A somber, atypical genre piece with resplendent prose.
In the 17th century, a teenager in a pirate-infested island town becomes an apprentice to an old man who may hold the keys to wealth and abnormally prolonged life in Erikson’s debut fantasy adventure novel.
Jack Higgins and his friends spend much of their time robbing inebriated pirates and squandering the spoils on drinking or gambling. The small group of orphans lives in a trio of caves, collectively known as Under-the-Tree. One day, when a hurricane besieges their town of Cayona on the island of Tortuga, Jack rescues an elderly merchant known as Old Kit, who’s in danger of washing away in the flooding rain. Jack anticipates a monetary reward for saving the affluent Cayona resident, but Kit instead offers him an apprenticeship—the opportunity to learn about myriad cuts of gems and earn his own treasure. Jack’s ensuing busywork with Kit’s enterprises causes the teen’s pal, Will, to compare him to an indentured servant. But soon Jack is assigned an adventure: a search for a cave containing magic stones. Kit says that an Indian sorcerer gave him stones from that cave (“tears from the moon itself”) and that their magic has afforded him a lengthy life. But now the old man is dying and needs Jack to retrieve new stones, which leads him on a surprisingly macabre and perilous expedition. Erikson’s novel primarily depicts Jack as an observer, often listening to others’ tales at length. This suits the story, in which Kit is essentially passing the torch; along the way, Jack witnesses the dark side of business, as even local merchants are a threat as they covet Kit’s treasures. Hints of romance provide relief from the dark tone as Jack pursues Rebecca Van Duyn, a local woman whom he hardly knows. But much of the rest of the narrative is grim, particularly the hunt for magic stones in the final act, which gradually turns into a surreal, sometimes-grotesque ordeal. Erikson’s writing style, however, is persistently elegant, regardless of the content: “The rainbow gleam of dragonflies eddied in and out of the shadows where the trees overhung the slow current.”
A somber, atypical genre piece with resplendent prose.Pub Date: Nov. 14, 2017
ISBN: 978-0-615-95764-7
Page Count: 310
Publisher: Cascade View Publishing
Review Posted Online: Feb. 7, 2018
Review Program: Kirkus Indie
BOOK REVIEW
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
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