An important book that gives coherence to a massive data dump.



Thoughtful analysis of one of the largest leaks of classified information in history—how it happened, what the secret documents say and what it all means.

In its first e-book, the New York Times brings welcome order to the chaos of the hundreds of thousands U.S. government documents released last year by the elusive and volatile hacker Julian Assange, founder of the WikiLeaks whistle-blowers’ website. In addition to the newspaper’s own extensive news and op-ed coverage, including the texts of military and diplomatic documents published on the Times website, the book has an extended insider’s essay on the entire episode by Times executive editor Bill Keller, as well as profiles of both Assange and Army Private Bradley Manning, his suspected source. Keller details his six-month experience working with the “secretive cadre of anti-secrecy vigilantes” known as WikiLeaks, whose release of the candid documents about world leaders and events embarrassed the U.S. government. A Times team created a searchable database of the material: 500,000 military dispatches on the wars in Afghanistan and Iraq and 250,000 confidential cables between the State Department and 270 U.S. embassies and consulates. Keller says the newspaper acted responsibly in publishing the documents, redacting information that might endanger lives. The book includes contrasting views as well as reflections on the episode’s implications for the future of secrecy and diplomacy in the digital age. Both Assange and Manning emerge as bright, attention-seeking outsiders from unstable backgrounds. Assange, envisioning WikiLeaks as a new “scientific journalism” allowing people to judge facts for themselves, became increasingly erratic as his notoriety grew. Manning landed in a brig, where he awaits trial. One-third of the book consists of solid, old-fashioned journalism, offering the context and background needed to understand the documents. With links to cables and images, a helpful glossary and an appendix of significant photographs, the text takes full advantage of the capabilities of the e-book format.

An important book that gives coherence to a massive data dump.

Pub Date: Jan. 31, 2011

ISBN: 9780615439570

Page Count: -

Publisher: The New York Times

Review Posted Online: April 4, 2011

Kirkus Reviews Issue: Feb. 15, 2011

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Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...



Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

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Noted jazz and pop record producer Thiele offers a chatty autobiography. Aided by record-business colleague Golden, Thiele traces his career from his start as a ``pubescent, novice jazz record producer'' in the 1940s through the '50s, when he headed Coral, Dot, and Roulette Records, and the '60s, when he worked for ABC and ran the famous Impulse! jazz label. At Coral, Thiele championed the work of ``hillbilly'' singer Buddy Holly, although the only sessions he produced with Holly were marred by saccharine strings. The producer specialized in more mainstream popsters like the irrepressibly perky Teresa Brewer (who later became his fourth wife) and the bubble-machine muzak-meister Lawrence Welk. At Dot, Thiele was instrumental in recording Jack Kerouac's famous beat- generation ramblings to jazz accompaniment (recordings that Dot's president found ``pornographic''), while also overseeing a steady stream of pop hits. He then moved to the Mafia-controlled Roulette label, where he observed the ``silk-suited, pinky-ringed'' entourage who frequented the label's offices. Incredibly, however, Thiele remembers the famously hard-nosed Morris Levy, who ran the label and was eventually convicted of extortion, as ``one of the kindest, most warm-hearted, and classiest music men I have ever known.'' At ABC/Impulse!, Thiele oversaw the classic recordings of John Coltrane, although he is the first to admit that Coltrane essentially produced his own sessions. Like many producers of the day, Thiele participated in the ownership of publishing rights to some of the songs he recorded; he makes no apology for this practice, which he calls ``entirely appropriate and without any ethical conflicts.'' A pleasant, if not exactly riveting, memoir that will be of most interest to those with a thirst for cocktail-hour stories of the record biz. (25 halftones, not seen)

Pub Date: May 1, 1995

ISBN: 0-19-508629-4

Page Count: 224

Publisher: Oxford Univ.

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: March 1, 1995

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