A charming adaptation with a solid moral and a heroine whom little girls and boys can look up to.
When her six brothers are turned into swans by their wicked stepmother, Princess Sophie must endure physical and emotional trials to save them in this warmly illustrated version of the classic fairy tale.
The seamless interplay of words and images makes the picture-book format ideal for providing narrative clarity as well as nuance to the central relationships that seem abstract in the original story. Jacobs’ alterations allot Sophie far more agency than the passive heroine of the Grimm’s version possesses, transforming the white princess into a passionate and tenacious girl who is unafraid of hard work and sacrifice in an effort to right a wrong. Her friendship with her brothers is well-depicted, making her great sacrifice reflective of her strong sense of character rather than familial obligation or feminine duty. Jacobs—an illustrator writing for the first time—has a masterful eye for colors and skillfully employs them to reflect the mood of a scene and drive the narrative. The dreamlike quality of the illustrations makes this version an ideal bedtime story; misty blues symbolize Sophie’s loneliness and isolation as she sews her brothers’ shirts, while the delicate swirl of rainbow color renders the brothers’ transformations especially magical.
A charming adaptation with a solid moral and a heroine whom little girls and boys can look up to. (Picture book/fairy tale. 4-8)Pub Date: April 1, 2017
ISBN: 978-1-937786-67-0
Page Count: 40
Publisher: Wisdom Tales
Review Posted Online: Jan. 16, 2017
Kirkus Reviews Issue: Feb. 1, 2017
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A sweet, soft conversation starter and a charming gift.
A paean to teachers and their surrogates everywhere.
This gentle ode to a teacher’s skill at inspiring, encouraging, and being a role model is spoken, presumably, from a child’s viewpoint. However, the voice could equally be that of an adult, because who can’t look back upon teachers or other early mentors who gave of themselves and offered their pupils so much? Indeed, some of the self-aware, self-assured expressions herein seem perhaps more realistic as uttered from one who’s already grown. Alternatively, readers won’t fail to note that this small book, illustrated with gentle soy-ink drawings and featuring an adult-child bear duo engaged in various sedentary and lively pursuits, could just as easily be about human parent- (or grandparent-) child pairs: some of the softly colored illustrations depict scenarios that are more likely to occur within a home and/or other family-oriented setting. Makes sense: aren’t parents and other close family members children’s first teachers? This duality suggests that the book might be best shared one-on-one between a nostalgic adult and a child who’s developed some self-confidence, having learned a thing or two from a parent, grandparent, older relative, or classroom instructor.
A sweet, soft conversation starter and a charming gift. (Picture book. 4-7)Pub Date: March 1, 2017
ISBN: 978-1-943200-08-5
Page Count: 32
Publisher: Compendium
Review Posted Online: Dec. 13, 2016
Kirkus Reviews Issue: Jan. 1, 2017
Visually accomplished but marred by stereotypical cultural depictions.
Ellis, known for her illustrations for Colin Meloy’s Wildwood series, here riffs on the concept of “home.”
Shifting among homes mundane and speculative, contemporary and not, Ellis begins and ends with views of her own home and a peek into her studio. She highlights palaces and mansions, but she also takes readers to animal homes and a certain famously folkloric shoe (whose iconic Old Woman manages a passel of multiethnic kids absorbed in daring games). One spread showcases “some folks” who “live on the road”; a band unloads its tour bus in front of a theater marquee. Ellis’ compelling ink and gouache paintings, in a palette of blue-grays, sepia and brick red, depict scenes ranging from mythical, underwater Atlantis to a distant moonscape. Another spread, depicting a garden and large building under connected, transparent domes, invites readers to wonder: “Who in the world lives here? / And why?” (Earth is seen as a distant blue marble.) Some of Ellis’ chosen depictions, oddly juxtaposed and stripped of any historical or cultural context due to the stylized design and spare text, become stereotypical. “Some homes are boats. / Some homes are wigwams.” A sailing ship’s crew seems poised to land near a trio of men clad in breechcloths—otherwise unidentified and unremarked upon.
Visually accomplished but marred by stereotypical cultural depictions. (Picture book. 4-8)Pub Date: Feb. 24, 2015
ISBN: 978-0-7636-6529-6
Page Count: 40
Publisher: Candlewick
Review Posted Online: Nov. 17, 2014
Kirkus Reviews Issue: Dec. 1, 2014
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