Love letter to Blood Curse fans, but new readers are invited, too.
In the sixth volume of Dawn’s Blood Curse series, the Silivasi brothers learn the whereabouts of their father.
The Silivasi brothers—Kagen, Nathaniel, Marquis, and Nachari—are vampires from the house of Jadon. Their lineage is the result of a curse struck against the Romanian Prince Jadon (and his more evil brother, Prince Jaegar) in 800 B.C.E. Today, the Silivasis live in Dark Moon Vale with the women who are their “destinies” (human mates chosen by the gods) while they battle lycans and members of the rival house of Jaegar. When Saber Alexiares—“no longer a Dark One, at least, not technically. In truth, he never really had been”—visits Nathaniel’s brownstone with claims that the Silivasis’ father, Keitaro, is alive and enslaved in Mhier, the home dimension of the werewolves, the brothers are hard-pressed to believe him. But what choice do the Silivasis have? Meanwhile, in Mhier, the tragedy-hardened Arielle Nightsong has been secretly aiding Keitaro, mending the physical and mental anguish inflicted by King Tyrus Thane and his lycan minions. But now, to punish his top general, Cain, for sleeping with Queen Cassandra, Thane will stage an arena battle between Cain and the legendarily brutal Keitaro. Even if Keitaro survives, however, Thane’s sadism is limitless. Will the Silivasis breach this parallel world in time to save the father who’s been presumed dead for centuries? Fans of Dawn’s steamy paranormal series will feel like she’s delivered the main course in this latest installment. Nimble prose and pacing also help new readers learn her detailed world. Once inside, they can enjoy the focus placed on Kagen, the only brother not yet paired with his “destiny”; there’s an irresistible erotic pulse in his scenes with Arielle: “He ran his hand upward along the small of her back...and buried his fingers in her silky, wild hair.” Thane’s monstrous desire for Arielle is a satisfying wrinkle in a plot that sometimes doesn’t challenge the protagonists enough (for instance, they learn how to travel across dimensions too easily). Tantalizing mentions of prior events deepen the series’ narrative and show that Dawn intends for her cast to continuously evolve.
Love letter to Blood Curse fans, but new readers are invited, too.Pub Date: June 12, 2014
ISBN: 978-1937223120
Page Count: 384
Publisher: Ghost Pines Publishing, LLC
Review Posted Online: April 24, 2015
Kirkus Reviews Issue: June 15, 2015
Review Program: Kirkus Indie
Jones hits his stride with a smart story of social commentary—it’s scary good.
A violent tale of vengeance, justice, and generational trauma from a prolific horror tinkerer.
Jones (Mapping the Interior, 2017, etc.) delivers a thought-provoking trip to the edge of your seat in this rural creature feature. Four young Blackfeet men ignore the hunting boundaries of their community and fire into an elk herd on land reserved for the elders, but one elk proves unnaturally hard to kill. Years later, they’re forced to answer for their act of selfish violence, setting into motion a supernatural hunt in which predator becomes prey. The plot meanders ever forward, stopping and starting as it vies for primacy with the characters. As Jones makes his bloody way through the character rotation, he indulges in reflections on rural life, community expectations, and family, among other things, but never gets lost in the weeds. From the beer bottles decorating fences to free-throw practice on the old concrete pad in the cold, the Rez and its silent beauty establishes itself as an important character in the story, and one that each of the other characters must reckon with before the end. Horror’s genre conventions are more than satisfied, often in ways that surprise or subvert expectations; fans will grin when they come across clever nods and homages sprinkled throughout that never feel heavy-handed or too cute. While the minimalist prose propels the narrative, it also serves to establish an eerie tone of detachment that mirrors the characters’ own questions about what it means to live distinctly Native lives in today's world—a world that obscures the line between what is traditional and what is contemporary. Form and content strike a delicate balance in this work, allowing Jones to revel in his distinctive voice, which has always lingered, quiet and disturbing, in the stark backcountry of the Rez.
Jones hits his stride with a smart story of social commentary—it’s scary good.Pub Date: July 14, 2020
ISBN: 978-1-9821-3645-1
Page Count: 320
Publisher: Saga/Simon & Schuster
Review Posted Online: March 1, 2020
Kirkus Reviews Issue: March 15, 2020
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Readers will love the quirky characters in this clever yarn. Pendergast and Coldmoon make an excellent pair.
The 18th installment in the Pendergast series by Preston and Child (City of Endless Night, 2018, etc.) gives the hero a partner in the hunt for a strange killer.
A woman walks a dog in a Miami Beach cemetery, and her dog finds a human heart. Soon more hearts turn up at the gravesites of women thought to have committed suicide a decade before. The FBI assigns agents Pendergast and Coldmoon to work with the Miami PD on the case. Pendergast is highly successful in closing cases on his own but “was about as rogue as they came,” and suspects tend not to survive his investigations. Agent Coldmoon’s secret assignment is to keep a close eye on his partner, “a bomb waiting to go off,” who tends to do something “out of left field, or of questionable ethics, or even specifically against orders.” The current victims are women whose throats have been slit and breastbones split open to remove their hearts, all in quick and expert fashion. The killer leaves notes at the graves, signed “Mister Brokenhearts.” This kind of weirdness is in Pendergast’s wheelhouse, as he’s an odd sort himself, quite outside the FBI culture. Rather like Sherlock Holmes, he sees patterns that others miss. He’s tall, gaunt, dresses like an undertaker, and always seems to have more money than the average FBI agent. Both men are great characters—Coldmoon curses in Lakota and prefers “tarry black” coffee that Pendergast likens to “poison sumac” and “battery acid.” They wonder about the earlier deaths and whether the women had really hanged themselves. For answers they require exhumations, new autopsies, and a medical examiner’s close examinations of the hyoid bones. Meanwhile the deeply troubled killer ponders his next action, which he hopes will one day wipe away his pain and guilt and bring atonement. Alligators, bullets, and a sinkhole contribute to a nerve-wracking finish.
Readers will love the quirky characters in this clever yarn. Pendergast and Coldmoon make an excellent pair.Pub Date: Dec. 31, 2018
ISBN: 978-1-5387-4720-9
Page Count: 352
Publisher: Grand Central Publishing
Review Posted Online: Dec. 22, 2018
Kirkus Reviews Issue: Jan. 15, 2019
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