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A Greek Odyssey

Repetitious prose dilutes a potentially rich travel book experience.

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A personal journey along the back roads of Greece.

Australian by birth, Greek by blood, Mitsis (When Study Goes Wrong, 2015) brings a unique perspective to this book, in which she relates a trip through her ancestral homeland. She lures readers away from the usual suspects (Athens and the Greek islands) and introduces them to smaller, out-of-the-way places, some of which are tied to her own personal heritage. The book’s tone wavers between that of a Fodor’s or Frommer’s travel guide and that of a series of chatty texts. “What does Greece mean to me?” she asks in her introduction. “I wasn’t born there, I didn’t grow up there, yet it somehow draws me to it.” A few sentences later, she says, “Home is and always has been Australia. Yet something inside me draws me towards Greece.” Unfortunately, this tendency toward repetition continues throughout the book: beaches, landscapes, and towns are all described as “stunning,” as are Lake Prespa, Agras, and Mystras. However, the author does show both her curiosity and her winning respect for history. As she writes about the Turkish invasion of Parga, for example, which forced the locals to flee to nearby Corfu, she adds a colorful detail: “In order for them not to leave their ancestors behind, they had to dig them up, burn them, and then store their ashes.” More of these types of vivid footnotes would have been welcome. Instead, the book falls into a pattern; each sojourn offers a quote, some history, often a reference to something “stunning” (mountains, a castle, a monastery), and, in true travel guide style, a “How to Get There” addendum. At first, this format is appealing, but eventually, the places all blend together; readers will be hard-pressed to differentiate between Nafpaktos (“A stunning little town”), and Dodoni, which offers “stunning views around the area.” The book would also have profited greatly from maps, blueprints, or any other sort of visual component.

Repetitious prose dilutes a potentially rich travel book experience.

Pub Date: Jan. 25, 2016

ISBN: 978-1-925388-57-2

Page Count: 180

Publisher: Inhouse Publishing

Review Posted Online: April 18, 2016

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THE ELEMENTS OF STYLE

50TH ANNIVERSARY EDITION

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...

Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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