A gleeful, tender celebration of self-expression through movement, destined to become a favorite read-aloud.
A simple question—“How do you dance?”—meets resistance from one bespectacled youngster, who’s surrounded by a diverse, exuberant cast of characters displaying their signature moves in a range of settings and scenarios.
Heder perfectly captures the joy each figure finds in dance with muted watercolor-and-pencil illustrations against a white background. The serif typeface lends an authoritative air to the narrative voice’s descriptions of movement while playful hand-lettered text is sprinkled throughout to indicate characters’ responses to the “official” text. The typography also works with the book’s landscape format to emphasize the ways in which one might move—“FAST FAST FAST” in blurred italics and a drawn-out “sloooo o o o w w w w”—across a horizontal axis. The text’s organic, encouraging flow pauses at an official-looking chart that demonstrates such moves as “the swivel,” “the toodle,” and “the scoot” before taking an unexpected and delightful pirouette into the surreal: A full-bleed spread shows humans, including a dancer in a wheelchair, sharing a dimly lit dance floor (complete with disco ball) with dinosaurs, a robot, and horses. The reluctant dancer, who is not named or gendered by the text, has short dark brown hair and peachy tan skin and wears a green pullover with purple shorts and sneakers.
A gleeful, tender celebration of self-expression through movement, destined to become a favorite read-aloud. (Picture book. 3-8)Pub Date: Aug. 6, 2019
ISBN: 978-1-4197-3418-2
Page Count: 40
Publisher: Abrams
Review Posted Online: May 11, 2019
Kirkus Reviews Issue: June 1, 2019
Nice enough but not worth repeat reads.
Emma deals with jitters before playing the guitar in the school talent show.
Pop musician Kevin Jonas and his wife, Danielle, put performance at the center of their picture-book debut. When Emma is intimidated by her very talented friends, the encouragement of her younger sister, Bella, and the support of her family help her to shine her own light. The story is straightforward and the moral familiar: Draw strength from your family and within to overcome your fears. Employing the performance-anxiety trope that’s been written many times over, the book plods along predictably—there’s nothing really new or surprising here. Dawson’s full-color digital illustrations center a White-presenting family along with Emma’s three friends of color: Jamila has tanned skin and wears a hijab; Wendy has dark brown skin and Afro puffs; and Luis has medium brown skin. Emma’s expressive eyes and face are the real draw of the artwork—from worry to embarrassment to joy, it’s clear what she’s feeling. A standout double-page spread depicts Emma’s talent show performance, with a rainbow swirl of music erupting from an amp and Emma rocking a glam outfit and electric guitar. Overall, the book reads pretty plainly, buoyed largely by the artwork. (This book was reviewed digitally.)
Nice enough but not worth repeat reads. (Picture book. 4-6)Pub Date: March 29, 2022
ISBN: 978-0-593-35207-6
Page Count: 40
Publisher: Razorbill/Penguin
Review Posted Online: Feb. 8, 2022
Kirkus Reviews Issue: March 1, 2022
BOOK REVIEW
Readers will agree that “Melba Doretta Liston was something special.” (Picture book. 4-8)
Bewitched by the rhythms of jazz all around her in Depression-era Kansas City, little Melba Doretta Liston longs to make music in this fictional account of a little-known jazz great.
Picking up the trombone at 7, the little girl teaches herself to play with the support of her Grandpa John and Momma Lucille, performing on the radio at 8 and touring as a pro at just 17. Both text and illustrations make it clear that it’s not all easy for Melba; “The Best Service for WHITES ONLY” reads a sign in a hotel window as the narrative describes a bigotry-plagued tour in the South with Billie Holiday. But joy carries the day, and the story ends on a high note, with Melba “dazzling audiences and making headlines” around the world. Russell-Brown’s debut text has an innate musicality, mixing judicious use of onomatopoeia with often sonorous prose. Morrison’s sinuous, exaggerated lines are the perfect match for Melba’s story; she puts her entire body into her playing, the exaggerated arch of her back and thrust of her shoulders mirroring the curves of her instrument. In one thrilling spread, the evening gown–clad instrumentalist stands over the male musicians, her slide crossing the gutter while the back bow disappears off the page to the left. An impressive discography complements a two-page afterword and a thorough bibliography.
Readers will agree that “Melba Doretta Liston was something special.” (Picture book. 4-8)Pub Date: July 1, 2014
ISBN: 978-1-60060-898-8
Page Count: 40
Publisher: Lee & Low Books
Review Posted Online: June 3, 2014
Kirkus Reviews Issue: June 15, 2014
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