Horror with heart. (Horror. 12-15)
This spine-tingler plunges into the stuff of nightmares.
“The body was lying in a thicket,” it begins. Fourteen-year-old Maya doesn’t remember why she ran off the path in this dark forest. Two dead bodies lie on the ground, each turning its head with eyes aglow. A shadowy figure bends over a third body. Maya stumbles and screams. Her family finds her and guides her out of this terrifying forest, but when they reach their new home/business—a village hotel called the Rowan Tree—something chilling occurs: A police officer sent to investigate is the same person as the first dead body. Not a twin, not a doppelganger—the same person. Maya just knows. Fright and grisliness escalate. Someone unknown and unseen stalks Maya; a fox has an unnatural power to make her follow it; foxes are turning up disemboweled and decapitated—and not just foxes. The narration stays faithful to Maya’s third-person-limited perspective, so readers don’t know who’s good or bad any earlier than she does. Maya’s warm parents and dedicated older brother can’t shield her or the village from danger, and they become targets too. There’s nothing particularly unique or specific about Maya and her family, which works well here, as if this could happen to anyone. When clarity and answers come, they’re sad, satisfying and less supernatural than they first seemed.
Horror with heart. (Horror. 12-15)Pub Date: Oct. 15, 2011
ISBN: 978-0-8234-2397-2
Page Count: 216
Publisher: Holiday House
Review Posted Online: Aug. 16, 2011
Kirkus Reviews Issue: Sept. 1, 2011
Mystery lovers will be pleased to have this whodunit, which is neither Victoriana nor steampunk
The brilliant daughter of Detective Sgt. Moriarty meets posh Sherlock Holmes, so obviously there will be murders.
Mori's got her hands full putting up with idiots at school, grieving her six-months-dead mum, and protecting her three younger brothers from their alcoholic and abusive father. Not so long ago, her family was happy: her dad spent time being manly with the boys, while Mori learned about martial arts and sleight of hand from her mother. With all that over, Mori has no intention of becoming friends with arrogant classmate Sherlock. Despite her best efforts to stay away from him, though, Mori fails. Both his intelligence and his affection for her are deeply compelling, and that's not to mention how interesting it is to be solving a murder with one of the few clever people she knows. When the crime they're investigating starts hitting too close to home—reminding Mori of her beloved mother's many secrets—she no longer wants Sherlock to be a part of her investigation. The story is set in present-day London and narrated affectingly by Mori. The conclusion leaves space for the fated collapse of the Holmes/Moriarty relationship in later series entries, putting a nice potential twist on the good girl–bad boy trend.
Mystery lovers will be pleased to have this whodunit, which is neither Victoriana nor steampunk . (Mystery. 13-15)Pub Date: Sept. 15, 2015
ISBN: 978-1-4814-2303-8
Page Count: 256
Publisher: Simon & Schuster
Review Posted Online: June 9, 2015
Kirkus Reviews Issue: July 1, 2015
BOOK REVIEW
BOOK REVIEW
Fairy-tale retellings grow like briar hedges; there’s no reason to read this one when so many better efforts exist.
A mishmash of fairy-tale influences and images underlies this debut.
Kate Hood has only an old grandmother, and they live together in the woods. When wolves set upon her as she carries groceries home from the village and she finds their cottage empty, she flees to Jack Haricot (exiled after that thing with the giant). Nan left a series of tapestries depicting imprisoned young women—one with a shorn head, another surrounded by poisoned apples, and a third locked in a hot cell with her twin brother. Sadly, these characters are mostly neither named nor seen for more than a few minutes in Kate’s visions. Kate and Jack, meanwhile, are summoned to the king and told to rescue the princess, who has been (nonsensically) kidnapped; they set off, fall in love, and save the day. As in the fairy tales that give this some structure, the world is thinly sketched at best, characters are representations, and action occurs because the plot dictates it. The writing is clumsy, overt and unsubtle, with some full-on malapropisms (“clairvoyant lungs”), and the tone is anachronistic (rented rooms and tin cans side by side with a pastoral, industry-free society) and dated at the same time (Kate refers to schooling Jack in “the cautious listening of women”).
Fairy-tale retellings grow like briar hedges; there’s no reason to read this one when so many better efforts exist. (Fantasy. 12-14)Pub Date: Aug. 25, 2015
ISBN: 978-0-545-64046-6
Page Count: 224
Publisher: Scholastic
Review Posted Online: May 11, 2015
Kirkus Reviews Issue: June 1, 2015
BOOK REVIEW
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