A concise, cautionary tale about a woman exchanging pain for trust.
In Swanson’s debut novel, food provides more than physical sustenance for an introverted baker.
When readers first meet Anise Kaufmann, squatting in an abandoned restaurant in Buffalo, N.Y., with a cat named Mandy, she’s talking to her dead mother, Laura, and preparing a béchamel sauce with items from the neighborhood food bank. As she and Mandy partake of their unlit, gourmet meal, she re-examines her 47 years upon the Earth and how she’s kept her distance from other people—except to serve them delectable goods. Her “childhood light had gone out” after her mother drowned, but Laura’s Better Homes and Gardens cookbook eventually changed Anise’s life, awakening her appreciation for food and connecting her to Laura’s spirit. (“She visits me when I cook,” Anise confessed to her best friend in high school.) Anise eventually stumbled upon a stack of love letters among Laura’s things—not written by Anise’s father. Feeling confused and betrayed, she attended a cooking institute, hoping to find her own recipe for happiness; she got a dream job in a New York City bakery, which stole her ideas. One day, she came home to find her apartment in flames. After returning to Buffalo, through the redemption of fresh bread and her mother’s cookbook, she opened a humble, thriving bakery—until the tragic arrival of Pete, an Iraqi War veteran. “Humans act strange if left alone too long,” according to the novel’s omniscient narrator—a binding philosophy for Swanson’s powerful life study, as Anise encounters several odd, lonely characters on her numerous roads to salvation. Throughout the author’s taut, sometimes raw narrative, Anise’s distrust borders on misanthropy and makes her less than sympathetic, but strengthens the author’s message. Cast out into the cold streets, a pleasant surprise awaits Anise—but it may come a little too late to clear the wisps of melancholy that overwhelm Swanson’s tale.
A concise, cautionary tale about a woman exchanging pain for trust.Pub Date: Feb. 27, 2013
ISBN: 978-0615777870
Page Count: 148
Publisher: Dorsett, McClaughlin & Whitney
Review Posted Online: May 17, 2013
Kirkus Reviews Issue: June 15, 2013
Review Program: Kirkus Indie
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana. The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense. This is a masterly novel. It will appeal to all lovers of fiction of the first order.
Pub Date: June 1, 1985
ISBN: 068487122X
Page Count: 872
Publisher: Simon & Schuster
Review Posted Online: Sept. 30, 2011
Kirkus Reviews Issue: May 15, 1985
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SEEN & HEARD
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