Nothing innovative here, but Hettche manipulates the genre’s conventions, and the reader’s pulse rate, with enviable skill.
A possible miscarriage of justice drives the busy plot of this complex legal thriller, the first English-translated work of a popular German author.
Hans Arbogast, a married traveling salesman whose brief sexual encounter with a female hitchhiker resulted in her death, is convicted in 1953 of second-degree murder. Did Marie Gurth, a former resident of an East German refugee camp, die of strangulation?—or, as Arbogast ingenuously alleged, of natural causes following rough sex? It’s only after Arbogast has spent 16 years in Bruchsal Penitentiary that crime-novelist and human-rights activist Fritz Sarrazin and attorney Ansgar Klein manage to get the case reopened. All turns on whether an overzealous prosecutor coerced Arbogast’s confession and a prosecution witness willfully obscured details of an autopsy report that noted in the deceased woman’s body “a weakened condition as a result of a partial abortion.” (This is all based on a notorious real case.) Hettche maintains a brisk pace throughout, juxtaposing Arbogast’s prison experiences and confused memories of his misadventure with the actions of a host of involved legal, criminal, and forensic authorities. The result is a convincing cross-section of postwar German society, and the tantalizing implication that divisions among Hans Arbogast’s accusers and defenders parallel Berlin’s awkward status as a divided city. Sarrazin and Klein are absorbing characters, and the enigma of Arbogast continually deepens, particularly during his explosive retrial testimony. Hettche stumbles with the character of forensic pathologist Katja Lavans, whose interest in the case becomes more than clinical. But he rekindles interest smartly in the closing pages, in which the “accident” that caused Marie Gurth’s death is speculatively declared “an eruption . . . a vestige from the war that suddenly discharged.”
Nothing innovative here, but Hettche manipulates the genre’s conventions, and the reader’s pulse rate, with enviable skill.Pub Date: Nov. 1, 2003
ISBN: 0-374-13812-5
Page Count: 336
Publisher: Farrar, Straus and Giroux
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 15, 2003
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
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