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A DANCER IN THE DUST

Cook masterfully captures the tumultuous state of a country in upheaval; it’s a shame the story doesn’t match the richness...

A man wrestles with demons from his past in Cook’s introspective if at times overly drawn-out novel.

Ray Campbell lives comfortably in Manhattan as a risk management consultant, advising others when and if to take a chance on everything from stocks to property deals. Cook (Sandrine’s Case, 2013, etc.) excels at merging contemporary and past storylines into one narrative, and it’s no different here: Ray is haunted by his time spent in the fictional African country of Lubanda 20 years earlier. With all the good intentions of the best, if most naïve, aid worker, Ray spent a year in Lubanda, a country rife with violent internal conflicts, as part of the NGO Hope for Lubanda. There, he met the only woman he ever loved, Martine Aubert. Of French and Belgian descent, Martine was born in Lubanda and considered herself a native of the country, an assertion that increasingly chafed the government, who considered all whites a foreign menace to be eradicated. It’s clear early on that Martine will meet an untimely, and likely grisly, end during what’s referred to as the Tumasi Road Incident, but Cook dances around the facts for a few beats too long, and the suspense deflates. Spurred on by the murder of an old friend from his Lubanda days, Seso Alaya, who traveled to New York with a mysterious message that likely got him killed, Ray returns to Lubanda, both to avenge Seso’s death and try to assuage his own guilt about Martine's fate.

Cook masterfully captures the tumultuous state of a country in upheaval; it’s a shame the story doesn’t match the richness of the setting.

Pub Date: Sept. 2, 2014

ISBN: 978-0-8021-2272-8

Page Count: 352

Publisher: Mysterious Press

Review Posted Online: Aug. 27, 2014

Kirkus Reviews Issue: Sept. 15, 2014

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CARRIE

King handles his first novel with considerable accomplishment and very little hokum—it's only too easy to believe that these...

Figuratively and literally shattering moments of hoRRRRRipilication in Chamberlain, Maine where stones fly from the sky rather than from the hands of the villagers (as they did in "The Lottery," although the latter are equal to other forms of persecution).

All beginning when Carrie White discovers a gift with telekinetic powers (later established as a genetic fact), after she menstruates in full ignorance of the process and thinks she is bleeding to death while the other monsters in the high school locker room bait and bully her mercilessly. Carrie is the only child of a fundamentalist freak mother who has brought her up with a concept of sin which no blood of the Lamb can wash clean. In addition to a sympathetic principal and gym teacher, there's one girl who wishes to atone and turns her date for the spring ball over to Carrie who for the first time is happy, beautiful and acknowledged as such. But there will be hell to pay for this success—not only her mother but two youngsters who douse her in buckets of fresh-killed pig blood so that Carrie once again uses her "wild talent," flexes her mind and a complete catastrophe (explosion and an uncontrolled fire) virtually destroys the town.

King handles his first novel with considerable accomplishment and very little hokum—it's only too easy to believe that these youngsters who once ate peanut butter now scrawl "Carrie White eats shit." But as they still say around here, "Sit a spell and collect yourself."

Pub Date: April 8, 1974

ISBN: 0385086954

Page Count: 216

Publisher: Doubleday

Review Posted Online: Sept. 26, 2011

Kirkus Reviews Issue: April 1, 1974

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A CONSPIRACY OF BONES

Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.

Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.

A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”

Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.

Pub Date: March 17, 2020

ISBN: 978-1-9821-3888-2

Page Count: 352

Publisher: Scribner

Review Posted Online: Dec. 22, 2019

Kirkus Reviews Issue: Jan. 15, 2020

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