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TUNE IN TOKYO

THE GAIJIN DIARIES

An English teacher’s humorous observations on life in Tokyo through Western eyes.

Dissatisfied with the American Way and anxious about the prospect of turning 30, Anderson, a gay white North Carolinian, left his home country to snap himself out of the sameness of middle-class American life. “The last time I felt totally wide awake and alive was the last time I lived outside the country,” he writes. After a six-month stint in England, he decided to cash in on his otherwise useless English degree and took a job teaching English at a language school in Tokyo. From there, Anderson provides a frantically paced, in-your-face extended riff on everything bizarrely Japanese (which turns out to be pretty much everything Japanese, period). The obvious East/West tension and language barriers account for much of the humor, but even more hilariously observant is Anderson’s wry commentary on the bafflingly instantaneous social rebirth that even the most awkward, dim and unattractive of his American male colleagues often experienced in Japan. From Anderson’s perspective, the simple virtue of being a male Westerner garners instant gigolo status among the most beautiful of Japanese women. The author also found himself playing viola in a ramshackle experimental noise band and, inevitably, the Tokyo karaoke bars. Anderson reliably mines the rich comic potential inherent in simple, innocent miscommunications and misunderstandings, but most impressive is the author’s ability to sustain his hyperactive comedic voice throughout most of the book without losing his edge. A laugh-out-loud look at the East/West culture clash.    

 

Pub Date: Nov. 29, 2011

ISBN: 9781612181318

Page Count: 288

Publisher: AmazonEncore

Review Posted Online: Oct. 19, 2011

Kirkus Reviews Issue: Oct. 15, 2011

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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