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THE GOOD BOY

The air of constant menace depends on too many muddled subplots. But when Schwegel (Last Known Address, 2009, etc.) keeps...

A series of unlucky coincidences drops a boy and his dog down the rabbit hole of Chicago’s meanest streets.

Butch isn’t really Joel Murphy’s dog. The shepherd-Malinois mix, whose specialty is sniffing out drugs, is the partner of Joel’s father, Officer Pete Murphy. Although Joel doesn’t know it—he’s only 11, and his parents don’t share every bit of the family’s bad news with him—Butch is already in trouble for attacking Ja’Kobe White, a gangbanger Pete had pulled over in a serious error of judgment. Now David Cardinale, White’s bulldog lawyer, is suing the Chicago Police Department, and Pete’s under serious pressure to change his story about the stop so that the case can go away. All this intrigue is part of the long, long buildup before the fateful night when Joel, worried about his big sister McKenna’s involvement with some violent bullies, follows her to a party, taking along Butch as backup. The dog follows his nose to a stash, and in the resulting excitement, someone fires three shots, one of which ends up in Aaron Northcutt, one of the bullies. Fearful that Butch will have to be “youth-nized” for his breach of the peace, Joel takes it on the lam. With no money to speak of, no experience of the streets, and no one to turn to but Katherine Crawford, the judge whose involvement with Pete Murphy was the backdrop to Pete’s current troubles, Joel has his work cut out for him. Despite his fear and vulnerability, however, the kid turns out to be as cool under pressure as Alice in Wonderland and as resourceful in his way as Odysseus sailing the Aegean. If only the same were true of the father looking for him.

The air of constant menace depends on too many muddled subplots. But when Schwegel (Last Known Address, 2009, etc.) keeps the focus on Joel and his father, you won’t be able to look away.

Pub Date: Nov. 5, 2013

ISBN: 978-1-250-00179-5

Page Count: 368

Publisher: Minotaur

Review Posted Online: Oct. 18, 2013

Kirkus Reviews Issue: Nov. 1, 2013

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FLESH AND BLOOD

No wonder Scarpetta asks, “When did my workplace become such a soap opera?” Answer: at least 10 years ago.

Happy birthday, Dr. Kay Scarpetta. But no Florida vacation for you and your husband, FBI profiler Benton Wesley—not because President Barack Obama is visiting Cambridge, but because a deranged sniper has come to town.

Shortly after everyone’s favorite forensic pathologist (Dust, 2013, etc.) receives a sinister email from a correspondent dubbed Copperhead, she goes outside to find seven pennies—all polished, all turned heads-up, all dated 1981—on her garden wall. Clearly there’s trouble afoot, though she’s not sure what form it will take until five minutes later, when a call from her old friend and former employee Pete Marino, now a detective with the Cambridge Police, summons her to the scene of a shooting. Jamal Nari was a high school music teacher who became a minor celebrity when his name was mistakenly placed on a terrorist watch list; he claimed government persecution, and he ended up having a beer with the president. Now he’s in the news for quite a different reason. Bizarrely, the first tweets announcing his death seem to have preceded it by 45 minutes. And Leo Gantz, a student at Nari’s school, has confessed to his murder, even though he couldn’t possibly have done it. But these complications are only the prelude to a banquet of homicide past and present, as Scarpetta and Marino realize when they link Nari’s murder to a series of killings in New Jersey. For a while, the peripheral presence of the president makes you wonder if this will be the case that finally takes the primary focus off the investigator’s private life. But most of the characters are members of Scarpetta’s entourage, the main conflicts involve infighting among the regulars, and the killer turns out to be a familiar nemesis Scarpetta thought she’d left for dead several installments back. As if.

No wonder Scarpetta asks, “When did my workplace become such a soap opera?” Answer: at least 10 years ago.

Pub Date: Nov. 11, 2014

ISBN: 978-0-06-232534-1

Page Count: 400

Publisher: Morrow/HarperCollins

Review Posted Online: July 22, 2014

Kirkus Reviews Issue: Sept. 15, 2014

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BLUEBIRD, BLUEBIRD

From the Darren Mathews series , Vol. 1

Locke, having stockpiled an acclaimed array of crime novels (Pleasantville, 2015, etc.), deserves a career breakthrough for...

What appears at first to be a double hate crime in a tiny Texas town turns out to be much more complicated—and more painful—than it seems.

With a degree from Princeton and two years of law school under his belt, Darren Mathews could have easily taken his place among the elite of African-American attorneys. Instead, he followed his uncle’s lead to become a Texas Ranger. “What is it about that damn badge?” his estranged wife, Lisa, asks. “It was never intended for you.” Darren often wonders if she’s right but nonetheless finds his badge useful “for working homicides with a racial element—murders with a particularly ugly taint.” The East Texas town of Lark is small enough to drive through “in the time it [takes] to sneeze,” but it’s big enough to have had not one, but two such murders. One of the victims is a black lawyer from Chicago, the kind of crusader-advocate Darren could have been if he’d stayed on his original path; the other is a young white woman, a local resident. Both battered bodies were found in a nearby bayou. His job already jeopardized by his role in a race-related murder case in another part of the state, Darren eases his way into Lark, where even his presence is enough to raise hackles among both the town’s white and black residents; some of the latter, especially, seem reluctant and evasive in their conversations with him. Besides their mysterious resistance, Darren also has to deal with a hostile sheriff, the white supremacist husband of the dead woman, and the dead lawyer’s moody widow, who flies into town with her own worst suspicions as to what her husband was doing down there. All the easily available facts imply some sordid business that could cause the whole town to explode. But the deeper Darren digs into the case, encountering lives steeped in his home state’s musical and social history, the more he begins to distrust his professional—and personal—instincts.

Locke, having stockpiled an acclaimed array of crime novels (Pleasantville, 2015, etc.), deserves a career breakthrough for this deftly plotted whodunit whose writing pulses throughout with a raw, blues-inflected lyricism.

Pub Date: Sept. 12, 2017

ISBN: 978-0-316-36329-7

Page Count: 336

Publisher: Mulholland Books/Little, Brown

Review Posted Online: June 19, 2017

Kirkus Reviews Issue: July 1, 2017

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