by Thomas Dyja ‧ RELEASE DATE: April 18, 2013
A valuable contribution to the history of Chicago, worthy of a place alongside William Cronon’s Nature’s Metropolis (1991).
A readable, richly detailed history of America’s second city—which, laments novelist/historian and Chicagoan Dyja (Walter White: The Dilemma of Black Identity in America, 2008, etc.), has become a third city, perhaps even less.
One reason: Until the very end of the 1950s, most people traveling from coast to coast did so by way of Chicago, where they changed trains and often spent a little layover time. On January 25, 1959, all that changed when transcontinental air service was inaugurated between New York and Los Angeles, making Chicago and the rest of the land “flyover country”; as Dyja laments, “the newly minted ‘jet set’ would never need to change trains in Chicago again.” Nevertheless, Chicago remained an innovator on several cultural and commercial fronts, the home of Playboy magazine and Chess Records, even as it settled into the strange boss politics of Richard Daley, whose rise to power Dyja carefully records. Daley wielded that power in ways that a modern tyrant might envy, using what came to be known as “The Machine” to capture the minority vote that had become important by the 1950s after the explosive growth of the nonwhite population as a result of immigration and internal migration. However, writes Dyja, it was just one node of power, the other two central ones being the Catholic Church and organized crime, all working against each other as they “protected their power above the needs of the people they served.” In the end, Los Angeles and other cities stole much of Chicago’s thunder, and Chicago “never became the city it could have been, the city it should have been.”
A valuable contribution to the history of Chicago, worthy of a place alongside William Cronon’s Nature’s Metropolis (1991).Pub Date: April 18, 2013
ISBN: 978-1594204326
Page Count: 544
Publisher: Penguin Press
Review Posted Online: Jan. 12, 2013
Kirkus Reviews Issue: Feb. 1, 2013
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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