by Thomas Drago ‧ RELEASE DATE: March 3, 2026
Horror and SF commingle effectively in this multifaceted alien-abduction tale.
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Drago’s panoramic tale follows the survivors of a series of alien abductions.
The town of Squirrel Kills, New York, is similar to the average upstate New York burg in most regards. The community is neither tiny nor huge, and its small-town feel connects its citizens to each other through a shared sense of identity and place. But despite the idyllic setting, a vein of uneasy strangeness has been running through the town ever since repeated reports of alien abductions surfaced two years earlier. Several people claim to have been abducted, and each alleged abduction seems to have ended the same way, with the abductee, rattled but alive and seemingly physically unharmed, waking up alone in a field, only to be discovered (or not) by a passing townsperson. The narrative shifts perspective from one abductee to another, beginning with Loretta Jans, a semiretired Walmart cashier contemplating murdering her husband while she unravels; then it’s on to Bryan Ellicott, a former FDNY member whose heroism on 9/11 has left him with lingering psychological fallout. There’s also Anthony Travis, both an abductee and one of the townsfolk who routinely returns to the drop-off site (now known as Ellicott Farms, a retail business venture started by Bryan Ellicott after receiving a considerable inheritance) in an attempt to piece together what’s happened to him and his town. (“He’d been driving his tow truck out there regularly because it helped him cope with the horrors of his own abduction. Some nights, he’d park along the grass and walk around, studying the stars and hoping for a sign.”) Each of these characters suffers physical maladies—whether it’s hair falling out in clumps, sudden seizures, or gushing nosebleeds—as well as the skepticism of many of the other townsfolk. As the grand opening of Ellicott Farms nears, Bryan ignores all warning signs and disregards the fact that the site is located on what was once sacred land; the town soon discovers that the forces behind the abductions are not finished with them yet.
As is the case with many novels that employ multiple perspective characters, some moments in Drago’s novel feel less immediate or propulsive than others, but the characters who leap off the page carry the weight of the less compelling figures. One standout is Loretta Jans, whose palpable breakdown seems less insane as the events of the novel unfold. “Wishing more than ever that she could kill her husband, Loretta drove her 24-HP V-twin John Deere over the lush grass toward the steep incline behind her backyard where her property met Blue Jay Mountain,” the author writes. She sits astride the mower contemplating her newly bald head: “She might as well have shaved her head with her husband’s Gillette Mach-3. Or slit his throat with it.” Alien abductions and small-town intrigue may not be anything new in the horror and SF genres—this novel falls somewhere between the two—but Drago’s smooth prose style and his masterful depiction of the community of Squirrel Kills together make for an enjoyable read.
Horror and SF commingle effectively in this multifaceted alien-abduction tale.Pub Date: March 3, 2026
ISBN: 9798275961027
Page Count: 416
Publisher: N/A
Review Posted Online: March 24, 2026
Kirkus Reviews Issue: June 1, 2026
Review Program: Kirkus Indie
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by Freida McFadden ‧ RELEASE DATE: May 26, 2026
Trust no one in this over-the-top tale of deception and revenge.
Dead bodies turn up in the first sentence of the prologue in McFadden’s latest domestic thriller.
The mystery of who died is at the pulsating heart of this propulsive tale. As Chapter 1 begins, Naomi arrives home to find the locks changed on the front door of the gorgeous home she shares with her husband, Jeremy, and their 5-year-old son, Teddy. Jeremy steps out the front door and convinces Naomi to move out while he has their home renovated, a plan Naomi knows nothing about. It’s all a ruse, though, as the next day Jeremy tells her he wants a divorce. Naomi is shellshocked and soon discovers that Jeremy is having an affair with Veronica, a beautiful younger woman. What seems at first like a stereotypical story about a man who leaves his wife turns into something else when Naomi decides she’ll do anything to get Veronica away from Jeremy and Teddy, and Veronica decides to fight for what she thinks she deserves. Fans of stalker novels will cringe with delight as creepy things start to happen. Teddy’s stuffed elephant, a gift from Veronica, is found impaled on a kitchen knife; Naomi suspects Jeremy is gaslighting her and that Veronica tried to poison her. A weird confrontation among Jeremy, Veronica, and Naomi at Teddy’s birthday party, to which Naomi shows up uninvited, is priceless. There are three main characters, and any or all of them may be unreliable narrators. Packing the plot with dark, gasp-inducing twists, McFadden outdoes herself in a story about how highly emotional people engage in risky behavior to get what they want—but in this novel, for better or worse, not everyone will survive.
Trust no one in this over-the-top tale of deception and revenge.Pub Date: May 26, 2026
ISBN: 9781464249631
Page Count: 368
Publisher: Poisoned Pen
Review Posted Online: April 20, 2026
Kirkus Reviews Issue: May 15, 2026
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by Alex Michaelides ‧ RELEASE DATE: Feb. 5, 2019
Amateurish, with a twist savvy readers will see coming from a mile away.
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A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
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