Beneath the sky-high body count, the twisty plot is powered by Perry’s relentless focus on the question of where the next...
Twenty years after a trio of lowlifes forced him out of retirement (Sleeping Dogs, 1992, etc.), the Butcher’s Boy is back.
When you’re a professional killer who works freelance, your employers are likely to include a large number of nasty guys. So it’s not clear to Perry’s nameless hero, who started calling himself Michael Schaeffer when he moved to England and settled in Bath as the husband of Lady Margaret Holroyd, which of his former associates sent the three men who inadvertently flushed him out of hiding and then tried to kill him. He has no trouble tracing the three to midlevel New York capo Michael Delamina, whom he kills on page two. In order to identify Delamina’s boss, however, he has to consult his old nemesis, Elizabeth Waring of the Justice Department. Taking a leaf from Hannibal Lecter’s playbook, he urges her, “Tell me, and I’ll tell you something.” When Elizabeth fingers rising under-boss Frank Tosca as Schaeffer’s next target, he gives her some juicy information on an old Tosca murder in return. But although “he had never failed to accomplish his goal when all it entailed was killing someone,” her news comes too late to help. By the time Schaeffer kills Tosca, the ambitious under-boss has convened a sit-down in which his counterparts from across the country have agreed to join his vendetta against the Butcher’s Boy—a goal Tosca’s death only makes them more eager to pursue. For her part, Elizabeth is so determined to bring Schaeffer into the Witness Protection Program as the ultimate informant that she’s willing offer him a series of unauthorized deals, which of course he spurns. Schaeffer is squeezed between two collective adversaries with virtually unlimited personnel and resources. On the other hand, only Schaeffer is the Butcher’s Boy.
Beneath the sky-high body count, the twisty plot is powered by Perry’s relentless focus on the question of where the next threat is coming from and how to survive it.Pub Date: May 5, 2011
ISBN: 978-0-547-56933-8
Page Count: 336
Publisher: Otto Penzler/Houghton Mifflin Harcourt
Review Posted Online: April 4, 2011
Kirkus Reviews Issue: April 1, 2011
There’s nothing romantic about Joe’s preoccupation with Beck, but Kepnes puts the reader so deep into his head that...
An impending sense of dread hangs over Kepnes’ cleverly claustrophobic debut, in which love takes on a whole new meaning.
Told from the perspective of Joe Goldberg, a seemingly normal Manhattan bookstore employee, the narrative is structured like a long monologue to the titular “you”: a young woman, Guinevere Beck, who becomes the object of Joe’s obsessive affection. They meet casually enough at the bookstore, and since she’s an aspiring writer just starting an MFA program, they bond over literature. Seems innocuous enough, even sweet, until we learn just how far Joe will go to make Beck—her preferred name—his own. Kepnes makes keen use of modern technology to chronicle Joe and Beck’s “courtship”: He not only stalks her on Twitter, but hacks into her email account and, after casually lifting her cellphone, monitors her text messages. In Joe’s mind, he’s keeping Beck safe from what he perceives as dangers in her life, particularly the clingy, wealthy Peach Salinger (yes, a relative of that Salinger); Beck’s hard-partying ex, Benji; and her therapist, the smooth-talking Dr. Nicky. When Joe and Beck finally, inevitably get together, it only serves to ratchet up Joe’s predatory, possessive instincts. Every text is analyzed as if it were the German Enigma Code, and every email is parsed and mined for secret meaning. There’s little doubt that the relationship is doomed, but Kepnes keeps the reader guessing on just how everything will implode.
There’s nothing romantic about Joe’s preoccupation with Beck, but Kepnes puts the reader so deep into his head that delusions approach reality.Pub Date: Sept. 30, 2014
ISBN: 9781476785592
Page Count: 416
Publisher: Emily Bestler/Atria
Review Posted Online: Aug. 13, 2014
Kirkus Reviews Issue: Sept. 1, 2014
BOOK TO SCREEN
BOOK TO SCREEN
Even though you just know Box isn’t going to put an end to his highly successful franchise by blowing his lead characters to...
Terrorists, libertarians, and wild cards duke it out in game warden Joe Pickett’s Wyoming.
Nate Romanowski, who doesn’t like being called a homicidal libertarian folk hero even though the shoe fits like a glove, has been minding his own business, miles from civilization, when a phone call between his lover, Olivia Brannan, and her mother, who’s dying in Louisiana, reveals his whereabouts to a pair of clean-cut sharpies calling themselves Brian Tyrell and Keith Volk. Unless Nate wants to stand trial along with Olivia for a gaggle of felonies he’s accumulated over previous installments (Endangered, 2015, etc.), they tell him, he’d better sign on with the Wolverines, a group of disaffected government freelancers sick of federal rules and regulations, to make contact with a terrorist who’s landed in the Red Desert. They hope the target, Muhammad Ibraaheem, will open up to Nate, who shares his anti-government idealism and his love of falconry. No sooner has Nate taken off to track down Ibby than outgoing Wyoming Gov. Spencer Rulon, apprised of his disappearance, persuades Nate’s old friend, game warden Joe Pickett, to go hunting for him. Despite the obstacles, ranging from a highly irritated grizzly bear to the obligatory involvement of Joe’s family—this time his daughter Sheridan, a college senior who decides to go camping at the worst possible time and place—Nate soon locates and befriends Ibby, and Joe eventually finds Nate. Nothing else goes according to plan, mainly because Ibby’s plans are more apocalyptic than Nate can imagine, and other parties turn out to be interested in the high-octane proceedings.
Even though you just know Box isn’t going to put an end to his highly successful franchise by blowing his lead characters to kingdom come, you can’t help turning the pages and holding your breath until you find out where this scary, all-too-plausible caravan is heading.Pub Date: March 8, 2016
ISBN: 978-0-399-17660-9
Page Count: 384
Publisher: Putnam
Review Posted Online: Dec. 22, 2015
Kirkus Reviews Issue: Jan. 1, 2016
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