acting on them are less admirable: He likes Sarah and she’s the total package; why would he give that up just because every time he and Laurie have enough time together (and just enough alcohol) they nearly fall into each other’s arms? Laurie finally begins to move on, creating a mostly satisfying life for herself, whereas Jack’s inability to be genuine tortures him and turns him into an ever bigger jerk. Patriarchy—it hurts men, too! There’s no question where the book is going, but the pacing is just right, the tone warm, and the characters sympathetic, even when making dumb decisions.
Anyone who believes in true love or is simply willing to accept it as the premise of a winding tale will find this debut an emotional, satisfying read.Pub Date: Oct. 16, 2018
ISBN: 978-0-525-57468-2
Page Count: 400
Publisher: Crown
Review Posted Online: July 30, 2018
Kirkus Reviews Issue: Aug. 15, 2018
BOOK REVIEW
BOOK REVIEW
BOOK TO SCREEN
Entertaining and thoroughly engrossing.
Another reboot of Jane Austen?!? Hadlow pulls it off in a smart, heartfelt novel devoted to bookish Mary, middle of the five sisters in Pride and Prejudice.
Part 1 recaps Pride and Prejudice through Mary’s eyes, climaxing with the humiliating moment when she sings poorly at a party and older sister Elizabeth goads their father to cut her off in front of everyone. The sisters’ friend Charlotte, who marries the unctuous Mr. Collins after Elizabeth rejects him, emerges as a pivotal character; her conversations with Mary are even tougher-minded here than those with Elizabeth depicted by Austen. In Part 2, two years later, Mary observes on a visit that Charlotte is deferential but remote with her husband; she forms an intellectual friendship with the neglected and surprisingly nice Mr. Collins that leads to Charlotte’s asking Mary to leave. In Part 3, Mary finds refuge in London with her kindly aunt and uncle, Mr. and Mrs. Gardiner. Mrs. Gardiner is the second motherly woman, after Longbourn housekeeper Mrs. Hill, to try to undo the psychic damage wrought by Mary’s actual mother, shallow, status-obsessed Mrs. Bennet, by building up her confidence and buying her some nice clothes (funded by guilt-ridden Lizzy). Sure enough, two suitors appear: Tom Hayward, a poetry-loving lawyer who relishes Mary’s intellect but urges her to also express her feelings; and William Ryder, charming but feckless inheritor of a large fortune, whom naturally Mrs. Bennet loudly favors. It takes some maneuvering to orchestrate the estrangement of Mary and Tom, so clearly right for each other, but debut novelist Hadlow manages it with aplomb in a bravura passage describing a walking tour of the Lake District rife with seething complications furthered by odious Caroline Bingley. Her comeuppance at Mary’s hands marks the welcome final step in our heroine’s transformation from a self-doubting wallflower to a vibrant, self-assured woman who deserves her happy ending. Hadlow traces that progression with sensitivity, emotional clarity, and a quiet edge of social criticism Austen would have relished.
Entertaining and thoroughly engrossing.Pub Date: March 31, 2020
ISBN: 978-1-250-12941-3
Page Count: 448
Publisher: Henry Holt
Review Posted Online: Dec. 22, 2019
Kirkus Reviews Issue: Jan. 15, 2020
BOOK REVIEW
BOOK REVIEW
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