Kepnes, whose previous novels deftly dealt with obsessive love, changes gears here and injects into this "Beauty and the...

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PROVIDENCE

The mysterious return of a kidnapped boy is more curse than blessing in this novel—which is equal parts love story, thriller, and horror tale.

In Nashua, New Hampshire, young teen Jon Bronson is the sort of boy who loves newspapers and hamsters and takes the long way to school to avoid bullies. He also loves fellow teen and popular budding artist Chloe Sayers, though he never admits as much. Kepnes (Hidden Bodies, 2016, etc.) nails the tentative feelings that develop between kids from different middle school social strata. When Jon vanishes one morning—it’s revealed early on that his kidnapper is local substitute teacher Roger Blair—the relative speed with which the town’s interest wanes is nearly as devastating as his disappearance, a narrative trick Kepnes pulls off seamlessly. Four years later, a more muscular Jon emerges from the local mall with no memory of his captivity and a new obsession with the work of H.P. Lovecraft, particularly the novel The Dunwich Horror, which features a man named Wilbur Whateley, with whom Jon begins to identify. Soon after Jon's return, strange things begin happening to the people around him, from getting nosebleeds to fainting and even having a fatal heart attack. Jon disappears again, voluntarily this time, fearing that, like Wilbur, he’s the monster whose mere presence causes sickness and death. Kepnes follows Jon, Chloe, and Charles "Eggs" DeBenedictus, a detective from Providence, Rhode Island, over the years as they live their separate but interconnected lives: Jon in Providence under two assumed names; Chloe in New York City as an artist who shot to fame with her initial paintings of Jon during his disappearance; and Eggs as he investigates a series of seemingly unlinked heart-attack deaths of young people. As the three come closer to one another and are repelled by either choice or circumstances, the question of sacrificing love for safety becomes painfully clear to everyone.

Kepnes, whose previous novels deftly dealt with obsessive love, changes gears here and injects into this "Beauty and the Beast"–like story a deeper allegory about how far we’ll go to protect the things we love the most.

Pub Date: June 19, 2018

ISBN: 978-0-399-59143-3

Page Count: 384

Publisher: Lenny

Review Posted Online: April 3, 2018

Kirkus Reviews Issue: April 15, 2018

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Kin “[find] each other’s lives inscrutable” in this rich, sharp story about the way identity is formed.

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THE VANISHING HALF

Inseparable identical twin sisters ditch home together, and then one decides to vanish.

The talented Bennett fuels her fiction with secrets—first in her lauded debut, The Mothers (2016), and now in the assured and magnetic story of the Vignes sisters, light-skinned women parked on opposite sides of the color line. Desiree, the “fidgety twin,” and Stella, “a smart, careful girl,” make their break from stultifying rural Mallard, Louisiana, becoming 16-year-old runaways in 1954 New Orleans. The novel opens 14 years later as Desiree, fleeing a violent marriage in D.C., returns home with a different relative: her 8-year-old daughter, Jude. The gossips are agog: “In Mallard, nobody married dark....Marrying a dark man and dragging his blueblack child all over town was one step too far.” Desiree's decision seals Jude’s misery in this “colorstruck” place and propels a new generation of flight: Jude escapes on a track scholarship to UCLA. Tending bar as a side job in Beverly Hills, she catches a glimpse of her mother’s doppelgänger. Stella, ensconced in white society, is shedding her fur coat. Jude, so black that strangers routinely stare, is unrecognizable to her aunt. All this is expertly paced, unfurling before the book is half finished; a reader can guess what is coming. Bennett is deeply engaged in the unknowability of other people and the scourge of colorism. The scene in which Stella adopts her white persona is a tour de force of doubling and confusion. It calls up Toni Morrison’s The Bluest Eye, the book's 50-year-old antecedent. Bennett's novel plays with its characters' nagging feelings of being incomplete—for the twins without each other; for Jude’s boyfriend, Reese, who is trans and seeks surgery; for their friend Barry, who performs in drag as Bianca. Bennett keeps all these plot threads thrumming and her social commentary crisp. In the second half, Jude spars with her cousin Kennedy, Stella's daughter, a spoiled actress.

Kin “[find] each other’s lives inscrutable” in this rich, sharp story about the way identity is formed.

Pub Date: June 2, 2020

ISBN: 978-0-525-53629-1

Page Count: 352

Publisher: Riverhead

Review Posted Online: March 15, 2020

Kirkus Reviews Issue: April 1, 2020

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More Hallmarkiana, from a shameless expert in the genre.

THE RESCUE

High-stakes weepmeister Sparks (A Walk to Remember, 1999, etc.) opts for a happy ending his fourth time out. His writing has improved—though it's still the equivalent of paint-by-numbers—and he makes use this time of at least a vestige of credible psychology.

That vestige involves the deep dark secret—it has something to do with his father's death when son Taylor was nine—that haunts kind, good 36-year-old local contractor Taylor McAden and makes him withdraw from relationships whenever they start getting serious enough to maybe get permanent. He's done this twice before, and now he does it again with pretty and sweet single mother Denise Holton, age 29, who's moved from Atlanta to Taylor's town of Edenton, North Carolina, in order to devote her time more fully to training her four-year-old son Kyle to overcome the peculiar impediment he has that keeps him from achieving normal language acquisition. Okay? When Denise has a car accident in a bad storm, she's rescued by volunteer fireman Taylor—who also rescues little Kyle after he wanders away from his injured mom in the storm. Love blooms in the weeks that follow—until Taylor suddenly begins putting on the brakes. What is it that holds him back, when there just isn't any question but that he loves Denise and vice versa-not to mention that he's "great" with Kyle, just like a father? It will require a couple of near-death experiences (as fireman Taylor bravely risks his life to save others); emotional steadiness from the intelligent, good, true Denise; and the terrible death of a dear and devoted friend before Taylor will come to the point at last of confiding to Denise the terrible memory of how his father died—and the guilt that's been its legacy to Taylor. The psychological dam broken, love will at last be able to flow.

More Hallmarkiana, from a shameless expert in the genre.

Pub Date: Sept. 19, 2000

ISBN: 0-446-52550-2

Page Count: 352

Publisher: N/A

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: July 15, 2000

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