by Thomas Kohnstamm ‧ RELEASE DATE: Jan. 8, 2019
Amusing as snarky social commentary on the world of Seattle have-nots.
Lane was sure he had escaped Lake City for good. But suddenly he's back slicing meat at a discount deli counter and grubbing his mom's boyfriend's beers. This calls for extreme measures.
Lake City is a neighborhood on the fringes of Seattle: "the mistress that grown-up Seattle kept around from its younger, untamed years. The one with electric blue eyeliner and a missing incisor," "the leaky, yellowed fridge in a remodeled kitchen of granite countertops and fresh stainless steel appliances." In other words, the part of town left behind by the Microsoft/Amazon/Starbucks explosion. After landing a wealthy girlfriend at the University of Washington, Lane was able to leave his trashy roots behind and reinvent himself as a married Columbia grad student in New York City. But shortly after 9/11, the dream is over—Lane’s wife, Mia, has been supporting the couple and paying Lane's tuition with her family’s money, but now her father is instructing her to dump Lane and cut off funds. Lane finds himself back home at Christmastime, sleeping in his mom's TV room, driving her car, working at the local Fred Meyer discount store, trying desperately to avoid being reabsorbed into the loser lifestyle of the drug- and booze-addled locals he grew up with. In a frantic bid to make enough cash to get back to New York and reclaim his beautiful life, he gets involved in a creepy scheme a wannabe adoptive couple has cooked up to sabotage their little boy's birth mother so they will be awarded permanent custody. Kohnstamm (Do Travel Writers Go to Hell?, 2008) stirred up a hullaballoo with his Hunter S. Thompson–style exposé/memoir of the travel-guide industry; a cynical worldview and gonzo aesthetic remain in play here. His delusional, narcissistic antihero and unsympathetic supporting characters—some dangerously close to offensive stereotypes—don't catch many breaks as they ricochet from one nasty situation to the next, with cheap beer, repellent food (beware a riff on the composition of deli turkey), illegal drugs, and other local specialties never far from hand.
Amusing as snarky social commentary on the world of Seattle have-nots.Pub Date: Jan. 8, 2019
ISBN: 978-1-64009-142-9
Page Count: 320
Publisher: Counterpoint
Review Posted Online: Oct. 14, 2018
Kirkus Reviews Issue: Nov. 1, 2018
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by Robert Harris ‧ RELEASE DATE: Nov. 22, 2016
An illuminating read for anyone interested in the inner workings of the Catholic Church; for prelate-fiction superfans, it...
Harris, creator of grand, symphonic thrillers from Fatherland (1992) to An Officer and a Spy (2014), scores with a chamber piece of a novel set in the Vatican in the days after a fictional pope dies.
Fictional, yes, but the nameless pontiff has a lot in common with our own Francis: He’s famously humble, shunning the lavish Apostolic Palace for a small apartment, and he is committed to leading a church that engages with the world and its problems. In the aftermath of his sudden death, rumors circulate about the pope’s intention to fire certain cardinals. At the center of the action is Cardinal Lomeli, Dean of the College of Cardinals, whose job it is to manage the conclave that will elect a new pope. He believes it is also his duty to uncover what the pope knew before he died because some of the cardinals in question are in the running to succeed him. “In the running” is an apt phrase because, as described by Harris, the papal conclave is the ultimate political backroom—albeit a room, the Sistine Chapel, covered with Michelangelo frescoes. Vying for the papal crown are an African cardinal whom many want to see as the first black pope, a press-savvy Canadian, an Italian arch-conservative (think Cardinal Scalia), and an Italian liberal who wants to continue the late pope’s campaign to modernize the church. The novel glories in the ancient rituals that constitute the election process while still grounding that process in the real world: the Sistine Chapel is fitted with jamming devices to thwart electronic eavesdropping, and the pressure to act quickly is increased because “rumours that the pope is dead are already trending on social media.”
An illuminating read for anyone interested in the inner workings of the Catholic Church; for prelate-fiction superfans, it is pure temptation.Pub Date: Nov. 22, 2016
ISBN: 978-0-451-49344-6
Page Count: 304
Publisher: Knopf
Review Posted Online: Sept. 6, 2016
Kirkus Reviews Issue: Sept. 15, 2016
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BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
by Donna Tartt ‧ RELEASE DATE: Sept. 16, 1992
The Brat Pack meets The Bacchae in this precious, way-too-long, and utterly unsuspenseful town-and-gown murder tale. A bunch of ever-so-mandarin college kids in a small Vermont school are the eager epigones of an aloof classics professor, and in their exclusivity and snobbishness and eagerness to please their teacher, they are moved to try to enact Dionysian frenzies in the woods. During the only one that actually comes off, a local farmer happens upon them—and they kill him. But the death isn't ruled a murder—and might never have been if one of the gang—a cadging sybarite named Bunny Corcoran—hadn't shown signs of cracking under the secret's weight. And so he too is dispatched. The narrator, a blank-slate Californian named Richard Pepen chronicles the coverup. But if you're thinking remorse-drama, conscience masque, or even semi-trashy who'll-break-first? page-turner, forget it: This is a straight gee-whiz, first-to-have-ever-noticed college novel—"Hampden College, as a body, was always strangely prone to hysteria. Whether from isolation, malice, or simple boredom, people there were far more credulous and excitable than educated people are generally thought to be, and this hermetic, overheated atmosphere made it a thriving black petri dish of melodrama and distortion." First-novelist Tartt goes muzzy when she has to describe human confrontations (the murder, or sex, or even the ping-ponging of fear), and is much more comfortable in transcribing aimless dorm-room paranoia or the TV shows that the malefactors anesthetize themselves with as fate ticks down. By telegraphing the murders, Tartt wants us to be continually horrified at these kids—while inviting us to semi-enjoy their manneristic fetishes and refined tastes. This ersatz-Fitzgerald mix of moralizing and mirror-looking (Jay McInerney shook and poured the shaker first) is very 80's—and in Tartt's strenuous version already seems dated, formulaic. Les Nerds du Mal—and about as deep (if not nearly as involving) as a TV movie.
Pub Date: Sept. 16, 1992
ISBN: 1400031702
Page Count: 592
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1992
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by Donna Tartt
BOOK REVIEW
by Donna Tartt
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SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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