SUMMER WITCHES

Sarah's discovery that new neighbor Susanna has the makings of a fine friend despite her clunky shoes presages more complex realizations about the unusual woman. Sarah has enjoyed pretending that old Lily is a witch; after all, she's deaf and can't hear the jibes. But after the two girls cement their friendship while transforming the bomb shelter in Sarah's garden into their private place, Sarah finds a child's secret note tucked away there. The girls learn that Lily was the note's author, and that a terrible experience during WW II thwarted her learning to speak; they also get to know her as a productive, caring person. Meanwhile, Lily's sister Rose (the local librarian) has led them to consider the ancient, destructive witch stereotype and contrast it with the reality that Lily exemplifies: a wise woman, skilled with herbs and healing, whose differences may provoke distrust. With admirable skill, Tomlinson weaves her serious theme into an appealing, accessible story with likable, well- individualized characters and a neatly satisfying conclusion: the girls coax Lily into visiting the shelter for the first time since her trauma, thus themselves becoming the sort of witches whose ``magic'' is healing. This fine American debut is introduced by an eminently sensible note explaining some of the British terms and giving readers credit for the ability to figure the others out. (Fiction. 8-12)

Pub Date: April 30, 1991

ISBN: 0-02-789206-9

Page Count: 83

Publisher: Palgrave Macmillan

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 15, 1991

HOW TÍA LOLA CAME TO (VISIT) STAY

From the Tía Lola Stories series , Vol. 1

Simple, bella, un regalo permenente: simple and beautiful, a gift that will stay.

Renowned Latin American writer Alvarez has created another story about cultural identity, but this time the primary character is 11-year-old Miguel Guzmán. 

When Tía Lola arrives to help the family, Miguel and his hermana, Juanita, have just moved from New York City to Vermont with their recently divorced mother. The last thing Miguel wants, as he's trying to fit into a predominantly white community, is a flamboyant aunt who doesn't speak a word of English. Tía Lola, however, knows a language that defies words; she quickly charms and befriends all the neighbors. She can also cook exotic food, dance (anywhere, anytime), plan fun parties, and tell enchanting stories. Eventually, Tía Lola and the children swap English and Spanish ejercicios, but the true lesson is "mutual understanding." Peppered with Spanish words and phrases, Alvarez makes the reader as much a part of the "language" lessons as the characters. This story seamlessly weaves two culturaswhile letting each remain intact, just as Miguel is learning to do with his own life. Like all good stories, this one incorporates a lesson just subtle enough that readers will forget they're being taught, but in the end will understand themselves, and others, a little better, regardless of la lengua nativa—the mother tongue.

Simple, bella, un regalo permenente: simple and beautiful, a gift that will stay. (Fiction. 9-11)

Pub Date: March 1, 2001

ISBN: 0-375-80215-0

Page Count: 160

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

JAKE THE FAKE KEEPS IT REAL

From the Jake the Fake series , Vol. 1

A fast and funny alternative to the Wimpy Kid.

Black sixth-grader Jake Liston can only play one song on the piano. He can’t read music very well, and he can’t improvise. So how did Jake get accepted to the Music and Art Academy? He faked it.

Alongside an eclectic group of academy classmates, and with advice from his best friend, Jake tries to fit in at a school where things like garbage sculpting and writing art reviews of bird poop splatter are the norm. All is well until Jake discovers that the end-of-the-semester talent show is only two weeks away, and Jake is short one very important thing…talent. Or is he? It’s up to Jake to either find the talent that lies within or embarrass himself in front of the entire school. Light and humorous, with Knight’s illustrations adding to the fun, Jake’s story will likely appeal to many middle-grade readers, especially those who might otherwise be reluctant to pick up a book. While the artsy antics may be over-the-top at times, this is a story about something that most preteens can relate to: the struggle to find your authentic self. And in a world filled with books about wanting to fit in with the athletically gifted supercliques, this novel unabashedly celebrates the artsy crowd in all of its quirky, creative glory.

A fast and funny alternative to the Wimpy Kid. (Fiction. 8-12)

Pub Date: March 28, 2017

ISBN: 978-0-553-52351-5

Page Count: 144

Publisher: Crown

Review Posted Online: Dec. 5, 2016

Kirkus Reviews Issue: Dec. 15, 2016

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