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THE LAST BLACK UNICORN

Both entertaining and grippingly introspective, Haddish’s take-no-prisoners tale is a testament to self-will and how humor...

The stand-up comedian and actress opens up about her past and the perils of being a woman in comedy.

In her uncensored and often hilarious debut memoir, Haddish reveals pivotal events from her personal life that helped propel her toward the stage. “I got into the entertainment business so I could feel accepted,” she writes. “And loved. And safe.” After learning about the trials of her early years, readers will appreciate how trying to make a roomful of strangers laugh could prove easier than negotiating the minefield of the author’s home life. Though somewhat dismissive of her uncanny ability to rise above adversity, Haddish provides a colloquially written rags-to-riches story that is both impressive and harrowing. Abandoned by her father at age 3 and forced to live with her grandmother at 8, after her mother was in a devastating car accident that caused permanent brain damage, Haddish spent years taking care of her younger siblings or being abused while in foster care. She turned to humor as a defense mechanism, getting her comedic start as a teen working as an “energy producer” at bar mitzvahs around Los Angeles. Once her grandmother learned she would no longer receive financial support for caring for her granddaughter, she turned Haddish out, causing her to become homeless at 18. At 21, the author’s stepfather told her that not only was he responsible for the accident that had forever changed her mother, but that it had been meant to kill her and all her siblings so he could cash in on the life insurance. After learning this, Haddish says she started dating policemen. “It’s always good to have police friends,” she writes, “especially black police, because there aren’t a lot of them.” The author’s unrelenting positivity and openness about how insecurities about her own self-worth led to poor decisions later in life offer important lessons and hope for others seemingly trapped in toxic relationships.

Both entertaining and grippingly introspective, Haddish’s take-no-prisoners tale is a testament to self-will and how humor can save your life.

Pub Date: Dec. 12, 2017

ISBN: 978-1-5011-8182-5

Page Count: 288

Publisher: Gallery Books/Simon & Schuster

Review Posted Online: March 26, 2018

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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I AM OZZY

An autobiography as toxic and addictive as any drug its author has ever ingested.

The legendary booze-addled metal rocker turned reality-TV star comes clean in his tell-all autobiography.

Although brought up in the bleak British factory town of Aston, John “Ozzy” Osbourne’s tragicomic rags-to-riches tale is somehow quintessentially American. It’s an epic dream/nightmare that takes him from Winson Green prison in 1966 to a presidential dinner with George W. Bush in 2004. Tracing his adult life from petty thief and slaughterhouse worker to rock star, Osbourne’s first-person slang-and-expletive-driven style comes off like he’s casually relating his story while knocking back pints at the pub. “What you read here,” he writes, “is what dribbled out of the jelly I call my brain when I asked it for my life story.” During the late 1960s his transformation from inept shoplifter to notorious Black Sabbath frontman was unlikely enough. In fact, the band got its first paying gigs by waiting outside concert venues hoping the regularly scheduled act wouldn’t show. After a few years, Osbourne and his bandmates were touring America and becoming millionaires from their riff-heavy doom music. As expected, with success came personal excess and inevitable alienation from the other members of the group. But as a solo performer, Osbourne’s predilection for guns, drink, drugs, near-death experiences, cruelty to animals and relieving himself in public soon became the stuff of legend. His most infamous exploits—biting the head off a bat and accidentally urinating on the Alamo—are addressed, but they seem tame compared to other dark moments of his checkered past: nearly killing his wife Sharon during an alcohol-induced blackout, waking up after a bender in the middle of a busy highway, burning down his backyard, etc. Osbourne is confessional to a fault, jeopardizing his demonic-rocker reputation with glib remarks about his love for Paul McCartney and Robin Williams. The most distinguishing feature of the book is the staggering chapter-by-chapter accumulation of drunken mishaps, bodily dysfunctions and drug-induced mayhem over a 40-plus-year career—a résumé of anti-social atrocities comparable to any of rock ’n’ roll’s most reckless outlaws.

An autobiography as toxic and addictive as any drug its author has ever ingested.

Pub Date: Jan. 25, 2010

ISBN: 978-0-446-56989-7

Page Count: 320

Publisher: Grand Central Publishing

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 1, 2009

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