Lively yarn-spinning, delightful illustrations, and handsome bookmaking again make a winning combination in this follow-up to the creators’ An Illustrated Treasury of Scottish Folk and Fairy Tales (2012).
Breslin opens with a tale of St. Columba and the Loch Ness monster and closes with an encounter between a clever fox and a cleverer young girl—adversaries who previously met, with a similar result, in the other collection’s closer. In between, she dishes up fluently retold versions of tales featuring a child selkie, mermen, and Wee Folk; a Robert Louis Stevenson cameo; Thomas the Rhymer’s sojourn with the queen of Faeryland; and how Finn MacCool built the Giant’s Causeway in order to fight the Scots giant Benandonner. With the exception of a skinless Nuckelavee that unwisely tangles with an old wise woman and is in any case left unseen, the monsters here are mostly benign sorts—even the draconic Island Beast snoozes peacefully in its only appearance and is rendered in such warm red and golden tones that it seems more decorative than dangerous. Leiper likewise supplies all 11 tales with bright illustrations that generally run evocatively along the broad margins and off the edges of the pages, offering not scenes of violence but idyllic glimpses of finely modeled small animals and objects, appealingly distracted figures in historical dress, and grassy Scottish hills.
A fine choice for reading aloud or alone, rich in creatures more magical than frightening. (glossary) (Folk tales. 7-12)Pub Date: Oct. 1, 2015
ISBN: 978-1-7825-0195-4
Page Count: 194
Publisher: Floris
Review Posted Online: Aug. 12, 2015
Kirkus Reviews Issue: Sept. 1, 2015
Categories: CHILDREN'S GENERAL CHILDREN'S
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BOOK REVIEW
In this delightfully spare narrative in verse, Coretta Scott King Award–winning Grimes examines a marriage’s end from the perspective of a child.
Set mostly in the wake of her father’s departure, only-child Gabby reveals with moving clarity in these short first-person poems the hardship she faces relocating with her mother and negotiating the further loss of a good friend while trying to adjust to a new school. Gabby has always been something of a dreamer, but when she begins study in her new class, she finds her thoughts straying even more. She admits: “Some words / sit still on the page / holding a story steady. / … / But other words have wings / that wake my daydreams. / They … / tickle my imagination, / and carry my thoughts away.” To illustrate Gabby’s inner wanderings, Grimes’ narrative breaks from the present into episodic bursts of vivid poetic reminiscence. Luckily, Gabby’s new teacher recognizes this inability to focus to be a coping mechanism and devises a daily activity designed to harness daydreaming’s creativity with a remarkably positive result for both Gabby and the entire class. Throughout this finely wrought narrative, Grimes’ free verse is tight, with perfect breaks of line and effortless shifts from reality to dream states and back.
An inspirational exploration of caring among parent, teacher and child—one of Grimes’ best. (Poetry. 8-12)Pub Date: Sept. 1, 2013
ISBN: 978-1-59078-985-8
Page Count: 96
Publisher: Wordsong/Boyds Mills
Review Posted Online: July 17, 2013
Kirkus Reviews Issue: Aug. 1, 2013
Categories: CHILDREN'S GENERAL CHILDREN'S
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Comedian and actor Ayoade explores storytelling and books themselves.
Readers are quickly introduced to the premise: The narrator of this book…is the book itself. Directly addressing the audience, the narrator waxes philosophical about judging books by covers before plunging readers into a story told in second person about a child who finds “a particular Book That No One Wanted To Read” on a library shelf. Interspersed with imagined, telepathic dialogue between reader and book, this delightfully droll work casually covers everything from footnotes to story structure; information about excess unwanted books being “pulped” by publishers leads to a gag about the book not wanting to be recycled into toilet paper. The design is clean, with different fonts effectively used to maintain speaker clarity, and facts about books blend beautifully with wacky, tongue-in-cheek illustrations. The character “you” is a reader stand-in with a humorous composite depiction (and so lacks race, gender, or any other identity, though other people depicted throughout are diverse in skin tone). In many ways a spiritual successor to B.J. Novak’s The Book With No Pictures (2014), the book (and Book, the character) will encourage readers to approach literature with a sense of play.
Lovingly crafted metafictive silliness both experimental and engaging. (Illustrated fiction. 8-12)Pub Date: March 14, 2023
ISBN: 978-1-5362-2216-6
Page Count: 128
Publisher: Walker
Review Posted Online: Dec. 24, 2022
Kirkus Reviews Issue: Jan. 15, 2023
Categories: CHILDREN'S GENERAL CHILDREN'S
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