Tessa’s ferocious competitiveness is appealing, though her ambivalence about football gives the lie to the...

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THE FOOTBALL GIRL

Whether a girl might want to play football is the thread that holds together this dual narrative of a sports novel and a budding romance, told in alternating voices by the two sweethearts.

Eighth-grader Tessa is a competitive cross-country runner, showing impressive speed and assured of a place on that team when she heads to high school next fall. At 14, she is attracted to Caleb, a boy she regularly plays flag football with. Pickup games here and there slowly develop into a sweet first courtship. Over the summer, Caleb endures dangerous but routine hazing as he casually follows in his older brother's footsteps, while Tessa is pulled into her mother's campaign for mayor. Partly in rebellion and partly for attention, Tessa announces in a press interview that she plans to go out for football. Caleb's chapters show him wrestling with his ideas about his own future as well as his growing interest in Tessa. Outwardly she seems committed to football, but uncertainty comes through in her chapters as she encounters the brutal physicality of football camp. Both narratives are straightforward and readable. Tessa is shown as white on the cover; Caleb also reads as white. While the narrative twice states that more than 1,600 girls actually play football in high school, it is oddly ambiguous about Tessa's future in the sport.

Tessa’s ferocious competitiveness is appealing, though her ambivalence about football gives the lie to the determined-looking girl on the cover. (Fiction. 11-15)

Pub Date: April 4, 2017

ISBN: 978-0-385-74183-5

Page Count: 208

Publisher: Delacorte

Review Posted Online: Jan. 17, 2017

Kirkus Reviews Issue: Feb. 1, 2017

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An approachable, earnest, feel-good romance between a white Jewish girl and a Chinese-Canadian immigrant boy provides the...

THE MOST DANGEROUS THING

An eleventh-grade girl wants to start a relationship but is stymied by depression and anxiety.

Syd knows her depression isn’t really out of control, like some people’s. She can usually manage the crushing fog that weighs her down: tricking herself into getting out of bed by playing the phone game; biking around Vancouver, British Columbia, until she’s exhausted; investing online with her cantankerous grandfather; eating just enough to get by. It works well enough until her lab partner, Paul, starts texting and flirting. Syd would respond in kind if she could, but she’s afraid to make eye contact or have conversations with new people—how could she possibly start a relationship? Fading into the background would be ideal, but her gregarious family has other plans. Her mother, revitalizing the family Passover celebration, ropes Syd into embarrassing Jewish singalongs. Worse, Syd’s vivacious sister wants to perform The Vagina Monologues for the school drama festival, and she’s written her own monologue—one that uses “the c-word”! The oozing darkness that dominates Syd’s thoughts is authentically represented in her present-tense narration and appropriately addressed with professional mental health treatment. Frustratingly, however, Syd’s nervousness about romantic and sexual intimacy is pathologized as a curable symptom of her mental illness.

An approachable, earnest, feel-good romance between a white Jewish girl and a Chinese-Canadian immigrant boy provides the flavor for a tale of recovery and empowerment . (Fiction. 13-15)

Pub Date: March 7, 2017

ISBN: 978-1-4598-1184-3

Page Count: 240

Publisher: Orca

Review Posted Online: Jan. 17, 2017

Kirkus Reviews Issue: Feb. 1, 2017

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Flat secondary characterizations and humdrum dialogue won’t keep teens from relishing this histrionic tale of love, death...

THE EDGE OF FALLING

Wealthy high school junior Mcalister “Caggie” Caulfield seeks relief from grief over her younger sister’s death by entering into a dangerous relationship with a mysterious boy.

After her little sister drowns in the pool at her family’s beach house in the Hamptons, Caggie wants to die too, to the point that she contemplates jumping off the roof at a friend’s party in Manhattan. A schoolmate named Kristen saves her at the last minute but nearly falls herself. Caggie actually ends up pulling Kristen back and is credited as a hero, which only makes her feel worse. In her grief, Caggie spurns the attentions of her best friend and devoted boyfriend, but she finds a kindred spirit in Astor, a tall, dark and damaged new boy at school who recently lost his mother to cancer. But what Caggie comes to realize about her relationship with Astor is that “[d]arkness stacked on darkness just makes it that much harder to find the light.” After another nearly fatal disaster with Astor at the beach house, Caggie is forced to confront the falsehoods she has told her family and friends and let go of her guilt over her sister’s death. Though Caggie makes a point of telling readers that her paternal grandfather called people like her “phony,” almost nothing is made of the connection to Catcher in the Rye, and it serves merely to make Caggie’s tale suffer by comparison.

Flat secondary characterizations and humdrum dialogue won’t keep teens from relishing this histrionic tale of love, death and lies. (Fiction. 12-15)

Pub Date: March 18, 2014

ISBN: 978-1-4424-3316-8

Page Count: 304

Publisher: Simon Pulse/Simon & Schuster

Review Posted Online: Jan. 15, 2014

Kirkus Reviews Issue: Feb. 1, 2014

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