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BLUE VALENTINE

An entertaining, psychologically observant thriller.

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Armed with a straight razor, rage, and her wits, a young woman confronts underhanded forces in this debut neonoir novel.

In her small Pacific Northwest community, Nicki Valentine is a tough-talking young woman with a 12th-grade education who lives in the shabby part of town. After her 40-hour, six-day week at the bakery, Nicki likes to go out drinking on Saturday night. As the book opens, she heads with her half brother and best friend, Quinn Halliday, for a classy joint where each hopes to get lucky: “East Towners are more than willing to take out the trash every once and awhile.” Nicki drinks with a likely prospect, whose friend suggests “a little private after-hours” at a house in a swanky neighborhood. Although the whole situation sets off alarm bells, Nicki thinks she can handle it: “Experience and the straight razor I’m slipping from my boot to my pocket say so.” But when they all arrive at the house, Nicki senses she’s being set up—and is sure of it when she realizes it’s Jonathan Garver’s place. The sight of him makes her hands go weak, for reasons related to Nicki’s past, and although Jonathan claims he just wants a quick chat, she plots and makes her escape. She has had a bad reputation since high school; even today, the chant “Go, Nicki!” can get to her, despite her seemingly hard exterior. Something bad happened when she was 14 years old, and Jonathan was a part of it, along with Ted Wells and Bobby James Sounder—who just happens to be running for mayor this year. What’s going on? Though Quinn has her back, no one else does, and the past is coming back to haunt Nicki in dangerous ways. If she handles things right, maybe this time she’ll come out ahead. In his novel, Cummings skillfully develops Nicki’s character. At first, she seems to be all self-assurance, aware of her low social status yet above her circumstances (she’s a reader and obviously intelligent). As the story progresses, the author peels back layer after layer in well-written, psychologically believable, and revealing scenes that expose Nicki’s true vulnerability. Beginning in childhood, she was isolated from warmth. Today, though she can get sex partners easily, she’s never had a boyfriend and she has no girlfriends to chat with. The central episode, when Nicki was 14, is told in the kind of detail that allows readers to see just how helpless such a girl is, how much her surface precociousness should have been protected instead of manipulated. Also well-developed is the depth of Nicki’s relationship with Quinn, which becomes fully apparent over the course of the tale. The prose is sharp, observant, and scathingly honest. Though Nicki gets a chance to confront Jonathan, there is no moment when he realizes the harm he’s done: “I smack blame at him, he smacks blameless back.” A satisfying, believable ending ties all the threads together.

An entertaining, psychologically observant thriller.

Pub Date: Aug. 16, 2018

ISBN: 978-1-7327273-0-4

Page Count: 227

Publisher: Xenocentric Press

Review Posted Online: Dec. 21, 2018

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LONESOME DOVE

A NOVEL (SIMON & SCHUSTER CLASSICS)

This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana. The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense. This is a masterly novel. It will appeal to all lovers of fiction of the first order.

Pub Date: June 1, 1985

ISBN: 068487122X

Page Count: 872

Publisher: Simon & Schuster

Review Posted Online: Sept. 30, 2011

Kirkus Reviews Issue: May 15, 1985

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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