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“A HELL OF A PLACE TO LOSE A COW”

AN AMERICAN HITCHHIKING ODYSSSEY

This enjoyable book functions variously: as an enthusiastic pro-hitchhiking treatise, a reverent guide to an evanescent...

A frequently charming narrative epic in which a one-time hippie hitchhiker throws off middle-aged shackles and takes to the road in search of an America that, this time, he finds everywhere.

British expat Brookes (Signs of Life, 1997) arrived in the US in 1973 as a starry-eyed youth and hitchhiked around the beguiling heartland, alongside what seemed to be his whole generation. He repeats his original journey, this time under the auspices of narrative construction, and in loose tandem with National Geographic photographer Tomaszewski hitchhikes (with occasional concessions to practical travel) from Pennsylvania to San Francisco, up to Sturgis, South Dakota (for its famed “biker” convention), and then through the dispiriting Midwestern “Rust Belt” back to his Vermont home. Throughout, Brookes presents the nitty-gritty of interstate-trekking and hitching rides with effective vividness and immediacy. One is reassured, as was Brookes himself, by the friendly generosity of the “natives” he encounters—although they’re an eccentric lot, pursuing their separate Ahabian quests—and by the straightened-out lives of the erstwhile “freaks” he contacts from his 1973 journey. Subtle social undertones develop: he hitches many rides from long-haul truckers and veterans, from jittery libertarians and salt-of-the-earth blue-collar types, from kindly middle-aged liberals and hyper-capitalists in fancy cars. Brookes’s own political sensibility can become cloying, or predictable: suburbanites fear too much, the rural impoverished among us are the sainted folk, and lest we forget, All The Young People were surely on the right path during the ever-mourned 1960s. Fortunately, his well-honed sense of detail and witty-yet-unsettling prose, which recall a less acid Martin Amis, carry the day. And many of his darker observations—from the shunting aside of Native American communities to the physically destructive supremacy of automobile culture in US life—ring true, even in the context of his naturalistic amble.

This enjoyable book functions variously: as an enthusiastic pro-hitchhiking treatise, a reverent guide to an evanescent “ordinary” America, and a sometimes-pedantic address of contemporary division and isolation.

Pub Date: July 1, 2000

ISBN: 0-7922-7683-3

Page Count: 304

Publisher: National Geographic

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: June 15, 2000

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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