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THE LAST OUTLAWS

THE LIVES AND LEGENDS OF BUTCH CASSIDY AND THE SUNDANCE KID

An easygoing account of the outlaw duo whose era separated Frank and Jesse James from Bonnie and Clyde.

In this dual biography of celebrated bandits, a specialist in the Old West deftly separates fact from fiction.

The nature of their business required Robert Leroy Parker and Harry Longabaugh to adopt many aliases, but they were best known as Butch Cassidy and the Sundance Kid. Raised in religious families, both men were well-read, both did a prison stretch for horse stealing, and both had a taste for the traditional cowboy pleasures of drinking, gambling and whoring. The handsome, quick-tempered, aloof Sundance was famous for his lightning draw. The gregarious, shrewd Butch was a natural-born leader, known for his meticulous execution of heists, paying special attention to the getaway plan. Together, from rough hideouts like Wyoming’s Hole-in-the-Wall and Utah’s Robbers’ Roost, they bossed the notorious Wild Bunch, a loose confederation of ruffians and desperados that included the likes of “Kid Curry” and “News” Carver. Butch and Sundance made periodic attempts to go straight, but they always returned to their robbing ways, finally fleeing to Bolivia where the cavalry caught up with them in 1908. Though he supplies plenty of information, Hatch (Osceola and the Great Seminole War, 2012, etc.) earns huge credibility by frankly admitting that much remains unknown about these legendary outlaws, including the mysterious origins and disappearance of Sundance’s beguiling paramour, Etta Place, and the precise circumstances of their deaths. He underscores his theme of Butch and Sundance as the last of a breed, reminding us that by the turn of the century, outlaws no longer faced capture merely by random individuals, but rather by an “organized system,” whereby detective agencies, Pinkerton and Wells Fargo, armed with money and resources, could coordinate with all levels of law enforcement to hunt down criminals.

An easygoing account of the outlaw duo whose era separated Frank and Jesse James from Bonnie and Clyde.

Pub Date: Feb. 5, 2013

ISBN: 978-0-451-23919-8

Page Count: 368

Publisher: NAL/Berkley

Review Posted Online: Nov. 18, 2012

Kirkus Reviews Issue: Dec. 1, 2012

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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