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CAST OF CHARACTERS

WOLCOTT GIBBS, E.B. WHITE, JAMES THURBER, AND THE GOLDEN AGE OF THE NEW YORKER

Ably captures the antic spirit of the New Yorker’s first heyday.

A fresh view of the much-chronicled magazine, focused on the three writers/editors who, with founder Harold Ross, shaped its sophisticated stance in the years between the world wars.

“Elegant arrogance” is how The Week magazine founding editor Vinciguerra (editor: Backward Ran the Sentences: The Best of Wolcott Gibbs from The New Yorker, 2011, etc.) aptly describes the magazine’s rigorous distaste for what editor-in-chief Ross called “bunk.” Yet the author follows his generally positive assessment of Ross and company’s merciless skewering of sloppy writing and thinking with a quote from humorist Frank Sullivan warning that this was “the attitude of a couple of callow sub-editors from the Harvard Lampoon.” This book is admiring without airbrushing the magazine’s limitations and eccentricities. Wolcott Gibbs, feared drama critic and peerless parodist, was a depressive misanthrope who seemed rarely to have a happy moment. James Thurber, whose editing gave “Talk of the Town” its crisp, smart tone, was a misogynist far nastier than his cartoons chronicling the war between the sexes. E.B. White, who dominated the “Comment” section with his urbane yet down-to-earth pieces, was the least neurotic (and least alcoholic) of the triumvirate, but he was devoted to Gibbs and Thurber and vice versa. With the micromanaging Ross looking over their shoulders, they gave the magazine its voice and its panache, nicely conveyed by Vinciguerra in judicious excerpts from emblematic articles and juicy anecdotes involving many talented, turbulent contributors. The advent of World War II began to transform the New Yorker into a less lighthearted periodical, more consistently devoted to serious long-form journalism. Ross’ death in 1950, its 25th anniversary year, marked the end of an era; by the time of Gibbs’ demise in 1958 from a combination of booze and pills, he, Thurber, and White were making only occasional appearances in the magazine. It would thrive under William Shawn but as a very different animal.

Ably captures the antic spirit of the New Yorker’s first heyday.

Pub Date: Nov. 9, 2015

ISBN: 978-0393240030

Page Count: 464

Publisher: Norton

Review Posted Online: Aug. 14, 2015

Kirkus Reviews Issue: Sept. 1, 2015

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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BLACK BOY

A RECORD OF CHILDHOOD AND YOUTH

This autobiography might almost be said to supply the roots to Wright's famous novel, Native Son.

It is a grim record, disturbing, the story of how — in one boy's life — the seeds of hate and distrust and race riots were planted. Wright was born to poverty and hardship in the deep south; his father deserted his mother, and circumstances and illness drove the little family from place to place, from degradation to degradation. And always, there was the thread of fear and hate and suspicion and discrimination — of white set against black — of black set against Jew — of intolerance. Driven to deceit, to dishonesty, ambition thwarted, motives impugned, Wright struggled against the tide, put by a tiny sum to move on, finally got to Chicago, and there — still against odds — pulled himself up, acquired some education through reading, allied himself with the Communists — only to be thrust out for non-conformity — and wrote continually. The whole tragedy of a race seems dramatized in this record; it is virtually unrelieved by any vestige of human tenderness, or humor; there are no bright spots. And yet it rings true. It is an unfinished story of a problem that has still to be met.

Perhaps this will force home unpalatable facts of a submerged minority, a problem far from being faced.

Pub Date: Feb. 28, 1945

ISBN: 0061130249

Page Count: 450

Publisher: N/A

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Feb. 1, 1945

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