These 11 mostly hard-luck stories, with their mean and nutty existential heroes and their punch-drunk visions of hell, place Jones right among the literary heavyweights. In many of these gritty tales, first-timer Jones displays the peculiar genius of the autodidact—someone who contemplates the great ideas on his own, and tests them against the rawest of everyday experiences. And rawness is all for the Vietnam vet at the center of three tales here. The title piece, a masterpiece of the form, taps the ``reservoir of malice and vicious sadism'' in its narrator's soul: in country, this madman brawler thrives on the rush of violence and the pure adrenalin of survival. In ``Break on Through,'' a psycho in the narrator's recon team finds redemption inches from death. But in Jones's dark world, it's only temporary: ``human behavior...is an abomination.'' ``The Black Lights,'' set in a vet neuropsych ward, is a harrowing tale worthy of Chekhov, as the narrator chronicles his unmanning by grand mal seizures, depressions, and drugs. Just when you think Jones might strike a lighter note in ``Wipeout'' or ``Mosquitos,'' he reveals his funny, bleak view. One narrator seduces women with his ``irresistible sort of psychopathic charisma,'' the other grudgingly seduces his brother's haughty wife. Equally edgy and disorienting, ``Unchain My Heart'' pokes fun at pantywaist editors while it explores, from a woman's view, the appeal of strong and courageous men. The only nice guy in ``Silhouettes'' is a retarded janitor; he's a ``noble innocent,'' and of course exploited by everyone. Life is ``the trip, the only trip'' for an insane, suicidal boxer (``as of July 6th...''); a cancer patient on her deathbed (``I Want to Live!''); and an advertising genius wandering Bombay in an epileptic fugue (``A White Horse''). ``Rocket Man,'' with its Nietzchean splendors, takes you down for the count. Dizzying combinations of prose punches with abstract bobs and weaves: a knockout.
Pub Date: June 7, 1993
ISBN: 0-316-47302-2
Page Count: 240
Publisher: Little, Brown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 1, 1993
Old-fashioned short fiction: honest, probing and moving.
One of America’s great novelists (Lost Memory of Skin, 2011, etc.) also writes excellent stories, as his sixth collection reminds readers.
Don’t expect atmospheric mood poems or avant-garde stylistic games in these dozen tales. Banks is a traditionalist, interested in narrative and character development; his simple, flexible prose doesn’t call attention to itself as it serves those aims. The intricate, not necessarily permanent bonds of family are a central concern. The bleak, stoic “Former Marine” depicts an aging father driven to extremes because he’s too proud to admit to his adult sons that he can no longer take care of himself. In the heartbreaking title story, the death of a beloved dog signals the final rupture in a family already rent by divorce. Fraught marriages in all their variety are unsparingly scrutinized in “Christmas Party,” Big Dog” and “The Outer Banks." But as the collection moves along, interactions with strangers begin to occupy center stage. The protagonist of “The Invisible Parrot” transcends the anxieties of his hard-pressed life through an impromptu act of generosity to a junkie. A man waiting in an airport bar is the uneasy recipient of confidences about “Searching for Veronica” from a woman whose truthfulness and motives he begins to suspect, until he flees since “the only safe response is to quarantine yourself.” Lurking menace that erupts into violence features in many Banks novels, and here, it provides jarring climaxes to two otherwise solid stories, “Blue” and “The Green Door.” Yet Banks quietly conveys compassion for even the darkest of his characters. Many of them (like their author) are older, at a point in life where options narrow and the future is uncomfortably close at hand—which is why widowed Isabel’s fearless shucking of her confining past is so exhilarating in “SnowBirds,” albeit counterbalanced by her friend Jane’s bleak acceptance of her own limited prospects.
Old-fashioned short fiction: honest, probing and moving.Pub Date: Nov. 12, 2013
ISBN: 978-0-06-185765-2
Page Count: 304
Publisher: Ecco/HarperCollins
Review Posted Online: Aug. 31, 2013
Kirkus Reviews Issue: Sept. 15, 2013
Superb stylist L’Amour returns (End of the Drive, 1997, etc.), albeit posthumously, with ten stories never seen before in book form—and narrated in his usual hard-edged, close-cropped sentences, jutting up from under fierce blue skies. This is the first of four collections of L’Amour material expected from Bantam, edited by his daughter Angelique, featuring an eclectic mix of early historicals and adventure stories set in China, on the high seas, and in the boxing ring, all drawing from the author’s exploits as a carnival barker and from his mysterious and sundry travels. During this period, L’Amour was trying to break away from being a writer only of westerns. Also included is something of an update on Angelique’s progress with her father’s biography: i.e., a stunningly varied list of her father’s acquaintances from around the world whom she’d like to contact for her research. Meanwhile, in the title story here, a missionary’s daughter who crashes in northern Asia during the early years of the Sino-Japanese War is taken captive by a nomadic leader and kept as his wife for 15 years, until his death. When a plane lands, she must choose between taking her teenaged son back to civilization or leaving him alone with the nomads. In “By the Waters of San Tadeo,” set on the southern coast of Chile, Julie Marrat, whose father has just perished, is trapped in San Esteban, a gold field surrounded by impassable mountains, with only one inlet available for anyone’s escape. “Meeting at Falmouth,” a historical, takes place in January 1794 during a dreadful Atlantic storm: “Volleys of rain rattled along the cobblestones like a scattering of broken teeth.” In this a notorious American, unnamed until the last paragraph, helps Talleyrand flee to America. A master storyteller only whets the appetite for his next three volumes.
Pub Date: May 11, 1999
ISBN: 0-553-10963-4
Page Count: 288
Publisher: Bantam
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 1, 1999
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