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SHIBU'S NEW FRIEND

A simple ode to an unlikely friendship.

This follow-up to Shibu’s Tail (2025) finds the titular cat quite content with his circle of like-minded pals—until a new neighbor changes everything.

Shibu has always surrounded himself with felines just like him—friends who like the same games, the same food, the same cozy boxes. Then Shibu meets Dottie, a floppy-eared, spotted dog who chases whole yarn balls instead of batting at the strings, chews bones, digs holes with abandon, and—notably—swims voluntarily. Thomas structures the tension with a light touch: Shibu’s confusion is rendered as a literal question mark formed by his own curling tail, and his eventual leap toward friendship feels authentic. Where its predecessor focused on self-expression, this installment pivots to the harder lesson of embracing difference. Fong’s illustrations, made up of dense, fine black micro pigment ink lines on an ivory field, set Shibu’s dark, cloudlike form against Dottie’s softer, lighter texture to create an immediate visual contrast that quietly reinforces the story’s theme. The characters are rendered with remarkable expressiveness despite their simplicity—a drooping ear, a flattened tail, a skeptical sideways glance building upon Thomas’ understated prose. The restrained palette keeps focus squarely on body language and expression, and the climactic spread—two ears and one tail curling into a double heart—lands with quiet emotional force. The humor is gentle throughout, from Shibu’s baffled reaction to kibble to his very dignified horror at the concept of swimming.

A simple ode to an unlikely friendship. (Picture book. 4-8)

Pub Date: Sept. 1, 2026

ISBN: 9781646147212

Page Count: 48

Publisher: Levine Querido

Review Posted Online: May 18, 2026

Kirkus Reviews Issue: June 15, 2026

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PETE THE CAT'S 12 GROOVY DAYS OF CHRISTMAS

Pete’s fans might find it groovy; anyone else has plenty of other “12 Days of Christmas” variants to choose among

Pete, the cat who couldn’t care less, celebrates Christmas with his inimitable lassitude.

If it weren’t part of the title and repeated on every other page, readers unfamiliar with Pete’s shtick might have a hard time arriving at “groovy” to describe his Christmas celebration, as the expressionless cat displays not a hint of groove in Dean’s now-trademark illustrations. Nor does Pete have a great sense of scansion: “On the first day of Christmas, / Pete gave to me… / A road trip to the sea. / GROOVY!” The cat is shown at the wheel of a yellow microbus strung with garland and lights and with a star-topped tree tied to its roof. On the second day of Christmas Pete gives “me” (here depicted as a gray squirrel who gets on the bus) “2 fuzzy gloves, and a road trip to the sea. / GROOVY!” On the third day, he gives “me” (now a white cat who joins Pete and the squirrel) “3 yummy cupcakes,” etc. The “me” mentioned in the lyrics changes from day to day and gift to gift, with “4 far-out surfboards” (a frog), “5 onion rings” (crocodile), and “6 skateboards rolling” (a yellow bird that shares its skateboards with the white cat, the squirrel, the frog, and the crocodile while Pete drives on). Gifts and animals pile on until the microbus finally arrives at the seaside and readers are told yet again that it’s all “GROOVY!”

Pete’s fans might find it groovy; anyone else has plenty of other “12 Days of Christmas” variants to choose among . (Picture book. 4-8)

Pub Date: Sept. 18, 2018

ISBN: 978-0-06-267527-9

Page Count: 48

Publisher: Harper/HarperCollins

Review Posted Online: Aug. 19, 2018

Kirkus Reviews Issue: Sept. 1, 2018

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THE MOST MAGNIFICENT THING

Spires’ understanding of the fragility and power of the artistic impulse mixes with expert pacing and subtle...

Making things is difficult work. Readers will recognize the stages of this young heroine’s experience as she struggles to realize her vision.

First comes anticipation. The artist/engineer is spotted jauntily pulling a wagonload of junkyard treasures. Accompanied by her trusty canine companion, she begins drawing plans and building an assemblage. The narration has a breezy tone: “[S]he makes things all the time. Easy-peasy!” The colorful caricatures and creations contrast with the digital black outlines on a white background that depict an urban neighborhood. Intermittent blue-gray panels break up the white expanses on selected pages showing sequential actions. When the first piece doesn’t turn out as desired, the protagonist tries again, hoping to achieve magnificence. A model of persistence, she tries many adjustments; the vocabulary alone offers constructive behaviors: she “tinkers,” “wrenches,” “fiddles,” “examines,” “stares” and “tweaks.” Such hard work, however, combines with disappointing results, eventually leading to frustration, anger and injury. Explosive emotions are followed by defeat, portrayed with a small font and scaled-down figures. When the dog, whose expressions have humorously mirrored his owner’s through each phase, retrieves his leash, the resulting stroll serves them well. A fresh perspective brings renewed enthusiasm and—spoiler alert—a most magnificent scooter sidecar for a loyal assistant.

Spires’ understanding of the fragility and power of the artistic impulse mixes with expert pacing and subtle characterization for maximum delight. (Picture book. 4-7)

Pub Date: April 1, 2014

ISBN: 978-1-55453-704-4

Page Count: 32

Publisher: Kids Can

Review Posted Online: Feb. 25, 2014

Kirkus Reviews Issue: March 15, 2014

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