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ONCE UPON A REVOLUTION

AN EGYPTIAN STORY

A clear exposition and analysis of complex, swiftly changing events. The book gives readers cause to understand why we might...

Smart, troubling study of the events surrounding Tahrir Square and their aftermath.

That Cairo landmark is a metonym. As journalist/historian Cambanis (A Privilege to Die: Inside Hezbollah’s Legions and Their Endless War Against Israel, 2010) records in this lucid account of the Egyptian uprising, strategists of the opposition spent much time figuring out just where they could organize protests without being quashed by the country’s well-organized military, setting some of the early demonstrations and meetings in places “where the streets were too narrow for police trucks and water cannons” until momentum grew. It didn’t take long for the revolt to sweep the country, with its crowning day on Jan. 25, 2011. Cambanis profiles ordinary Egyptians who rose up against the Mubarak regime, some out of support for the Islamist cause, others in the hope of secular democracy. Their political divide runs deep. As the author writes of one key actor, “El-Shater didn’t seem to understand how much the liberals hated the Islamists, and how much the revolutionary Islamist youth mistrusted the Brotherhood leadership, himself included.” It is for that reason that the revolution—which, Cambanis reminds us, necessarily involves tumult and violence—remains incomplete. “I fell in love with the Tahrir Revolution,” he writes, “but this love didn’t blind me to its faults.” Still, to judge by this account, those faults are fewer than those of the previous regime, which leaves some hope that the people of Egypt are headed in the right direction—even if the Muslim Brotherhood soon “exposed itself as power hungry and eager to use violent tools of repression to silence opponents.”

A clear exposition and analysis of complex, swiftly changing events. The book gives readers cause to understand why we might support regime change in the Middle East, even if it brings instability and incoherence.

Pub Date: Jan. 20, 2015

ISBN: 978-1451658996

Page Count: 288

Publisher: Simon & Schuster

Review Posted Online: Nov. 10, 2014

Kirkus Reviews Issue: Dec. 1, 2014

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WHO STOLE THE AMERICAN DREAM?

Not flawless, but one of the best recent analyses of the contemporary woes of American economics and politics.

Remarkably comprehensive and coherent analysis of and prescriptions for America’s contemporary economic malaise by Pulitzer Prize–winning journalist Smith (Rethinking America, 1995, etc.).

“Over the past three decades,” writes the author, “we have become Two Americas.” We have arrived at a new Gilded Age, where “gross inequality of income and wealth” have become endemic. Such inequality is not simply the result of “impersonal and irresistible market forces,” but of quite deliberate corporate strategies and the public policies that enabled them. Smith sets out on a mission to trace the history of these strategies and policies, which transformed America from a roughly fair society to its current status as a plutocracy. He leaves few stones unturned. CEO culture has moved since the 1970s from a concern for the general well-being of society, including employees, to the single-minded pursuit of personal enrichment and short-term increases in stock prices. During much of the ’70s, CEO pay was roughly 40 times a worker’s pay; today that number is 367. Whether it be through outsourcing and factory closings, corporate reneging on once-promised contributions to employee health and retirement funds, the deregulation of Wall Street and the financial markets, a tax code which favors overwhelmingly the interests of corporate heads and the superrich—all of which Smith examines in fascinating detail—the American middle class has been left floundering. For its part, government has simply become an enabler and partner of the rich, as the rich have turned wealth into political influence and rigid conservative opposition has created the politics of gridlock. What, then, is to be done? Here, Smith’s brilliant analyses turn tepid, as he advocates for “a peaceful political revolution at the grassroots” to realign the priorities of government and the economy but offers only the vaguest of clues as to how this might occur.

Not flawless, but one of the best recent analyses of the contemporary woes of American economics and politics.

Pub Date: Sept. 11, 2012

ISBN: 978-1-4000-6966-8

Page Count: 576

Publisher: Random House

Review Posted Online: July 16, 2012

Kirkus Reviews Issue: Aug. 1, 2012

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THE WAY I HEARD IT

Never especially challenging or provocative but pleasant enough light reading.

Former Dirty Jobs star Rowe serves up a few dozen brief human-interest stories.

Building on his popular podcast, the author “tells some true stories you probably don’t know, about some famous people you probably do.” Some of those stories, he allows, have been subject to correction, just as on his TV show he was “corrected on windmills and oil derricks, coal mines and construction sites, frack tanks, pig farms, slime lines, and lumber mills.” Still, it’s clear that he takes pains to get things right even if he’s not above a few too-obvious groaners, writing about erections (of skyscrapers, that is, and, less elegantly, of pigs) here and Joan Rivers (“the Bonnie Parker of comedy”) there, working the likes of Bob Dylan, William Randolph Hearst, and John Wayne into the discourse. The most charming pieces play on Rowe’s own foibles. In one, he writes of having taken a soft job as a “caretaker”—in quotes—of a country estate with few clear lines of responsibility save, as he reveals, humoring the resident ghost. As the author notes on his website, being a TV host gave him great skills in “talking for long periods without saying anything of substance,” and some of his stories are more filler than compelling narrative. In others, though, he digs deeper, as when he writes of Jason Everman, a rock guitarist who walked away from two spectacularly successful bands (Nirvana and Soundgarden) in order to serve as a special forces operative: “If you thought that Pete Best blew his chance with the Beatles, consider this: the first band Jason bungled sold 30 million records in a single year.” Speaking of rock stars, Rowe does a good job with the oft-repeated matter of Charlie Manson’s brief career as a songwriter: “No one can say if having his song stolen by the Beach Boys pushed Charlie over the edge,” writes the author, but it can’t have helped.

Never especially challenging or provocative but pleasant enough light reading.

Pub Date: Oct. 15, 2019

ISBN: 978-1-982130-85-5

Page Count: 224

Publisher: Gallery Books/Simon & Schuster

Review Posted Online: Aug. 17, 2019

Kirkus Reviews Issue: Sept. 1, 2019

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