Perry (The Old Man, 2017, etc.) provides a hero worth caring about, a villain who stays one step ahead of him, and a...
The Explosive Ordnance Unit of the LAPD battles a methodical bomber whose principal target seems to be them.
The first device in the unnamed title character’s campaign is so successful that it takes out the commander of the EOS and half his bomb-disposal specialists in a blast that, in retrospect, was clearly designed to do exactly that. Cowed and humbled, Deputy Chief David Ogden, commander of the LAPD’s Counterterrorism and Special Operations Bureau, goes hat in hand to Dick Stahl, ex-soldier and ex-cop, the former EOS chief who left to found No-Fail Security. Reluctantly reunited with his old unit, Stahl is certain from the beginning about his adversary’s modus: “predicting what a trained bomb technician will do to render the device safe, and turn[ing] that action into a trigger.” In a series of sequences expertly designed to keep you up long past your bedtime, he enjoys a good deal of success by resolutely refusing to do what his instincts demand. Stahl thinks his return will be only temporary, but his unexpected affair with EOS member Sgt. Diane Hines makes him so determined to protect her that he can’t leave the squad. Meantime, awkward complications pile up. TV news reporter Gloria Hedlund gets wind of the forbidden romance and won’t leave it alone. The bomber is approached by terrorists who’d really, really like him to design some devices for a big day they have in mind—and, while they think of it, would like him to purchase them some AK-47’s as well. And of course he keeps setting those bombs, some of which are detected and disarmed, others not.
Perry (The Old Man, 2017, etc.) provides a hero worth caring about, a villain who stays one step ahead of him, and a supporting cast designed to keep up the nerve-shredding suspense. If the ending feels like a letdown, that’s because this ultimate professional rivalry can’t possibly continue forever.Pub Date: Jan. 2, 2018
ISBN: 978-0-8021-2748-8
Page Count: 384
Publisher: Mysterious Press
Review Posted Online: Sept. 30, 2017
Kirkus Reviews Issue: Oct. 15, 2017
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.
Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.
Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.Pub Date: April 24, 2018
ISBN: 978-1-5011-5464-5
Page Count: 368
Publisher: Atria
Review Posted Online: Feb. 5, 2018
Kirkus Reviews Issue: Feb. 15, 2018
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