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I'M JUST A PERSON

Forthright and private moments are revealed as a stand-up comedian uses her gift of creating laughter to overcome personal...

A stand-up comic and writer’s year from hell.

When Notaro received antibiotics for a case of pneumonia, she didn’t know she was embarking on months of health and family disasters. The drugs gave her a difficult and debilitating intestinal disease called C. diff, which caused her to lose more than 20 pounds and experience terrible abdominal pain. In the same time period, she lost her mother to an unexpected home accident. Then, after months of delay, she finally decided to examine the lump in her breast that she’d detected two years earlier, only to be told she had breast cancer in both breasts. At this extremely low point in her life, Notaro walked on stage and delivered brand-new material, opening with lines about her cancer. Once the audience realized she wasn’t joking, she writes, it was then “her job as a comedian to get every silenced, stunned person back to laughing….I made it my mission to yank everyone out of the dark hole by delivering a lighter joke or asking why they were taking this so hard—which caused the laughter that we all needed.” She received a standing ovation, and her career skyrocketed even as she faced a double mastectomy, the ongoing grief of her mother’s passing, and a broken romance. As she unfolds the intimate moments of her personal annus horribilis, Notaro intermingles laugh-out-loud moments from her childhood with her crazy mother and stepfather and sweet romantic times as an adult. Throughout her brief work, the author is frank, at times humorous, and anything but melodramatic. She shows readers the full spectrum of her emotional and physical conditions, her vulnerability, and ultimately her strength as she enters a happier and healthier stage in her life.

Forthright and private moments are revealed as a stand-up comedian uses her gift of creating laughter to overcome personal and physical disasters.

Pub Date: June 14, 2016

ISBN: 978-0-06-226663-7

Page Count: 128

Publisher: Ecco/HarperCollins

Review Posted Online: March 29, 2016

Kirkus Reviews Issue: April 15, 2016

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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