While billed as a novel, this book reads more like a documentary of a fascinating yet unlamented time.
Revisiting the history of the ’70s with our favorite cast of characters.
Mallon casts a wide political net, starting at the time of the Watergate break-in and ending (except for an epilogue) just after the time Nixon resigned. In between he reconstructs the whole insalubrious episode and how it played out for the prime suspects. Players like Presidential Aide Fred LaRue are also given prominent space, and there’s a special affection Mallon seems to have for Rose Mary Woods, Nixon’s hapless secretary (or Executive Assistant, as she became) who notoriously erased 18 minutes of taped conversations in the Oval Office...or did she? Other favorites include Martha Mitchell, whose boozy garrulity got her husband, Attorney General John Mitchell, into even deeper trouble. Mallon takes us to the salons and dinner parties of the Highly Connected, like Alice Roosevelt Longworth, where the unfolding of sordid incidents serves as relish to the meals. Pat Nixon emerges as a sympathetic character, disturbed by her husband’s machinations yet powerless to stop—or even to comprehend—them. We witness the hubris and self-satisfaction of Nixonites as Sam Ervin is named to head the investigating committee. (He’s dismissed as an “old, unenergetic southerner who lacked any particular animus toward Nixon”). Elliot Richardson is ingratiating, whipsmart and super-ambitious—and craves even more political power when Spiro Agnew resigns in disgrace. And we’re reintroduced to characters time has almost forgotten: Leon Jaworski, Judge John Sirica and Howard Hunt, who frequently consumes milk to keep at bay effects of a troubling ulcer.
While billed as a novel, this book reads more like a documentary of a fascinating yet unlamented time.Pub Date: Feb. 1, 2012
ISBN: 978-0-307-37872-9
Page Count: 448
Publisher: Pantheon
Review Posted Online: Oct. 31, 2011
Kirkus Reviews Issue: Nov. 15, 2011
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
Miller makes Homer pertinent to women facing 21st-century monsters.
A retelling of ancient Greek lore gives exhilarating voice to a witch.
“Monsters are a boon for gods. Imagine all the prayers.” So says Circe, a sly, petulant, and finally commanding voice that narrates the entirety of Miller’s dazzling second novel. The writer returns to Homer, the wellspring that led her to an Orange Prize for The Song of Achilles (2012). This time, she dips into The Odyssey for the legend of Circe, a nymph who turns Odysseus’ crew of men into pigs. The novel, with its distinctive feminist tang, starts with the sentence: “When I was born, the name for what I was did not exist.” Readers will relish following the puzzle of this unpromising daughter of the sun god Helios and his wife, Perse, who had negligible use for their child. It takes banishment to the island Aeaea for Circe to sense her calling as a sorceress: “I will not be like a bird bred in a cage, I thought, too dull to fly even when the door stands open. I stepped into those woods and my life began.” This lonely, scorned figure learns herbs and potions, surrounds herself with lions, and, in a heart-stopping chapter, outwits the monster Scylla to propel Daedalus and his boat to safety. She makes lovers of Hermes and then two mortal men. She midwifes the birth of the Minotaur on Crete and performs her own C-section. And as she grows in power, she muses that “not even Odysseus could talk his way past [her] witchcraft. He had talked his way past the witch instead.” Circe’s fascination with mortals becomes the book’s marrow and delivers its thrilling ending. All the while, the supernatural sits intriguingly alongside “the tonic of ordinary things.” A few passages coil toward melodrama, and one inelegant line after a rape seems jarringly modern, but the spell holds fast. Expect Miller’s readership to mushroom like one of Circe’s spells.
Miller makes Homer pertinent to women facing 21st-century monsters.Pub Date: April 10, 2018
ISBN: 978-0-316-55634-7
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Jan. 22, 2018
Kirkus Reviews Issue: Feb. 1, 2018
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