This upbeat story triumphs thanks to its veracity and memorable characters.
Family members learn more about themselves and each other on a global journey in Reed’s novel.
At the heart of this moving work is a family matriarch, 75-year-old Lucinda Billings Maynard “Cinny” Posey. Though she is loath to admit it, Cinny has begun a slow slide into Parkinson’s disease. She’s hellbent against the concept of assisted living but is giving into assisted dying: She convinces her resistant adult children, Grace and Brian, to help her get moved into hospice care, where her plan is to starve herself to death. During her lengthy decline, Cinny scrawls page after page, finally stuffing these papers into seven envelopes and giving them to Grace as death descends. Her wish is to have her family take a trip around the world to scatter her ashes and those of her late English professor husband, Frank. Embarking on this journey are Grace, her husband, Jack, and their daughter, 24-year-old Chelsea; they are joined by bisexual Brian, his new bride, Ella, and her 16-year-old daughter, Sage. At each stop along the way, Cinny’s notes shed clarity on her relationship with Frank, helping Grace, Brian, and the rest to better understand their family’s dynamic. By the time the whirlwind pilgrimage ends, they are all more secure in their relationships with each other. The author successfully mines his personal history, including his background in academics and international travel, lending authenticity to this engaging narrative. The story is fast-paced, giving the reader the feel of the family’s rapid travel through Asia and Europe over three short weeks. The novel truly thrives thanks to its cast, beginning with Cinny, a child of Woodstock and a character with a capital C (Grace marvels, “She looks ten years older, but there’s so much of the old Mom there. Laughing. Joking. Giving me shit. I don’t have a clue how she manages to keep it up”) whose dying wish is to improve the lives of her twins, Grace and Brian, who have been clashing since sharing the womb. The result is a bracing novel in which an extended family actually returns re-energized from an exhausting voyage.
This upbeat story triumphs thanks to its veracity and memorable characters.Pub Date: Sept. 19, 2023
ISBN: 9780825310263
Page Count: 368
Publisher: Beaufort Books
Review Posted Online: July 31, 2023
Kirkus Reviews Issue: Sept. 15, 2023
Review Program: Kirkus Indie
BOOK REVIEW
Fans of Stockett’s bestselling debut will love this engaging follow-up.
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
BOOK REVIEW
Mostly charming, sometimes twee, with some really lovely things to say about poetry.
And now for some lessons in poetry and typesetting.
After Lessons in Chemistry (2022), a debut that became one of the most popular books of recent years, Garmus applies her unique comic sensibility to the story of Batter Gray, a man named after a family dog of mythic talents. A poetry maven who was reading Auden as a fourth grader, he was raised by a type-designer mother and historian father who dearly hoped he would choose some more viable profession than poetry. But via an amazing stroke of luck, he lands a job after college at Peck & Peck, an illustrious literary journal located in a beautiful building in New York City. He’s at the very bottom of the complex and dysfunctional totem pole, making copies in the basement, struggling not to run afoul of the cantankerous editor-in-chief, Salton Peck, or his smarmy assistant, Dexter York, both of whom have taken an instant dislike to our hero (and can never get his name right. Few people can). And to be honest, Batter is not without his flaws. The novel bogs down a bit in the middle, with Salton constantly excoriating his staff in ALL CAPS and much ado over the possibility that submissions have been taken outside the building, which is forbidden. Along the way, many, many famous poets are name-checked, as are many typefaces, since Batter has been raised to instantly identify a font in the wild. The best example of this occurs during his brief sojourn in jail: “The thing I kind of admired about Motherfucker II, besides his manners, was this huge tattoo he had on his neck that read I will fuck you up in ITC Bolt. Call me my mother’s son, but whoever inked it nailed the kerning.” The narrative picks up steam toward the end, as bad guys become good guys, mysteries are solved, and Batter throws one hell of a party.
Mostly charming, sometimes twee, with some really lovely things to say about poetry.Pub Date: Oct. 13, 2026
ISBN: 9781668251065
Page Count: 432
Publisher: Scribner
Review Posted Online: July 6, 2026
Kirkus Reviews Issue: Aug. 1, 2026
BOOK REVIEW
PERSPECTIVES
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