A clear exposition and analysis of complex, swiftly changing events. The book gives readers cause to understand why we might...

ONCE UPON A REVOLUTION

AN EGYPTIAN STORY

Smart, troubling study of the events surrounding Tahrir Square and their aftermath.

That Cairo landmark is a metonym. As journalist/historian Cambanis (A Privilege to Die: Inside Hezbollah’s Legions and Their Endless War Against Israel, 2010) records in this lucid account of the Egyptian uprising, strategists of the opposition spent much time figuring out just where they could organize protests without being quashed by the country’s well-organized military, setting some of the early demonstrations and meetings in places “where the streets were too narrow for police trucks and water cannons” until momentum grew. It didn’t take long for the revolt to sweep the country, with its crowning day on Jan. 25, 2011. Cambanis profiles ordinary Egyptians who rose up against the Mubarak regime, some out of support for the Islamist cause, others in the hope of secular democracy. Their political divide runs deep. As the author writes of one key actor, “El-Shater didn’t seem to understand how much the liberals hated the Islamists, and how much the revolutionary Islamist youth mistrusted the Brotherhood leadership, himself included.” It is for that reason that the revolution—which, Cambanis reminds us, necessarily involves tumult and violence—remains incomplete. “I fell in love with the Tahrir Revolution,” he writes, “but this love didn’t blind me to its faults.” Still, to judge by this account, those faults are fewer than those of the previous regime, which leaves some hope that the people of Egypt are headed in the right direction—even if the Muslim Brotherhood soon “exposed itself as power hungry and eager to use violent tools of repression to silence opponents.”

A clear exposition and analysis of complex, swiftly changing events. The book gives readers cause to understand why we might support regime change in the Middle East, even if it brings instability and incoherence.

Pub Date: Jan. 20, 2015

ISBN: 978-1451658996

Page Count: 288

Publisher: Simon & Schuster

Review Posted Online: Nov. 11, 2014

Kirkus Reviews Issue: Dec. 1, 2014

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The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

NIGHT

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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WHEN BREATH BECOMES AIR

A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 30, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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