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GOAT SONG

A well-crafted and immersive paranormal mystery with a Southern accent.

Awards & Accolades

Our Verdict

  • Our Verdict
  • GET IT

A theater manager must survive the murders plaguing her small-town production in Drago’s supernatural mystery, the latest novel in the Crow Creek series.

Gabriela Rossi is the new stage manager of the Orpheum Theater in Crow Creek, North Carolina. The Italian transplant is not well liked by her colleagues, partly because she was promoted to her current position after a relatively short time at the theater. When the company’s producer is stabbed to death just days before the start of the new show, Bury Me in Autumn, the cast and crew are suspects. Gabriela is especially disturbed because, seconds before the producer’s body was found, she saw a ghost in the theater with a scar on his neck. “Beware the wolf’s mouth,” the ghost warned her. “He rises in the wolf’s mouth.” Crow Creek Sheriff Brad Gleason is on the case, and he’s happy to spend more time around Gabriela. There’s also Becky Stokes, a local reporter foaming at the mouth to cover the case. As more bodies start to pile up, the mystery becomes increasingly complex. Gabriela finds evidence of ancient rituals linked to the cult of Dionysus that call for sacrifice in the name of the dramatic tragedy. Drago’s prose is crisp and creepy, and he does a fine job incorporating the language and ethos of the theater: “When the doors open, the buzz of the invites bleeds into the house. Gabriela manages a grin. Previews should be exciting. They finally get to show off what they’ve been working on for six weeks. Isn’t that the purpose of theatre? The reason for art?” The premise gives the author an abundance of suspects and victims, and Drago keeps the reader guessing with a number of turns and reversals. A few elements ring a bit false—Gabriela’s frequent reversion to Italian words feels a bit forced—but in general, the mix of small-town claustrophobia, theatrical egos, and ancient mythology makes for an entertaining and surprisingly dark tale.

A well-crafted and immersive paranormal mystery with a Southern accent.

Pub Date: Feb. 15, 2020

ISBN: 978-0-578-63796-9

Page Count: 305

Publisher: Gold Avenue Press

Review Posted Online: April 3, 2020

Kirkus Reviews Issue: May 15, 2020

A CONSPIRACY OF BONES

Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.

Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.

A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”

Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.

Pub Date: March 17, 2020

ISBN: 978-1-9821-3888-2

Page Count: 352

Publisher: Scribner

Review Posted Online: Dec. 22, 2019

Kirkus Reviews Issue: Jan. 15, 2020

EVERYONE IN MY FAMILY HAS KILLED SOMEONE

This book and its author are cleverer than you and want you to know it.

In this mystery, the narrator constantly adds commentary on how the story is constructed.

In 1929, during the golden age of mysteries, a (real-life) writer named Ronald Knox published the “10 Commandments of Detective Fiction,” 10 rules that mystery writers should obey in order to “play fair.” When faced with his own mystery story, our narrator, an author named Ernest Cunningham who "write[s] books about how to write books," feels like he must follow these rules himself. The story seemingly begins on the night his brother Michael calls to ask him to help bury a body—and shows up with the body and a bag containing $267,000. Fast-forward three years, and Ernie’s family has gathered at a ski resort to celebrate Michael’s release from prison. The family dynamics are, to put it lightly, complicated—and that’s before a man shows up dead in the snow and Michael arrives with a coffin in a truck. When the local cop arrests Michael for the murder, things get even more complicated: There are more deaths; Michael tells a story about a coverup involving their father, who was part of a gang called the Sabers; and Ernie still has (most of) the money and isn’t sure whom to trust or what to do with it. Eventually, Ernie puts all the pieces together and gathers the (remaining) family members and various extras for the great denouement. As the plot develops, it becomes clear that there’s a pretty interesting mystery at the heart of this novel, but Stevenson’s postmodern style has Ernie constantly breaking the fourth wall to explain how the structure of his story meets the criteria for a successful detective story. Some readers are drawn to mysteries because they love the formula and logic—this one’s for them. If you like the slow, sometimes-creepy, sometimes-comforting unspooling of a good mystery, it might not be your cup of tea—though the ending, to be fair, is still something of a surprise.

This book and its author are cleverer than you and want you to know it.

Pub Date: Jan. 17, 2023

ISBN: 978-0-06-327902-5

Page Count: 384

Publisher: Mariner Books

Review Posted Online: Oct. 25, 2022

Kirkus Reviews Issue: Nov. 15, 2022

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