by Thomas Locker with Candace Christiansen & illustrated by Thomas Locker ‧ RELEASE DATE: Sept. 30, 1995
In a series of 14 luminous paintings, the creators of Calico and Tin Horns (1992) watch a single tree through a year of changing seasons, light, and weather. Each spread has the same elements: an exquisite painting of the tree on a hill against the sky on the right page; on the left, the text is centered in rectangles of complementary backgrounds. The main text is consistently well matched to the glorious paintings, affectingly spare, and sometimes poetic. Unfortunately, appearing in smaller, lighter typeface are brief questions, e.g., ``How does this painting show how water in the air changes the way we see things?'' Rather than enhancing an appreciation of the tree's various aspects, these questions comprise didacticand needlessjustification for the book. The questions (and the paintings, scaled down) are repeated, and then answered, in an appended section, ``Connecting Art and Science in Sky Tree,'' that links science-related observations for each painting with fascinating information on Locker's techniques. This handsome effort is ideal for sharing. (Picture book/nonfiction. 5-9)
Pub Date: Sept. 30, 1995
ISBN: 0-06-024883-1
Page Count: 40
Publisher: HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 1, 1995
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by Andrea Beaty ; illustrated by David Roberts ‧ RELEASE DATE: Sept. 3, 2013
Earnest and silly by turns, it doesn’t quite capture the attention or the imagination, although surely its heart is in the...
Rhymed couplets convey the story of a girl who likes to build things but is shy about it. Neither the poetry nor Rosie’s projects always work well.
Rosie picks up trash and oddments where she finds them, stashing them in her attic room to work on at night. Once, she made a hat for her favorite zookeeper uncle to keep pythons away, and he laughed so hard that she never made anything publicly again. But when her great-great-aunt Rose comes to visit and reminds Rosie of her own past building airplanes, she expresses her regret that she still has not had the chance to fly. Great-great-aunt Rose is visibly modeled on Rosie the Riveter, the iconic, red-bandanna–wearing poster woman from World War II. Rosie decides to build a flying machine and does so (it’s a heli-o-cheese-copter), but it fails. She’s just about to swear off making stuff forever when Aunt Rose congratulates her on her failure; now she can go on to try again. Rosie wears her hair swooped over one eye (just like great-great-aunt Rose), and other figures have exaggerated hairdos, tiny feet and elongated or greatly rounded bodies. The detritus of Rosie’s collections is fascinating, from broken dolls and stuffed animals to nails, tools, pencils, old lamps and possibly an erector set. And cheddar-cheese spray.
Earnest and silly by turns, it doesn’t quite capture the attention or the imagination, although surely its heart is in the right place. (historical note) (Picture book. 5-7)Pub Date: Sept. 3, 2013
ISBN: 978-1-4197-0845-9
Page Count: 32
Publisher: Abrams
Review Posted Online: July 16, 2013
Kirkus Reviews Issue: Aug. 1, 2013
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by Andrea Beaty ; illustrated by David Roberts
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by Michelle Lord ; illustrated by Julia Blattman ‧ RELEASE DATE: Jan. 1, 2020
Well-intentioned but likely to overwhelm the intended readers and listeners.
The cadences of a familiar nursery rhyme introduce concerns about ocean garbage and what we, who made the mess, can do to help clean it up.
With the rhyme and meter of “The House That Jack Built,” Lord builds the problem of plastic waste in the oceans from the fish that must swim through it to a netted seal, a trapped turtle, and overflowing landfills before turning to remedies: cleaning beaches and bays, reducing waste, and protesting the use of fishing nets. Two pages of backmatter describe problems in more detail, while a third elaborates potential solutions; suggestions for individual action are provided as well. Blattman’s images begin with a racially diverse group of youngsters in a small boat in the center of a plastic trash gyre. The children, shown at different angles, bob spread by spread over trash-filled waters. To accompany the words, “Look at the mess that we made,” she adds a polluted city skyline and a container ship belching smoke to the scene. Finally, the dismayed young boaters reach a beach where a clean-up is in process. From their little skiff they help scoop up trash, rescue the turtle, and wave protest signs. The message is important, even vital in today’s world, but many caregivers and many environmentalists would eschew this doomful approach as a means of introducing environmental concerns to the early-elementary audience who might be drawn in by the nursery rhyme.
Well-intentioned but likely to overwhelm the intended readers and listeners. (map) (Informational picture book. 5-9)Pub Date: Jan. 1, 2020
ISBN: 978-1-947277-14-4
Page Count: 32
Publisher: Flashlight Press
Review Posted Online: Oct. 26, 2019
Kirkus Reviews Issue: Nov. 15, 2019
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by Tanitoluwa Adewumi with Michelle Lord ; illustrated by Courtney Dawson
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by Michelle Lord ; illustrated by Alleanna Harris
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