Although Harris (Secrets in the Stones, 2016, etc.) gives away a little too much a little too soon, she still combines two...



A reinterpretation of Jack the Ripper with a supernatural touch.

East Enders Constance Piper and her sister, Flo, must remain one step ahead of the coppers to support themselves and their widowed mother in 1888 London. Constance sells oranges and flowers to the gentry while Flo lifts their valuables. But at least they don't have to sell their bodies, unlike some of the other women they know. Now that three such unfortunates have been found with slit throats and missing organs, Constance and Flo are at even greater risk from the Whitechapel Murderer. Constance also worries that Emily Tindall, her mentor and teacher from the neighborhood church mission, hasn’t been around for some time. Constance misses her lessons with Miss Tindall, who taught her eager 18-year-old pupil to read and practice basic etiquette in hopes that Constance could escape to a marginally better life. Meanwhile, Emily narrates the unhappy domestic tale of Terence Cutler, an obstetrician and fellow of the Royal College of Surgeons whose bitter wife, Geraldine, has left him. And Constance, after a strange experience with an illusionist, has a dream foreseeing the fourth murder of a prostitute. All London quakes when a fifth woman is killed, and the headless torso of a sixth woman is found in the construction site for New Scotland Yard. Then Geraldine’s sister comes to town and, with some subtle nudging from Emily, enlists Constance’s help in searching for Geraldine. As Constance is pulled further into the world of the man claiming responsibility for the murders, she also reunites with Emily in a way she never would have guessed. With her mentor’s guidance, she finds the strength and courage to seek justice for the sixth victim.

Although Harris (Secrets in the Stones, 2016, etc.) gives away a little too much a little too soon, she still combines two perceptive points of view with a convincing portrait of London’s seamier side and a neat twist of an ending.

Pub Date: May 30, 2017

ISBN: 978-1-4967-0654-6

Page Count: 304

Publisher: Kensington

Review Posted Online: April 2, 2017

Kirkus Reviews Issue: April 1, 2017

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Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.


Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.

A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”

Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.

Pub Date: March 17, 2020

ISBN: 978-1-9821-3888-2

Page Count: 352

Publisher: Scribner

Review Posted Online: Dec. 23, 2019

Kirkus Reviews Issue: Jan. 15, 2020

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Creepy, violent, and propulsive; a standout gothic mystery.


Lady detective Bridie Devine searches for a missing child and finds much more than she bargained for.

Bridie Devine is no stranger to the seedy underworld of Victorian London. An accomplished detective with medical training, she sometimes helps the police by examining bodies to determine the cause of death. Bridie recently failed to find a lost child, and when she’s approached about another missing child, the daughter of Sir Edmund Berwick, she isn’t enthusiastic about taking on the case. But Christabel Berwick is no ordinary child. Sir Edmund has hidden Christabel away her whole life and wants Bridie to believe this is an ordinary kidnapping. Bridie does a little digging and learns that Christabel isn’t his daughter so much as his prized specimen. Sir Edmund believes Christabel is a “merrow,” a darker and less romanticized version of a mermaid. Bridie is skeptical, but there are reports of Christabel’s sharp teeth, color-changing eyes, and ability to drown people on dry land. Given that Bridie’s new companion is a ghost who refuses to tell her why he’s haunting her, Bridie might want to open her mind a bit. There’s a lot going on in this singular novel, and none of it pretty. Bridie’s London is soaked with mud and blood, and her past is nightmarish at best. Kidd (Mr. Flood’s Last Resort, 2018, etc.) is an expert at setting a supernatural mood perfect for ghosts and merrows, but her human villains make them seem mundane by comparison. With so much detail and so many clever, Dickensian characters, readers might petition Kidd to give Bridie her own series.

Creepy, violent, and propulsive; a standout gothic mystery.

Pub Date: Feb. 4, 2020

ISBN: 978-1-9821-2128-0

Page Count: 384

Publisher: Atria

Review Posted Online: Sept. 30, 2019

Kirkus Reviews Issue: Oct. 15, 2019

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