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MASON & DIXON

Reading Pynchon may be likened to what one of his characters says here about deciphering the “equation” presented by the...

Ever since Gravity’s Rainbow (1973), which shared a National Book Award and was given, then denied a Pulitzer Prize (on account of its “obscenity”), it’s been obvious, even to much of the so-called literary establishment, that Thomas Pynchon is one of our contemporary classics: a true polymath, formidably learned and technically unparalleled, who understands as few of his readers can the essential symbiosis between C.P. Snow’s “two cultures” of science and technology. Pynchon’s long-awaited new novel (reportedly 20 years in the making) is a huge and almost uniformly entertaining tale set in the late-18th century and tracing the fortunes and follies of Charles Mason and Jeremiah Dixon, the British astronomers and surveyors who established the boundary between Pennsylvania and Maryland that would divide young America between South and North, slaveholding and free—and unite the two scientists, despite their contrasting histories and temperaments, in a continuing quest for knowledge expressed as their “transits” from Old World to New, past to future, ignorance to transcendence. Their story is a contentious chronicle of tasks undertaken and both intellectual and bodily hungers satisfied to varying degrees, on several continents, and in the company of such historical worthies as Franklin and Washington and such scarcely less imposing counterparts as an erudite canine and a mechanical talking duck. Readers who are willing, therefore, to let Pynchon be Pynchon should tune in gratefully to this ambitious novel’s dizzy anachronisms and period fustian (its language closely recalls that of the book it otherwise resembles as well: John Barth’s The Sot-Weed Factor). Not all will cotton to Pynchon’s unregenerate wordplay (“Sirius business” may be his worst pun, though “Dutch Ado about nothing” runs it close), even if he does find a passable rhyme for “Philadelphia.” But the gags are strictly incidental, in a powerfully imagined vision of worlds in embryo and in collision that weds, as no fiction before, the romance of science with the romance of America.

Reading Pynchon may be likened to what one of his characters says here about deciphering the “equation” presented by the stars in their courses: “A lonely, uncompensated, perhaps even impossible Task,—yet some of us must be ever seeking it, I suppose.”

Pub Date: April 30, 1997

ISBN: 0-8050-3758-6

Page Count: 773

Publisher: Henry Holt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1997

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THE ALCHEMIST

Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind. 

 The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility. 

 Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Pub Date: July 1, 1993

ISBN: 0-06-250217-4

Page Count: 192

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1993

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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