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DISPLACEMENT

The verse’s irregular, faltering beat matches Vera’s defensive grief well, but Vera herself retains an unlikable air of...

In first-person free verse with halting rhythm, 17-year-old Vera narrates her sojourn in a tiny desert town she’s never seen and doesn’t know.

Vera wants to be someplace unfamiliar, someplace that doesn’t invoke her younger sister, who died in a drunken ocean swim, nor her older sister, who’s tried to replace their absent mother but seems aloof, so she hitch hikes to the desert and gets out at Garrett, where "nobody knows me." Despite her obvious grief, Vera’s voice doesn’t easily inspire sympathy. In a mostly abandoned mining town characterized by “scraping-the-bean-can / unapologetic / starkness,” Vera squats in a deserted house and scoffs at the two part-time jobs she finds (“It’s certainly not what my once best friend Rob / would have called ‘rocket surgery’ ”). Mercantile owner Tilly lisps, her pronunciations mercilessly spelled out: “He’th an artitht! / Bowlth, jugth, plateth, / thellth it all it all on the Internet.” Vera crushes on Lon, a businessman whose Indian identity is frequently reiterated: “I glare at him, / leaning forward / having dumped the heaviest words / directly onto his black-feathered Native head.” Lon doesn’t live up to Vera’s expectations (“Frickin’ noncommunicating-handsome-half-Hopi,” she stews), and the text casts him as bad guy; only Milo the ceramicist is truly likable here.

The verse’s irregular, faltering beat matches Vera’s defensive grief well, but Vera herself retains an unlikable air of entitlement even as she moves on from the desert and back into her real life. (Fiction. 12-15)

Pub Date: June 1, 2011

ISBN: 978-0-670-01199-5

Page Count: 364

Publisher: Viking

Review Posted Online: April 18, 2011

Kirkus Reviews Issue: May 1, 2011

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DEAD WEDNESDAY

Characters to love, quips to snort at, insights to ponder: typical Spinelli.

For two teenagers, a small town’s annual cautionary ritual becomes both a life- and a death-changing experience.

On the second Wednesday in June, every eighth grader in Amber Springs, Pennsylvania, gets a black shirt, the name and picture of a teen killed the previous year through reckless behavior—and the silent treatment from everyone in town. Like many of his classmates, shy, self-conscious Robbie “Worm” Tarnauer has been looking forward to Dead Wed as a day for cutting loose rather than sober reflection…until he finds himself talking to a strange girl or, as she would have it, “spectral maiden,” only he can see or touch. Becca Finch is as surprised and confused as Worm, only remembering losing control of her car on an icy slope that past Christmas Eve. But being (or having been, anyway) a more outgoing sort, she sees their encounter as a sign that she’s got a mission. What follows, in a long conversational ramble through town and beyond, is a day at once ordinary yet rich in discovery and self-discovery—not just for Worm, but for Becca too, with a climactic twist that leaves both ready, or readier, for whatever may come next. Spinelli shines at setting a tongue-in-cheek tone for a tale with serious underpinnings, and as in Stargirl (2000), readers will be swept into the relationship that develops between this adolescent odd couple. Characters follow a White default.

Characters to love, quips to snort at, insights to ponder: typical Spinelli. (Fiction. 12-15)

Pub Date: Aug. 3, 2021

ISBN: 978-0-593-30667-3

Page Count: 240

Publisher: Knopf

Review Posted Online: May 31, 2021

Kirkus Reviews Issue: June 15, 2021

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UNFRIENDED

Vail captures the complexity of middle school social challenges, insightfully addressing the issues of friendships and...

Eighth-grader Truly’s foray into popularity spirals into a tempest of deceit and betrayal.

Upon turning 13, Truly is given a measure of technological freedom: a cellphone and access to social media. But this soon evolves into a quagmire of problems for Truly. When former BFF Natasha invites her to join the Popular Table during lunchtime and to collaborate on a school assignment, Truly is surprised but thrilled. However, Natasha’s overtures hide an ulterior motive. In the pursuit of popularity, Truly neglects her friendship with Hazel, who retaliates by plotting revenge utilizing social media. The Truly/Hazel dynamic is just one component of this interwoven story. Vail explores the motivations and private quandaries of the six characters who narrate the tale, from Jack, the quiet advocate for those excluded, to the socially conscious and manipulative Natasha, who yearns to be the most popular. With keen insight, Vail reveals the internal struggles with uncertainty and self-doubt that can plague young teens regardless of popularity status. Natasha’s schemes and Hazel’s misdeeds lead to a relentless barrage of bullying via social media for Truly. While a dramatic moment reveals the extent of Truly’s anguish, Vail concludes the tale with a resolution that is both realistic and hopeful.

Vail captures the complexity of middle school social challenges, insightfully addressing the issues of friendships and integrity. (Fiction. 12-15)

Pub Date: Sept. 25, 2014

ISBN: 978-0-670-01307-4

Page Count: 288

Publisher: Viking

Review Posted Online: July 28, 2014

Kirkus Reviews Issue: Aug. 15, 2014

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