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TORTUGA

A CONFECTION OF BLOOD AND GOLD

A somber, atypical genre piece with resplendent prose.

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In the 17th century, a teenager in a pirate-infested island town becomes an apprentice to an old man who may hold the keys to wealth and abnormally prolonged life in Erikson’s debut fantasy adventure novel.

Jack Higgins and his friends spend much of their time robbing inebriated pirates and squandering the spoils on drinking or gambling. The small group of orphans lives in a trio of caves, collectively known as Under-the-Tree. One day, when a hurricane besieges their town of Cayona on the island of Tortuga, Jack rescues an elderly merchant known as Old Kit, who’s in danger of washing away in the flooding rain. Jack anticipates a monetary reward for saving the affluent Cayona resident, but Kit instead offers him an apprenticeship—the opportunity to learn about myriad cuts of gems and earn his own treasure. Jack’s ensuing busywork with Kit’s enterprises causes the teen’s pal, Will, to compare him to an indentured servant. But soon Jack is assigned an adventure: a search for a cave containing magic stones. Kit says that an Indian sorcerer gave him stones from that cave (“tears from the moon itself”) and that their magic has afforded him a lengthy life. But now the old man is dying and needs Jack to retrieve new stones, which leads him on a surprisingly macabre and perilous expedition. Erikson’s novel primarily depicts Jack as an observer, often listening to others’ tales at length. This suits the story, in which Kit is essentially passing the torch; along the way, Jack witnesses the dark side of business, as even local merchants are a threat as they covet Kit’s treasures. Hints of romance provide relief from the dark tone as Jack pursues Rebecca Van Duyn, a local woman whom he hardly knows. But much of the rest of the narrative is grim, particularly the hunt for magic stones in the final act, which gradually turns into a surreal, sometimes-grotesque ordeal. Erikson’s writing style, however, is persistently elegant, regardless of the content: “The rainbow gleam of dragonflies eddied in and out of the shadows where the trees overhung the slow current.”

A somber, atypical genre piece with resplendent prose.

Pub Date: Nov. 14, 2017

ISBN: 978-0-615-95764-7

Page Count: 310

Publisher: Cascade View Publishing

Review Posted Online: Feb. 7, 2018

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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FIREFLY LANE

Dated sermonizing on career versus motherhood, and conflict driven by characters’ willed helplessness, sap this tale of...

Lifelong, conflicted friendship of two women is the premise of Hannah’s maudlin latest (Magic Hour, 2006, etc.), again set in Washington State.

Tallulah “Tully” Hart, father unknown, is the daughter of a hippie, Cloud, who makes only intermittent appearances in her life. Tully takes refuge with the family of her “best friend forever,” Kate Mularkey, who compares herself unfavorably with Tully, in regards to looks and charisma. In college, “TullyandKate” pledge the same sorority and major in communications. Tully has a life goal for them both: They will become network TV anchorwomen. Tully lands an internship at KCPO-TV in Seattle and finagles a producing job for Kate. Kate no longer wishes to follow Tully into broadcasting and is more drawn to fiction writing, but she hesitates to tell her overbearing friend. Meanwhile a love triangle blooms at KCPO: Hard-bitten, irresistibly handsome, former war correspondent Johnny is clearly smitten with Tully. Expecting rejection, Kate keeps her infatuation with Johnny secret. When Tully lands a reporting job with a Today-like show, her career shifts into hyperdrive. Johnny and Kate had started an affair once Tully moved to Manhattan, and when Kate gets pregnant with daughter Marah, they marry. Kate is content as a stay-at-home mom, but frets about being Johnny’s second choice and about her unrealized writing ambitions. Tully becomes Seattle’s answer to Oprah. She hires Johnny, which spells riches for him and Kate. But Kate’s buttons are fully depressed by pitched battles over slutwear and curfews with teenaged Marah, who idolizes her godmother Tully. In an improbable twist, Tully invites Kate and Marah to resolve their differences on her show, only to blindside Kate by accusing her, on live TV, of overprotecting Marah. The BFFs are sundered. Tully’s latest attempt to salvage Cloud fails: The incorrigible, now geriatric hippie absconds once more. Just as Kate develops a spine, she’s given some devastating news. Will the friends reconcile before it’s too late?

Dated sermonizing on career versus motherhood, and conflict driven by characters’ willed helplessness, sap this tale of poignancy.

Pub Date: Feb. 1, 2008

ISBN: 978-0-312-36408-3

Page Count: 496

Publisher: St. Martin's

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Nov. 1, 2007

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