EMILY STEW

WITH SOME SIDE DISHES

From the deliciously twisted mind that first advised a former generation of elementary readers How to Eat Fried Worms comes a wildly inventive poetic portrait of a riveting character who’s made up—rather literally—of a stew of contradictions. Moody and prone to the most erratic behavior, Emily is depicted in these playful rhymed vignettes as an eccentric yet eminently recognizable and likable young creature: “Emily Rose / wouldn’t wear clothes”; “Emily Phlox / hated clocks”; “Emily Grief / could get no relief.” McPhail’s pen-and-ink spot art helps capture the defiant Emily as she asserts her individuality in scenes ranging from dancing with a fish to being eaten by a tiger (which, happily, banishes ennui). The poet’s sophisticated silliness engages the imagination while offering the occasional wry philosophical observation—“Does a clock ever know what a moment means?”—that gives readers of all ages pause. Much more than nonsense verse, it’s a revealing window into budding autonomy that is sure to delight children and parents alike. Final art not seen. (Poetry. 9-11)

Pub Date: March 1, 2010

ISBN: 978-1-59643-336-6

Page Count: 48

Publisher: Roaring Brook

Review Posted Online: Dec. 30, 2010

Kirkus Reviews Issue: Jan. 1, 2010

Did you like this book?

No Comments Yet

THE BUG IN TEACHER'S COFFEE

AND OTHER SCHOOL POEMS

PLB 0-06-027940-0 Dakos’s collection of 23 poems from the perspective of items found at school satisfies the I Can Read requirements of simplicity and word repetition, but may not lure beginning readers back for a second time. The material is uninspiring: The school’s front door says, “Keep me shut,/I have the flu,/Achooooooooo!/Achooooooooo!/Achooooooooo!/Achooooooooo!/Keep me shut,/I have the flu.” A book sings “Happy Birthday” to a ruler, then sings “Happy Unbirthday” when the ruler says that it is not its birthday. Also appearing are a couple of clever items—one on a kidnapped pencil and another on a comb pulling hazardous duty—along with some typographic elements that amiably convey the idea that words are malleable; Reed’s illustrations possess geniality and character, making some inanimate objects very personable. (Picture book. 4-8)

Pub Date: Aug. 31, 1999

ISBN: 0-06-027939-7

Page Count: 48

Publisher: HarperCollins

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: July 1, 1999

Did you like this book?

No Comments Yet
  • SPONSORED PLACEMENT

One of those rare thrillers whose answers are even more scarifying than its mysteries.

AFTER ALL I'VE DONE

A middle-aged woman sidelined by a horrific accident finds even sharper pains waiting on the other side of her recuperation in this expert nightmare by Hardy, familiar to many readers as Megan Hart, author of All the Secrets We Keep (2017), etc.

Five months ago, while she was on her way to the hospital with an ailing gallbladder, Diana Sparrow’s car hit a deer on a rural Pennsylvania road. When she awoke, she was minus her gallbladder, two working collarbones (and therefore two functioning arms), and her memory. During a recovery that would’ve been impossible without the constant ministrations of Harriett Richmond, the mother-in-law who’s the real reason Diana married her husband, Jonathan, Diana’s discovered that Jonathan has been cheating on her with her childhood friend Valerie Delagatti. Divorce is out of the question: Diana’s grown used to the pampered lifestyle the prenup she’d signed would snatch away from her. Every day is filled with torments. She slips and falls in a pool of wine on her kitchen floor she’s sure she didn’t spill herself. At the emergency room, her credit card and debit card are declined. She feels that she hates oppressively solicitous Harriett but has no idea why. Her sessions with her psychiatrist fail to heal her rage at her adoptive mother, an addict who abandoned her then returned only to disappear again and die an ugly death. Even worse, her attempts to recover her lost memory lead to an excruciatingly paced series of revelations. Val says Diana asked her to seduce Jonathan. Diana realizes that Cole, a fellow student in her watercolor class, isn’t the stranger she’d thought he was. Where can this maze of deceptions possibly end?

One of those rare thrillers whose answers are even more scarifying than its mysteries.

Pub Date: Nov. 10, 2020

ISBN: 978-1-64385-470-0

Page Count: 310

Publisher: Crooked Lane

Review Posted Online: Aug. 19, 2020

Kirkus Reviews Issue: Sept. 1, 2020

Did you like this book?

ISN'T MY NAME MAGICAL?

SISTER AND BROTHER POEMS

Leaving behind much of the lyricism found in his previous collections, Berry (First Palm Trees, 1997, etc.) pens poems in the voices of a sister, Dreena (who has the magical name), and brother, Delroy, on their experiences in the family with a dour sister, mother (“A teacher, Mom has lots of pens/and home and school jobs”), and father, who “drives a train,/sometimes in a heavy jacket.” This father is not really poem-material: “And, sometimes, Dad brings us gifts./Sometimes, he plays our piano.” The brother, Delroy, who tenders three autobiographical poems, can’t sit still and can’t stop talking about it. There is a good declarative poem, about a strong friendship he shares with another boy. Otherwise, he is dancing like a madman (“doing body-break and body-pop”) or skateboarding under the influence of a fevered imagination (“I want one owl on each my shoulder/hooting out as I leap each river”). In her first book, Hehenberger takes a literal route, anchoring every poem in domestic scenes of family and friends; the deep colors and finely sculpted forms become set pieces for Berry’s earthbound images. (Picture book. 5-9)

Pub Date: April 1, 1999

ISBN: 0-689-80013-4

Page Count: 32

Publisher: Simon & Schuster

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Feb. 1, 1999

Did you like this book?

No Comments Yet
more