A concise, cautionary tale about a woman exchanging pain for trust.

The Curious Solitude of Anise

In Swanson’s debut novel, food provides more than physical sustenance for an introverted baker.

When readers first meet Anise Kaufmann, squatting in an abandoned restaurant in Buffalo, N.Y., with a cat named Mandy, she’s talking to her dead mother, Laura, and preparing a béchamel sauce with items from the neighborhood food bank. As she and Mandy partake of their unlit, gourmet meal, she re-examines her 47 years upon the Earth and how she’s kept her distance from other people—except to serve them delectable goods. Her “childhood light had gone out” after her mother drowned, but Laura’s Better Homes and Gardens cookbook eventually changed Anise’s life, awakening her appreciation for food and connecting her to Laura’s spirit. (“She visits me when I cook,” Anise confessed to her best friend in high school.) Anise eventually stumbled upon a stack of love letters among Laura’s things—not written by Anise’s father. Feeling confused and betrayed, she attended a cooking institute, hoping to find her own recipe for happiness; she got a dream job in a New York City bakery, which stole her ideas. One day, she came home to find her apartment in flames. After returning to Buffalo, through the redemption of fresh bread and her mother’s cookbook, she opened a humble, thriving bakery—until the tragic arrival of Pete, an Iraqi War veteran. “Humans act strange if left alone too long,” according to the novel’s omniscient narrator—a binding philosophy for Swanson’s powerful life study, as Anise encounters several odd, lonely characters on her numerous roads to salvation. Throughout the author’s taut, sometimes raw narrative, Anise’s distrust borders on misanthropy and makes her less than sympathetic, but strengthens the author’s message. Cast out into the cold streets, a pleasant surprise awaits Anise—but it may come a little too late to clear the wisps of melancholy that overwhelm Swanson’s tale.

A concise, cautionary tale about a woman exchanging pain for trust. 

Pub Date: Feb. 27, 2013

ISBN: 978-0615777870

Page Count: 148

Publisher: Dorsett, McClaughlin & Whitney

Review Posted Online: May 17, 2013

Kirkus Reviews Issue: June 15, 2013

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The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 22, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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Less bleak than the subject matter might warrant—Hannah’s default outlook is sunny—but still, a wrenching depiction of war’s...


 The traumatic homecoming of a wounded warrior.

The daughter of alcoholics who left her orphaned at 17, Jolene “Jo” Zarkades found her first stable family in the military: She’s served over two decades, first in the army, later with the National Guard. A helicopter pilot stationed near Seattle, Jo copes as competently at home, raising two daughters, Betsy and Lulu, while trying to dismiss her husband Michael’s increasing emotional distance. Jo’s mettle is sorely tested when Michael informs her flatly that he no longer loves her. Four-year-old Lulu clamors for attention while preteen Betsy, mean-girl-in-training, dismisses as dweeby her former best friend, Seth, son of Jo’s confidante and fellow pilot, Tami. Amid these challenges comes the ultimate one: Jo and Tami are deployed to Iraq. Michael, with the help of his mother, has to take over the household duties, and he rapidly learns that parenting is much harder than his wife made it look. As Michael prepares to defend a PTSD-afflicted veteran charged with Murder I for killing his wife during a dissociative blackout, he begins to understand what Jolene is facing and to revisit his true feelings for her. When her helicopter is shot down under insurgent fire, Jo rescues Tami from the wreck, but a young crewman is killed. Tami remains in a coma and Jo, whose leg has been amputated, returns home to a difficult rehabilitation on several fronts. Her nightmares in which she relives the crash and other horrors she witnessed, and her pain, have turned Jo into a person her daughters now fear (which in the case of bratty Betsy may not be such a bad thing). Jo can't forgive Michael for his rash words. Worse, she is beginning to remind Michael more and more of his homicide client. Characterization can be cursory: Michael’s earlier callousness, left largely unexplained, undercuts the pathos of his later change of heart. 

Less bleak than the subject matter might warrant—Hannah’s default outlook is sunny—but still, a wrenching depiction of war’s aftermath.

Pub Date: Jan. 31, 2012

ISBN: 978-0-312-57720-9

Page Count: 400

Publisher: St. Martin's

Review Posted Online: Dec. 19, 2011

Kirkus Reviews Issue: Jan. 1, 2012

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